This edition SATB only. Composed by Johann Sebastian Bach (1685-1750). Edited by Katherine K. Davis. Bestseller. Baroque. Vocal score. Galaxy Music Corporation #1.1278. Published by Galaxy Music Corporation

Composed by Ray Gilbert, Cristobal De Morales, Baden Powell, Ray Gilbert, Cristobal De Morales, Baden Powell, Claude Nougaro, Pierre-Gerard Verny. Secular, Vocal Jazz. Choir and piano part. 12 pages. Published by Editions a Coeur Joie (CJ.A112400055).

Composed by Stephen Chatman. 21st Century. Instrument parts. Galaxy Music Corporation #7.0720. Published by Galaxy Music Corporation

SATB choir, piano

SKU: LO.15-3661H

Composed by Richard A. Williamson. Choral. Octavo. Heritage Music Press #15/3661H. Published by Heritage Music Press (LO.15-3661H).

ISBN 9780787765316.

I choose the mountain with all its stress and strain because only by climbing can I rise above the plain. This dynamic setting of Howard Simon’s powerful poem explores the power of the human spirit to conquer all of life’s adversity and strife. With accessible vocal parts and beautiful scoring, it is a stunning concert offering not to miss!

By Victor C. Johnson. For SATB choir, piano (with optional percussion). Concert, Multicultural. Octavo. Published by Heritage Music Press

Composed by Gabriel Jackson (1962-). Vocal score. 8 pages. Duration 4 minutes. Published by Oxford University Press

Composed by Marty Parks. Choral. Sacred Anthem, Christmas. Octavo. Lorenz Publishing Company #10/5319L. Published by Lorenz Publishing Company

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505312

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Violin 2. Composed 1739. HWV 53. 56 pages. Duration 165 minutes. Carus Verlag #CV 55.053/12. Published by Carus Verlag (CA.5505312).

ISBN 9790007226589. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505314

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Cello. Composed 1739. HWV 53. 60 pages. Duration 165 minutes. Carus Verlag #CV 55.053/14. Published by Carus Verlag (CA.5505314).

ISBN 9790007226602. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505349

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Organ. Composed 1739. HWV 53. 102 pages. Duration 165 minutes. Carus Verlag #CV 55.053/49. Published by Carus Verlag (CA.5505349).

ISBN 9790007145767. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505313

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Viola. Composed 1739. HWV 53. 44 pages. Duration 165 minutes. Carus Verlag #CV 55.053/13. Published by Carus Verlag (CA.5505313).

ISBN 9790007226596. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118813

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, End of the church year, Trinity. Single Part, Viola. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/13. Published by Carus Verlag (CA.3118813).

ISBN 9790007210052. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118849

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, End of the church year, Trinity. Single Part, Organ. Composed 1728. BWV 188. 16 pages. Duration 25 minutes. Carus Verlag #CV 31.188/49. Published by Carus Verlag (CA.3118849).

ISBN 9790007210090. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118811

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, End of the church year, Trinity. Single Part, Violin 1. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/11. Published by Carus Verlag (CA.3118811).

ISBN 9790007210038. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118814

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, End of the church year, Trinity. Single Part, basso continuo. Composed 1728. BWV 188. 16 pages. Duration 25 minutes. Carus Verlag #CV 31.188/14. Published by Carus Verlag (CA.3118814).

ISBN 9790007210069. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118848

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Harpsichord. Sacred vocal music, End of the church year, Trinity. Single Part, Cembalo. Composed 1728. BWV 188. 20 pages. Duration 25 minutes. Carus Verlag #CV 31.188/48. Published by Carus Verlag (CA.3118848).

ISBN 9790007210083. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118812

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, End of the church year, Trinity. Single Part, Violin 2. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/12. Published by Carus Verlag (CA.3118812).

ISBN 9790007210045. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115611

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/11. Published by Carus Verlag (CA.3115611).

ISBN 9790007208776. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115614

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Epiphany. Single Part, basso continuo. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/14. Published by Carus Verlag (CA.3115614).

ISBN 9790007208806. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115621

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Oboe. Sacred vocal music, Cantatas, Epiphany. Single Part, Oboe. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/21. Published by Carus Verlag (CA.3115621).

Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115612

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/12. Published by Carus Verlag (CA.3115612).

ISBN 9790007208783. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115613

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/13. Published by Carus Verlag (CA.3115613).

ISBN 9790007208790. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones colla parte]

SKU: CA.5031419

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Missa Sti Johannis Nepomuceni Mh 182. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1772. MH 182. Duration 20 minutes. Carus Verlag #CV 50.314/19. Published by Carus Verlag (CA.5031419).

ISBN 9790007138295. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score and parts available separately - see item CA.5031400.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones colla parte]

SKU: CA.5031409

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. 1x 50.314/21 oboe 1, 1x 50.314/22 oboe 2, 1x 50.314/31 clarino 1, 1x 50.314/32 clarino 2, 1x 50.314/33 trumpet 1, 1x 50.314/34 trumpet 2, 1x 50.314/35 trombone 1, 1x 50.314/36 trombone 2, 1x 50.314/37 trombone 3, 1x 50.314/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Johannis Nepomuceni Mh 182. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1772. MH 182. 68 pages. Duration 20 minutes. Carus Verlag #CV 50.314/09. Published by Carus Verlag (CA.5031409).

ISBN 9790007223779. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score and parts available separately - see item CA.5031400.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones colla parte]

SKU: CA.5031449

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Johannis Nepomuceni Mh 182. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1772. MH 182. 20 pages. Duration 20 minutes. Carus Verlag #CV 50.314/49. Published by Carus Verlag (CA.5031449).

ISBN 9790007135379. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score and part available separately - see item CA.5031400.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones colla parte]

SKU: CA.5031413

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Johannis Nepomuceni Mh 182. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1772. MH 182. 16 pages. Duration 20 minutes. Carus Verlag #CV 50.314/13. Published by Carus Verlag (CA.5031413).

ISBN 9790007223809. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score and part available separately - see item CA.5031400.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones colla parte]

SKU: CA.5031412

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Johannis Nepomuceni Mh 182. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1772. MH 182. 16 pages. Duration 20 minutes. Carus Verlag #CV 50.314/12. Published by Carus Verlag (CA.5031412).

ISBN 9790007223793. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score and part available separately - see item CA.5031400.