Mixed Choir (SATB) and Marimba SKU: AY.FRD151 Composed by Paul J. Sifler....(+)
Mixed Choir (SATB) and
Marimba
SKU:
AY.FRD151
Composed by
Paul J. Sifler. Vocal.
Fredonia Press #FRD151.
Published by Fredonia
Press (AY.FRD151).
ISBN
9790302120131.
Paul
J. Sifler's Marimba Mass,
or Mass for Voices and
Marimba, was composed in
1984. Scored for Mixed
Choir (SATB), Soprano and
Alto soloists, Marimba
and Triangle. This
product number is for the
Marimba and Triangle part
ONLY.
Mass of Creation - Vocal Edition. (SATB Vocal Edition). By Marty Haugen. For SAT...(+)
Mass of Creation - Vocal
Edition. (SATB Vocal
Edition). By Marty
Haugen. For SATB Choir
and Keyboard
accompaniment. Mass.
Sacred. Choral parts
only. Text language:
English. 20 pages.
Published by GIA
Publications
by Dave Brubeck, arranged by Norman Luboff. For SATB choir. Format: vocal score....(+)
by Dave Brubeck, arranged
by Norman Luboff. For
SATB choir. Format: vocal
score. With choral
notation, vocal melody
and lyrics. Jazz.
6.7x10.5 inches.
Published by Walton
Music. (HL.8501326)
6-PACK includes five
original copies of this
piece
Soli SATB, SATB Choir, Ob/Obca, Clarino, 2 Vl, Va, Bc SKU: CA.3116712 ...(+)
Soli SATB, SATB Choir,
Ob/Obca, Clarino, 2 Vl,
Va, Bc
SKU:
CA.3116712
Cantata
for the feast of John the
Baptist. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Violin 2. Sacred
vocal music, Cantatas,
Special days. Single
Part, Violin 2. Composed
1723. BWV 167. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.167/12. Published by
Carus Verlag
(CA.3116712).
ISBN
9790007209216. Language:
German/English.
The
cantata Ihr Menschen,
ruhmet Gottes Liebe (You
mortals, tell of God's
devotion) BWV 167 is one
of the first works which
Bach wrote in his
capacity as Kantor of St.
Thomas's Leipzig. It was
composed for the Feast of
St John, and was
performed for the first
time on 24 June 1723 in
Leipzig. This concise and
lively cantata is scored
for four vocal soloists
and modest instrumental
forces; only the final
chorale Sei Lob und Preis
mit Ehren is for all four
vocal parts and the use
of strings, with the
soprano reinforced by a
slide trumpet. The text
is partly drawn verbatim
from Zacharias's hymn of
praise in St Luke's
Gospel chapter 1. It
praises God's grace and
love, as fulfilled by his
promise of salvation
through Jesus for which
John has prepared the way
and the path. Score and
part available separately
- see item
CA.3116700.
Soli SATB, SATB Choir, Ob/Obca, Clarino, 2 Vl, Va, Bc SKU: CA.3116713 ...(+)
Soli SATB, SATB Choir,
Ob/Obca, Clarino, 2 Vl,
Va, Bc
SKU:
CA.3116713
Cantata
for the feast of John the
Baptist. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Viola. Sacred
vocal music, Cantatas,
Special days. Single
Part, Viola. Composed
1723. BWV 167. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.167/13. Published by
Carus Verlag
(CA.3116713).
ISBN
9790007209223. Language:
German/English.
The
cantata Ihr Menschen,
ruhmet Gottes Liebe (You
mortals, tell of God's
devotion) BWV 167 is one
of the first works which
Bach wrote in his
capacity as Kantor of St.
Thomas's Leipzig. It was
composed for the Feast of
St John, and was
performed for the first
time on 24 June 1723 in
Leipzig. This concise and
lively cantata is scored
for four vocal soloists
and modest instrumental
forces; only the final
chorale Sei Lob und Preis
mit Ehren is for all four
vocal parts and the use
of strings, with the
soprano reinforced by a
slide trumpet. The text
is partly drawn verbatim
from Zacharias's hymn of
praise in St Luke's
Gospel chapter 1. It
praises God's grace and
love, as fulfilled by his
promise of salvation
through Jesus for which
John has prepared the way
and the path. Score and
part available separately
- see item
CA.3116700.
Soli SATB, SATB Choir, Ob/Obca, Clarino, 2 Vl, Va, Bc SKU: CA.3116749 ...(+)
Soli SATB, SATB Choir,
Ob/Obca, Clarino, 2 Vl,
Va, Bc
SKU:
CA.3116749
Cantata
for the feast of John the
Baptist. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Special days. Single
Part, Organ. Composed
1723. BWV 167. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.167/49. Published by
Carus Verlag
(CA.3116749).
ISBN
9790007209247. Language:
German/English.
The
cantata Ihr Menschen,
ruhmet Gottes Liebe (You
mortals, tell of God's
devotion) BWV 167 is one
of the first works which
Bach wrote in his
capacity as Kantor of St.
Thomas's Leipzig. It was
composed for the Feast of
St John, and was
performed for the first
time on 24 June 1723 in
Leipzig. This concise and
lively cantata is scored
for four vocal soloists
and modest instrumental
forces; only the final
chorale Sei Lob und Preis
mit Ehren is for all four
vocal parts and the use
of strings, with the
soprano reinforced by a
slide trumpet. The text
is partly drawn verbatim
from Zacharias's hymn of
praise in St Luke's
Gospel chapter 1. It
praises God's grace and
love, as fulfilled by his
promise of salvation
through Jesus for which
John has prepared the way
and the path. Score and
part available separately
- see item
CA.3116700.
Soli SATB, SATB Choir, Ob/Obca, Clarino, 2 Vl, Va, Bc SKU: CA.3116709 ...(+)
Soli SATB, SATB Choir,
Ob/Obca, Clarino, 2 Vl,
Va, Bc
SKU:
CA.3116709
Cantata
for the feast of John the
Baptist. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.167/21
Oboe/ Oboe da caccia, 1x
31.167/31 Clarino.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. Composed 1723. BWV
167. Duration 18 minutes.
Carus Verlag #CV
31.167/09. Published by
Carus Verlag
(CA.3116709).
ISBN
9790007209193. Language:
German/English.
The
cantata Ihr Menschen,
ruhmet Gottes Liebe (You
mortals, tell of God's
devotion) BWV 167 is one
of the first works which
Bach wrote in his
capacity as Kantor of St.
Thomas's Leipzig. It was
composed for the Feast of
St John, and was
performed for the first
time on 24 June 1723 in
Leipzig. This concise and
lively cantata is scored
for four vocal soloists
and modest instrumental
forces; only the final
chorale Sei Lob und Preis
mit Ehren is for all four
vocal parts and the use
of strings, with the
soprano reinforced by a
slide trumpet. The text
is partly drawn verbatim
from Zacharias's hymn of
praise in St Luke's
Gospel chapter 1. It
praises God's grace and
love, as fulfilled by his
promise of salvation
through Jesus for which
John has prepared the way
and the path. Score and
parts available
separately - see item
CA.3116700.
Soli SATB, SATB Choir, Ob/Obca, Clarino, 2 Vl, Va, Bc SKU: CA.3116719 ...(+)
Soli SATB, SATB Choir,
Ob/Obca, Clarino, 2 Vl,
Va, Bc
SKU:
CA.3116719
Cantata
for the feast of John the
Baptist. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Special days. Set of
Orchestra Parts. Composed
1723. BWV 167. Duration
18 minutes. Carus Verlag
#CV 31.167/19. Published
by Carus Verlag
(CA.3116719).
ISBN
9790007209230. Language:
German/English.
The
cantata Ihr Menschen,
ruhmet Gottes Liebe (You
mortals, tell of God's
devotion) BWV 167 is one
of the first works which
Bach wrote in his
capacity as Kantor of St.
Thomas's Leipzig. It was
composed for the Feast of
St John, and was
performed for the first
time on 24 June 1723 in
Leipzig. This concise and
lively cantata is scored
for four vocal soloists
and modest instrumental
forces; only the final
chorale Sei Lob und Preis
mit Ehren is for all four
vocal parts and the use
of strings, with the
soprano reinforced by a
slide trumpet. The text
is partly drawn verbatim
from Zacharias's hymn of
praise in St Luke's
Gospel chapter 1. It
praises God's grace and
love, as fulfilled by his
promise of salvation
through Jesus for which
John has prepared the way
and the path. Score and
parts available
separately - see item
CA.3116700.
Soli SATB, SATB Choir, Ob/Obca, Clarino, 2 Vl, Va, Bc SKU: CA.3116703 ...(+)
Soli SATB, SATB Choir,
Ob/Obca, Clarino, 2 Vl,
Va, Bc
SKU:
CA.3116703
Cantata
for the feast of John the
Baptist. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Special
days. Vocal score.
Composed 1723. BWV 167.
28 pages. Duration 18
minutes. Carus Verlag #CV
31.167/03. Published by
Carus Verlag
(CA.3116703).
ISBN
9790007186845. Language:
German/English.
The
cantata Ihr Menschen,
ruhmet Gottes Liebe (You
mortals, tell of God's
devotion) BWV 167 is one
of the first works which
Bach wrote in his
capacity as Kantor of St.
Thomas's Leipzig. It was
composed for the Feast of
St John, and was
performed for the first
time on 24 June 1723 in
Leipzig. This concise and
lively cantata is scored
for four vocal soloists
and modest instrumental
forces; only the final
chorale Sei Lob und Preis
mit Ehren is for all four
vocal parts and the use
of strings, with the
soprano reinforced by a
slide trumpet. The text
is partly drawn verbatim
from Zacharias's hymn of
praise in St Luke's
Gospel chapter 1. It
praises God's grace and
love, as fulfilled by his
promise of salvation
through Jesus for which
John has prepared the way
and the path. Score
available separately -
see item CA.3116700.
Soli SATB, SATB Choir, Ob/Obca, Clarino, 2 Vl, Va, Bc SKU: CA.3116705 ...(+)
Soli SATB, SATB Choir,
Ob/Obca, Clarino, 2 Vl,
Va, Bc
SKU:
CA.3116705
Cantata
for the feast of John the
Baptist. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Special
days. Choral Score.
Composed 1723. BWV 167. 4
pages. Duration 18
minutes. Carus Verlag #CV
31.167/05. Published by
Carus Verlag
(CA.3116705).
ISBN
9790007186852. Language:
German/English.
The
cantata Ihr Menschen,
ruhmet Gottes Liebe (You
mortals, tell of God's
devotion) BWV 167 is one
of the first works which
Bach wrote in his
capacity as Kantor of St.
Thomas's Leipzig. It was
composed for the Feast of
St John, and was
performed for the first
time on 24 June 1723 in
Leipzig. This concise and
lively cantata is scored
for four vocal soloists
and modest instrumental
forces; only the final
chorale Sei Lob und Preis
mit Ehren is for all four
vocal parts and the use
of strings, with the
soprano reinforced by a
slide trumpet. The text
is partly drawn verbatim
from Zacharias's hymn of
praise in St Luke's
Gospel chapter 1. It
praises God's grace and
love, as fulfilled by his
promise of salvation
through Jesus for which
John has prepared the way
and the path. Score
available separately -
see item CA.3116700.
Soli SATB, SATB Choir, Ob/Obca, Clarino, 2 Vl, Va, Bc SKU: CA.3116700 ...(+)
Soli SATB, SATB Choir,
Ob/Obca, Clarino, 2 Vl,
Va, Bc
SKU:
CA.3116700
Cantata
for the feast of John the
Baptist. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Special
days. Full score.
Composed 1723. BWV 167.
32 pages. Duration 18
minutes. Carus Verlag #CV
31.167/00. Published by
Carus Verlag
(CA.3116700).
ISBN
9790007186838. Language:
German/English.
The
cantata Ihr Menschen,
ruhmet Gottes Liebe (You
mortals, tell of God's
devotion) BWV 167 is one
of the first works which
Bach wrote in his
capacity as Kantor of St.
Thomas's Leipzig. It was
composed for the Feast of
St John, and was
performed for the first
time on 24 June 1723 in
Leipzig. This concise and
lively cantata is scored
for four vocal soloists
and modest instrumental
forces; only the final
chorale Sei Lob und Preis
mit Ehren is for all four
vocal parts and the use
of strings, with the
soprano reinforced by a
slide trumpet. The text
is partly drawn verbatim
from Zacharias's hymn of
praise in St Luke's
Gospel chapter 1. It
praises God's grace and
love, as fulfilled by his
promise of salvation
through Jesus for which
John has prepared the way
and the path.
Soli SATB, SATB Choir, 2 Ob, 4 Trb, 2 Vl, Va, Bc - Level 3 SKU: CA.3103849(+)
Soli SATB, SATB Choir, 2
Ob, 4 Trb, 2 Vl, Va, Bc -
Level 3
SKU:
CA.3103849
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. Organ. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1724. BWV 38. 20
pages. Duration 21
minutes. Carus Verlag #CV
31.038/49. Published by
Carus Verlag
(CA.3103849).
ISBN
9790007205706. Key: E
phrygian. Language:
German. Text: Luther,
Martin.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116449 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116449
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1725. BWV
164. 16 pages. Duration
17 minutes. Carus Verlag
#CV 31.164/49. Published
by Carus Verlag
(CA.3116449).
ISBN
9790007209070. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Soli SAT, SATB Choir, 2 Fl, 2 Vl, Va, Bc - Level 3 SKU: CA.3118449 Can...(+)
Soli SAT, SATB Choir, 2
Fl, 2 Vl, Va, Bc - Level
3
SKU: CA.3118449
Cantata for the 3rd
Sunday of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Organ. Composed
1724. BWV 184. 24 pages.
Duration 25 minutes.
Carus Verlag #CV
31.184/49. Published by
Carus Verlag
(CA.3118449).
ISBN
9790007240608. Key: G
major / e minor.
Language:
German/English.
The
Pentecost cantata Desired
ray of light BWV 184 is
based on a Kothen
composition, probably a
congratulatory cantata,
whose instrumental parts
(only these have
survived) Bach reused in
the Leipzig Pentecost
cantata. Only the chorale
setting was evidently
newly composed. Despite
the narrow leeway that
the already finished
composition left for the
librettist, he
nevertheless succeeded in
crafting a coherent
Pentecost text. The fact
that the cantata begins
with a long tenor
accompagnato with two
flutes followed by a
pastoral duet is
surprising. The placing
of the chorale not at the
end of the work but
before the concluding
chorus is unusual. Bach
was evidently aware of
the effect that the
ending of this lively
movement would have and
wanted to retain this in
its sacred form as well.
The sacred version was
first performed on the
third day of Pentecost in
1724, probably after a
parody version of another
Kothen cantata (BWV 173)
had already been
performed on the second
day of Pentecost. Score
and part available
separately - see item
CA.3118400.
Composed by Johann Sebastian Bach (1685-1750). Edited by Christine Blanken. Pape...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Christine Blanken.
Paperback. Sacred vocal
music, Cantatas; Praise
and thanks. Vocal score.
Composed ca 1730. BWV
192. 28 pages. Duration
15 minutes. Published by
Carus Verlag
(CA.3119203).
Composed
by Antonio Vivaldi.
Edited by Daniel Ivo de
Oliveira. Arranged by
Daniel Ivo de Oliveira.
Sacred vocal music,
Psalms,. Stuttgart Urtext
Edition: Vivaldi-Archiv.
Violin 1. Sacred vocal
music, Psalms, Latin,
Psalms. Single Part,
Violin 1. RV 604.
Duration 4 minutes. Carus
Verlag #CV 40.018/11.
Published by Carus Verlag
(CA.4001811).
ISBN
9790007248932. Language:
Latin.
Vivaldi's
setting of Psalm 113
(Psalm 114 in the
Protestant Bible) In
exitu Israel was probably
composed in 1739. Strings
and basso continuo
accompany the
homophonically-written
vocal parts. The text of
this psalm - the longest
of all the vesper psalms
- was set by Vivaldi in
an extremely condensed
composition. Despite its
brevity, his fine feeling
for the emotional content
of the text is
wonderfully expressed.
Even in this one-movement
work the composer creates
space for variety by not
only varying the string
accompaniment, but also
playing with the keys
effectively and sometimes
in surprising ways, or
hinting at the
responsorial style of
psalm settings. Score and
part available separately
- see item
CA.4001800.
Composed
by Antonio Vivaldi.
Edited by Daniel Ivo de
Oliveira. Arranged by
Daniel Ivo de Oliveira.
Sacred vocal music,
Psalms,. Stuttgart Urtext
Edition: Vivaldi-Archiv.
Organ. Sacred vocal
music, Psalms, Latin,
Psalms. Single Part,
Organ. RV 604. Duration 4
minutes. Carus Verlag #CV
40.018/49. Published by
Carus Verlag
(CA.4001849).
ISBN
9790007240691. Language:
Latin.
Vivaldi's
setting of Psalm 113
(Psalm 114 in the
Protestant Bible) In
exitu Israel was probably
composed in 1739. Strings
and basso continuo
accompany the
homophonically-written
vocal parts. The text of
this psalm - the longest
of all the vesper psalms
- was set by Vivaldi in
an extremely condensed
composition. Despite its
brevity, his fine feeling
for the emotional content
of the text is
wonderfully expressed.
Even in this one-movement
work the composer creates
space for variety by not
only varying the string
accompaniment, but also
playing with the keys
effectively and sometimes
in surprising ways, or
hinting at the
responsorial style of
psalm settings. Score and
part available separately
- see item
CA.4001800.
Composed
by Antonio Vivaldi.
Edited by Daniel Ivo de
Oliveira. Arranged by
Daniel Ivo de Oliveira.
Sacred vocal music,
Psalms,. Stuttgart Urtext
Edition: Vivaldi-Archiv.
Basso continuo. Sacred
vocal music, Psalms,
Latin, Psalms. Single
Part, basso continuo. RV
604. Duration 4 minutes.
Carus Verlag #CV
40.018/14. Published by
Carus Verlag
(CA.4001814).
ISBN
9790007248963. Language:
Latin.
Vivaldi's
setting of Psalm 113
(Psalm 114 in the
Protestant Bible) In
exitu Israel was probably
composed in 1739. Strings
and basso continuo
accompany the
homophonically-written
vocal parts. The text of
this psalm - the longest
of all the vesper psalms
- was set by Vivaldi in
an extremely condensed
composition. Despite its
brevity, his fine feeling
for the emotional content
of the text is
wonderfully expressed.
Even in this one-movement
work the composer creates
space for variety by not
only varying the string
accompaniment, but also
playing with the keys
effectively and sometimes
in surprising ways, or
hinting at the
responsorial style of
psalm settings. Score and
part available separately
- see item
CA.4001800.
Composed
by Antonio Vivaldi.
Edited by Daniel Ivo de
Oliveira. Arranged by
Daniel Ivo de Oliveira.
Sacred vocal music,
Psalms,. Stuttgart Urtext
Edition: Vivaldi-Archiv.
Violin 2. Sacred vocal
music, Psalms, Latin,
Psalms. Single Part,
Violin 2. RV 604.
Duration 4 minutes. Carus
Verlag #CV 40.018/12.
Published by Carus Verlag
(CA.4001812).
ISBN
9790007248949. Language:
Latin.
Vivaldi's
setting of Psalm 113
(Psalm 114 in the
Protestant Bible) In
exitu Israel was probably
composed in 1739. Strings
and basso continuo
accompany the
homophonically-written
vocal parts. The text of
this psalm - the longest
of all the vesper psalms
- was set by Vivaldi in
an extremely condensed
composition. Despite its
brevity, his fine feeling
for the emotional content
of the text is
wonderfully expressed.
Even in this one-movement
work the composer creates
space for variety by not
only varying the string
accompaniment, but also
playing with the keys
effectively and sometimes
in surprising ways, or
hinting at the
responsorial style of
psalm settings. Score and
part available separately
- see item
CA.4001800.
Composed
by Antonio Vivaldi.
Edited by Daniel Ivo de
Oliveira. Arranged by
Daniel Ivo de Oliveira.
Sacred vocal music,
Psalms,. Stuttgart Urtext
Edition: Vivaldi-Archiv.
Viola. Sacred vocal
music, Psalms, Latin,
Psalms. Single Part,
Viola. RV 604. Duration 4
minutes. Carus Verlag #CV
40.018/13. Published by
Carus Verlag
(CA.4001813).
ISBN
9790007248956. Language:
Latin.
Vivaldi's
setting of Psalm 113
(Psalm 114 in the
Protestant Bible) In
exitu Israel was probably
composed in 1739. Strings
and basso continuo
accompany the
homophonically-written
vocal parts. The text of
this psalm - the longest
of all the vesper psalms
- was set by Vivaldi in
an extremely condensed
composition. Despite its
brevity, his fine feeling
for the emotional content
of the text is
wonderfully expressed.
Even in this one-movement
work the composer creates
space for variety by not
only varying the string
accompaniment, but also
playing with the keys
effectively and sometimes
in surprising ways, or
hinting at the
responsorial style of
psalm settings. Score and
part available separately
- see item
CA.4001800.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Kyrie In
C (Erganzung Stadler).
Sacred vocal music, Mass
sections. Single Part,
Violin 2. Composed 1790
(terminus post quem). KV
323. 4 pages. Duration 3
minutes. Carus Verlag #CV
51.323/12. Published by
Carus Verlag
(CA.5132312).
ISBN
9790007224899. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings. In 1830,
for the first edition of
the Kyrie K. 323 Stadler
employed the text of the
Marian Antiphon for
Easter Regina coeli
laetare for the vocal
parts. The Carus edition
presents both the
original text (Kyrie), as
well as the text from the
first edition (Regina
coeli), so that the work
may be performed in the
Mass or in the context of
a solemn Vespers during
the time of Easter. Score
and part available
separately - see item
CA.5132300.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Kyrie In
C (Erganzung Stadler).
Sacred vocal music, Mass
sections. Single Part,
Cello/Double Bass.
Composed 1790 (terminus
post quem). KV 323. 2
pages. Duration 3
minutes. Carus Verlag #CV
51.323/14. Published by
Carus Verlag
(CA.5132314).
ISBN
9790007224912. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings. In 1830,
for the first edition of
the Kyrie K. 323 Stadler
employed the text of the
Marian Antiphon for
Easter Regina coeli
laetare for the vocal
parts. The Carus edition
presents both the
original text (Kyrie), as
well as the text from the
first edition (Regina
coeli), so that the work
may be performed in the
Mass or in the context of
a solemn Vespers during
the time of Easter. Score
and part available
separately - see item
CA.5132300.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Kyrie In
C (Erganzung Stadler).
Sacred vocal music, Mass
sections. Single Part,
Organ. Composed 1790
(terminus post quem). KV
323. 4 pages. Duration 3
minutes. Carus Verlag #CV
51.323/49. Published by
Carus Verlag
(CA.5132349).
ISBN
9790007224929. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings. In 1830,
for the first edition of
the Kyrie K. 323 Stadler
employed the text of the
Marian Antiphon for
Easter Regina coeli
laetare for the vocal
parts. The Carus edition
presents both the
original text (Kyrie), as
well as the text from the
first edition (Regina
coeli), so that the work
may be performed in the
Mass or in the context of
a solemn Vespers during
the time of Easter. Score
and part available
separately - see item
CA.5132300.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Kyrie In
C (Erganzung Stadler).
Sacred vocal music, Mass
sections. Single Part,
Viola. Composed 1790
(terminus post quem). KV
323. 2 pages. Duration 3
minutes. Carus Verlag #CV
51.323/13. Published by
Carus Verlag
(CA.5132313).
ISBN
9790007224905. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings. In 1830,
for the first edition of
the Kyrie K. 323 Stadler
employed the text of the
Marian Antiphon for
Easter Regina coeli
laetare for the vocal
parts. The Carus edition
presents both the
original text (Kyrie), as
well as the text from the
first edition (Regina
coeli), so that the work
may be performed in the
Mass or in the context of
a solemn Vespers during
the time of Easter. Score
and part available
separately - see item
CA.5132300.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Kyrie In
C (Erganzung Stadler).
Sacred vocal music, Mass
sections. Single Part,
Violin 1. Composed 1790
(terminus post quem). KV
323. 4 pages. Duration 3
minutes. Carus Verlag #CV
51.323/11. Published by
Carus Verlag
(CA.5132311).
ISBN
9790007224882. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings. In 1830,
for the first edition of
the Kyrie K. 323 Stadler
employed the text of the
Marian Antiphon for
Easter Regina coeli
laetare for the vocal
parts. The Carus edition
presents both the
original text (Kyrie), as
well as the text from the
first edition (Regina
coeli), so that the work
may be performed in the
Mass or in the context of
a solemn Vespers during
the time of Easter. Score
and part available
separately - see item
CA.5132300.
Hallelujah Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano accompaniment - Intermediate SKU: GI.G-8618 From Mes...(+)
SATB choir, piano
accompaniment -
Intermediate
SKU:
GI.G-8618
From
Messiah. Composed by
George Frideric Handel.
Edited by Dennis Shrock.
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day, Easter Day. GIA
Historical Music. Music
Education. Octavo. 12
pages. GIA Publications
#8618. Published by GIA
Publications (GI.G-8618).
The
“Hallelujahâ€
chorus is the final
movement of part two of
Handel’s Messiah,
the part that comments on
Christ’s
crucifixion,
resurrection, and
ascension. The text of
the chorus, assembled
from Biblical passages by
the oratorio’s
librettist, Charles
Jennens, is from
Revelation 19:6, 11:15,
and 19:16:
“Hallelujah, for
the Lord God omnipotent
reigneth. The kingdom of
this world is become the
kingdom of our Lord and
of his Christ, and he
shall reign for ever and
ever. KING OF KINGS, AND
LORD OF LORDS.â€
This edition has been
prepared from the first
published score in 1767,
with comparisons to
Handel’s autograph
manuscript now housed in
the British Museum. The
text has been reproduced
here without alterations.
However, the beamings of
the vocal parts have been
modernized for ease of
reading (the original
material has flags
instead of beams for
every separate syllable).
The piano accompaniment
is a reduction of the
orchestral material: the
first and second violin
parts are represented in
the upper staff, with
only occasional inclusion
of the viola, trumpet,
and timpani parts, the
basso continuo, in its
original form, is in the
bottom staff. The GIA
Historical Music Series
edited by Dennis Shrock,
presents repertoire
suitable for performance
by public school, college
and university, church,
and community ensembles,
with the purpose of
making available to
today’s conductors
lesser-known and
previously
difficult-to-procure
historical masterpieces.
The music, drawn from the
Renaissance through the
Romantic eras, is in
performance editions
based on the most current
and rigorous scholarly
research. The musical
scores reflect original
intent of notation, with
all editorial markings
and emendations clearly
identified as such. In
addition, preface
material accompanying the
music contains literal
translations of foreign
language texts and
information regarding the
lives of the composers,
genres, and relevant
performance practices.
Dennis Shrock is Director
of Choral Activities at
Texas Christian
University. He has been
called one of the top
choral scholars in the
United States and has
received a number of
awards for his work. He
received a bachelor's
degree in music education
from Westminster Choir
College and both master's
and doctoral degrees in
choral conducting from
Indiana University.
For SATB Chorus &
Orchestra. Composed
by Jonathan Blair.
Vocal/Choral, Sacred
Choral, Orchestra. Choral
Octavo. Gusthold Music
Publisher #25100151.
Published by Gusthold
Music Publisher
(SU.25100151).
Chorus part
onlySATB Chorus &
Orchestra Duration: 9'30
Composed: 2019 Published
by: Gusthold Music
Publisher Minimum order
quantity: 8 copies. To
order quantities fewer
than 8.
For SATB Chorus &
Orchestra. Composed
by Eli Evans.
Vocal/Choral, Secular
Choral, Orchestra. Choral
Octavo. Gusthold Music
Publisher #25100161.
Published by Gusthold
Music Publisher
(SU.25100161).
Chorus part
onlySATB Chorus &
Orchestra Duration: 47'
Composed: 2018 Published
by: Gusthold Music
Publisher Minimum order
quantity: 8 copies. To
order quantities fewer
than 8, please call
customer service at (973)
857-3440.
Mixed Choir [SATB] and Guitar SKU: HL.14019014 Composed by Per Norgard. M...(+)
Mixed Choir [SATB] and
Guitar
SKU:
HL.14019014
Composed
by Per Norgard. Music
Sales America. Classical.
Choral Score. Music Sales
#KP00848. Published by
Music Sales
(HL.14019014).
ISBN
9788759863732.
Danish.
Per Norgard
LIBRALIBRA was originally
a commission-work for
guitar, but during the
compositional process a
vocal part was liberated
from the musical
material, a part which
could be provided with
words from the Rudolf
Steiner's poem Libra.
Gradually two choruses
and ten movements were
created around this part
and texts from David's
Psalms were added.LIBRA
is one of the most
characteristic works in
the row of the composer's
hierachic music works:
Slow and rapid versions
of the same melodies,
series of accords are
coupled in continuously
new constellations but
always based in harmony.
This is only possible
because of the hierachic
nature of this music.Per
Norgard.
Cantata for the 3rd
Sunday of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Erwunschtes
Freudenlicht. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1724. BWV
184. Duration 25 minutes.
Carus Verlag #CV
31.184/19. Published by
Carus Verlag
(CA.3118419).
ISBN
9790007134235. Key: G
major / e minor.
Language:
German/English.
The
Pentecost cantata Desired
ray of light BWV 184 is
based on a Kothen
composition, probably a
congratulatory cantata,
whose instrumental parts
(only these have
survived) Bach reused in
the Leipzig Pentecost
cantata. Only the chorale
setting was evidently
newly composed. Despite
the narrow leeway that
the already finished
composition left for the
librettist, he
nevertheless succeeded in
crafting a coherent
Pentecost text. The fact
that the cantata begins
with a long tenor
accompagnato with two
flutes followed by a
pastoral duet is
surprising. The placing
of the chorale not at the
end of the work but
before the concluding
chorus is unusual. Bach
was evidently aware of
the effect that the
ending of this lively
movement would have and
wanted to retain this in
its sacred form as well.
The sacred version was
first performed on the
third day of Pentecost in
1724, probably after a
parody version of another
Kothen cantata (BWV 173)
had already been
performed on the second
day of Pentecost. Score
and parts available
separately - see item
CA.3118400.