Par GOODALL HOWARD. Every Purpose under the Heaven is a musical tribute to one of the most important cultural landmarks of the Western civilisation - the 1611 King James Bible . Written in celebration of the Bible's 400- year anniversary, Goodall has brought together ten of the most expressive passages, from Genesis to Revelation, to create an oratorio that is at once steeped in historic grandeur and utterly relevant in today's society. Musically, it displays all the hallmarks of Goodall's well-loved style - soaring melodies, rhythmic vitality and perfectly crafted lines. However, this work offers singers and audiences something more: an opportunity to introduce new generations to the expressive power and ancient truths of this historic text. Commissioned as a gift to the United Learning Trust, Every purpose under the heaven is suitable for young singers, choral societies and church choirs of all abilities. It may be accompanied by piano, using the reduction provided, or chamber orchestra (score and parts available from the Faber Music Hire Library). Duration: 45 Minutes/ Recueil / Voix Mixtes

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

This little piece was commissioned by King's College, Cambridge in 2002 as the then-latest in their celebrated annual Christmastide service of Nine Lessons and Carols for their unique Chapel - it is dedicated to the choir and its director Stephen Cleobury. 'Little', but already a mini-cantata telling the start of the familiar story - Gabriel's Annunciation - praise to the Virgin before she too sings 'my soul doth magnify the Lord': the shepherds a-watching their flocks by night - the angelic chorus in the sky - the fusion of celestial and earthy around the crib holding the baby who is also 'lord of Time and Space'. Here we stop, for now. In fact this is only the first panel of a Christmas Sequence that continues and concludes the whole tale. Seeking out unhackneyed texts, I found such attractive material in the byways that I couldn't resist weaving together from it a composite tapestry, then setting the lot! The words of this section are from the Gospel account, anonymous carols of the 15th, 16th and 17th centuries, Edmund Bolton (1611, 'Sweet music, sweeter far...'), the Gloria from the Mass, a couple of lines from well-loved Anglican Christmas hymns - with neutral link-lines of my own. The music, also, has elements of such wider referencing, which will surely not be lost on the attentive hearer! / Choeur Mixte (SATB) Et Orgue

Classic hymns are given an artful touch in this flexible new collection. Each arrangement stands beautifully on its own, or the entire five arrangements (with optional narration to tie them together) can be performed as a 20-minute 'Hymnfest' during a regular worship service. Optional suggestions are also included to create a full hour-long hymn service with additional anthem and hymn suggestions. / Choeur Mixte (SATB)

Par MOZART WOLFGANG AMADEUS. This collection draws together six of the great accompanied motets by Mozart, expertly edited by scholar Denis McCaldin. Originally written for choir and orchestra, these motets are here made available for the first time with alternative keyboard accompaniments. Includes the classic devotional motet Venite Populi for double-choir and contemplative gradual Sancta Maria, Mater Dei , as well as three of Mozart's early works. Ideal both for concert programmes and liturgical use, this extraordinary value-for-money collection is a must for every choir library. / Niveau : Assez Facile / Répertoire / SATB

En Namibie, le chant est omniprésent partout où vous allez. On chante un peu partout, au travail, lors des fêtes, comme un moyen d'exprimer la joie ou de la tristesse, ou comme un moyen de transmettre des histoires traditionnelles par le bouche à oreille. Il ya une répertoire adapté à chaque occasion.Les chansons de Opela, nous sommes là pour chanter sont merveilleusement approprié pour le chant partie sans accompagnement au piano, à la fois pour les chorales d'expériences et pour inexpérimentés '' pas-encore-chanteurs ''. Les mélodies colorées et les arrangements simples mais très animée peut être appris dans un délai très court, puis exécuté immédiatement, par exemple, comme une contribution créative à un service religieux. Dans le même temps, le matériau musical est si riche en contenu que les choeurs d'imagination peut-elle développer en morceaux entraînants de concert. / Choeur Mixte (SATB)

Paul Mealor's setting of the Latin hymn, Ubi Caritas , was composed for the Marriage of His Royal Highness Prince William of Wales, K.G. to Miss Catherine Middleton and first performed by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal, St James's Palace, conducted by James O'Donnell, at the wedding service at Westminster Abbey on Friday, 29th April 2011. For SATB choir (with divisi). 'My new piece, Ubi Caritas for the Royal Wedding, takes its text from the sixth century Christian hymn that was normally sung at the service for the washing of the feet on Maundy Thursday. The words, originally in Latin, mean: 'Where charity and love are, God is there. Let us come together in God's love and let us love each other with a sincere heart.' ' and nbsp - - Paul Mealor, guardian.co.uk, and nbsp - Friday 29 April 2011 / SATB

Paul Mealor's setting of the Latin hymn, Ubi Caritas , was composed for the Marriage of His Royal Highness Prince William of Wales, K.G. to Miss Catherine Middleton and first performed by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal, St James's Palace, conducted by James O'Donnell, at the wedding service at Westminster Abbey on Friday, 29th April 2011. For SATB choir (with divisi). 'My new piece, Ubi Caritas for the Royal Wedding, takes its text from the sixth century Christian hymn that was normally sung at the service for the washing of the feet on Maundy Thursday. The words, originally in Latin, mean: 'Where charity and love are, God is there. Let us come together in God's love and let us love each other with a sincere heart.' ' and nbsp - - Paul Mealor, guardian.co.uk, and nbsp - Friday 29 April 2011 / SATB

The many moods of Holy Week followed by the triumph of Easter are captured in this moving work from Lloyd Larson and Mark Hayes, with compelling narration by Pamela Stewart. From the celebration of Palm Sunday to the despair of Good Friday followed by the resurrection, The Passion and the Promise presents fresh and dynamic words and music with creative narration. Perform each anthem separately during Holy Week and Easter or together as an unforgettable 25-minute cantata. / Choeur Mixte (SATB)

Create a moving worship experience for your church and community with The Final Hours. Three moving anthems are woven together with the spoken word, focusing on Christ's final earthly hours. Perfect for a Good Friday service (or performed as separate anthems during Holy Week), this suite is easily prepared and presented, yet highly effective. Add the optional flute and cello obbligatos to enhance the overall presentation. / Choeur Mixte (SATB)

Simon and Garfunkel's anthemic Bridge Over Troubled Water borrowed its central image from a 1958 gospel track by The Swan Silvertones, but melodically and emotionally Paul Simon's 1969 song was a glorious original.It is arranged here for SATB mixed choir with Piano accompaniment.Routinely voted one of the greatest songs of all time, it was sung solo by Art Garfunkel on the duo's final studio album together. / Choeur Mixte (SATB) Et Piano

Vocal score. Par HOGAN MOSES. Une collection de 29 stylistiquement authentiques arrangements pour choeurs SATB spirituelle. Le contenu couvre la période 1914 à 2001 et sont ordonnées chronologiquement. Beaucoup de chansons les plus connues de compositeurs les plus importants du genre et arrangeurs sont inclus. Le volume des enquêtes de la gamme entière spirituelle de thèmes et de formes d'une manière qui est à la fois authentique et stylistiquement historiquement significative. Réductions pour piano sont inclus pour des chansons non accompagnés. Mozes Hogan a été renommée internationale en tant que pianiste, chef d'orchestre et arrangeur. Il est reconnu comme ayant été une force majeure dans la promotion et la préservation de l'expérience afro-américaine de musique./ Recueil / Chant

Avec un avant-propos par André Thomas, cette collection d'arrangements spirituelles Moses Hogan est une addition Bienvenue à la bibliothèque du tout directeur et est un hommage à ce grand compositeur américain et chef d'orchestre / Chant Et Piano