Candlelight Carol Chorale SATBB [Vocal Score] - Facile Oxford University Press
Composed by John Rutter (1945-). For SATBB choir and organ/chamber ensemble (flu...(+)
Composed by John Rutter
(1945-). For SATBB choir
and organ/chamber
ensemble (flute, oboe,
harp, strings). This
edition: Paperback. Mixed
Voices. John Rutter
Anniversary Edition.
Christmas Carols. Level A
(very easy). Vocal score.
Duration 4 minutes.
Published by Oxford
University Press
((If It Ain't Got That Swing)). By The Real Group. By Duke Ellington (1899-1974)...(+)
((If It Ain't Got That
Swing)). By The Real
Group. By Duke Ellington
(1899-1974) and Irving
Mills (1894-1985).
Arranged by Anders
Edenroth. For Choral
(SATBB A CAPPELLA).
Walton Choral. 16 pages.
Walton Music #WRG1023.
Published by Walton Music
By Johannes Brahms. Edited by Robert Shaw. For Choir. (SATBB, a cappella). Chor...(+)
By Johannes Brahms.
Edited by Robert Shaw.
For Choir. (SATBB, a
cappella). Choral Octavo.
Robert Shaw Choral
Series. Level: Moderate
(grade III). Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
Candlelight Carol Chorale SATBB [Conducteur] Oxford University Press
Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. John Rut...(+)
Composed by John Rutter
(1945-). This edition:
paperback. Mixed Voices.
John Rutter Anniversary
Edition. Full score (SATB
or SSAA version). 16
pages. Duration 4'.
Published by Oxford
University Press
(OU.9780193410558).
MixedCh (SATBB) (Mixed choir (SATBB)) SKU: BA.BA25025 Composed by Johanne...(+)
MixedCh (SATBB) (Mixed
choir (SATBB))
SKU:
BA.BA25025
Composed
by Johannes Brahms.
Edited by Peter Schmitz.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. From
Zwei Motetten for 5-part
mixed choir a cappella.
Choral score. Opus 29. 11
pages. Baerenreiter
Verlag #BA25025_00.
Published by Baerenreiter
Verlag (BA.BA25025).
ISBN 9790006569410.
29.7 x 21 cm inches.
Language:
German.
The sacred
a cappella choral works
by Johannes Brahms are
amongst the most
important Romantic works
in their
genre.
These works
published as a collection
in BA 7575 are now
available separately in
performing editions (BA
25018 â?? BA
25037).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
A Boy Was Born Chorale SSATBB SSATBB, Piano [Octavo] Boosey and Hawkes
(Boosey and Hawkes Contemporary Choral Series). Composed by Will Todd. For Chora...(+)
(Boosey and Hawkes
Contemporary Choral
Series). Composed by Will
Todd. For Choral (SSATBB
WITH PIANO). Boosey and
Hawkes Sacred Choral.
Octavo. 12 pages. Boosey
and Hawkes #M060127137.
Published by Boosey and
Hawkes
SSATBB choir SKU: CA.964100 Responsory in the Nocturn on Good Friday(+)
SSATBB choir
SKU:
CA.964100
Responsory in the
Nocturn on Good
Friday. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music, Lent
and Passiontide. Full
score. Duration 6
minutes. Carus Verlag #CV
09.641/00. Published by
Carus Verlag (CA.964100).
ISBN 9790007143541.
Text language:
Latin.
The Good
Friday Responsory
Tenebrae factae sunt for
six-part chorus was
commissioned in 2012 for
Peking University Student
Choir and was premiered
at the World Choir Games
in Cincinnati, Ohio, USA
conducted by Hou Xijin.
It is an ambitious work
with a fervent intensity.
Matsushita sets the two
last words of Jesus, Deus
meus, ut quid me
dereliquisti? [My God,
why hast thou forsaken
me] and Pater, in manus
tuas commendo spiritum
meum [Father, into thy
hands I commend my
spirit] as pained
outcries in Stravinskyian
harshness, in chords
characterized by
tritones, as a truly
superhuman work of
redemption whose Easter
message of hope only
appears in the last
conciliatory F major
chord. Although this work
lies slightly beyond the
upper limit of the
musical and vocal
technical demands of the
Carus Contemporary
series, it is well within
the abilities of
ambitious chamber
choirs.
Tu es Petrus Chorale SSATBB SSATBB A Cappella - Intermédiaire MorningStar Music Publishers
SSATBB choir a cappella - Intermediate SKU: MN.80-854 Composed by Marie R...(+)
SSATBB choir a cappella -
Intermediate
SKU:
MN.80-854
Composed by
Marie Rubis Bauer.
Cathedral Series.
Catholic Year A Solemnity
of Saints Peter and Paul,
Apostles; Year A Proper
16 (21); Catholic Year A
Ordinary21. 21st Century.
Octavo. MorningStar Music
Publishers #80-854.
Published by MorningStar
Music Publishers
(MN.80-854).
UPC:
688670808548.
Tu es
Petrus (you are Peter,
the rock) is based on a
Gregorian antiphon for
the Feast of Saints Peter
and Paul/Feast of the
Chair of Peter. The piece
was composed specifically
to fit the parameters and
setting of a Papal
audience, with a brief
performance time. In
six-parts with octave
doublings, it makes a big
a cappella sound for a
big space. A powerful new
choice for pilgrim choirs
to Rome!
Choral (SSATBB) SKU: HL.48025430 Movement X from The Drop That Contain...(+)
Choral (SSATBB)
SKU:
HL.48025430
Movement X from The
Drop That Contained the
Sea. Composed by
Christopher Tin. BH
Secular Choral.
Classical, Concert, World
Music. Octavo. Duration
735 seconds. Boosey &
Hawkes #M051500062.
Published by Boosey &
Hawkes (HL.48025430).
ISBN 9798350126297.
UPC: 196288210825.
6.75x10.5
inches.
“Walo
yo Yamoni (We Overcome
the Wind)†is the
grand finale to
Christopher Tin's second
album 'The Drop That
Contained the Sea'. The
lyrics are a setting of a
Lango rainmaking prayer.
It was commissioned by
the St. Matthews Chamber
Orchestra, and recorded
by the Royal Philharmonic
Orchestra with the Soweto
Gospel Choir. New York
Concert Review wrote of
the Carnegie Hall
premiere “The
audience reacted after
the final notes with the
loudest and longest
standing ovation I have
ever heard at any
concertâ€, while The
York Press wrote
“We Overcome The
Wind was an outpouring of
joy; a unanimous standing
ovation evinced the sense
of togetherness at the
heart of this
concert.â€.