Silent Night Chorale SSAA SSAA A Cappella [Octavo] Treble Clef Music Press
By Franz Xaver Gruber. Arranged by Katherine Dienes (Arranger). For SSSAA choir....(+)
By Franz Xaver Gruber.
Arranged by Katherine
Dienes (Arranger). For
SSSAA choir. (a
cappella). Sacred,
Christmas. Level:
Easy-Medium. Published by
Treble Clef Music Press.
SSSAA, a cappella SKU: SU.80300122 For SSSAA, a cappella. Arranged...(+)
SSSAA, a cappella
SKU:
SU.80300122
For
SSSAA, a cappella.
Arranged by Lana Walter.
Vocal/Choral, Sacred
Choral. A cappella.
Choral Octavo. Treble
Clef Music Press
#80300122. Published by
Treble Clef Music Press
(SU.80300122).
The traditional
round, Christmas is
coming, the goose is
getting fat is set over a
charmingly goofy
three-part scat choral
accompaniment. Soprano I
section, or a guest
children's chorus, can
sing the round. SSA &
2-part treble melody
chorus a cappella;
English. Easy. SSSAA, a
cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Silent Night Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSSAA, a cappella SKU: SU.80300155 For SSSAA, a cappella. Arranged...(+)
SSSAA, a cappella
SKU:
SU.80300155
For
SSSAA, a cappella.
Arranged by Katherine
Dienes. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300155. Published by
Treble Clef Music Press
(SU.80300155).
This full, yet
gentle setting of the
beloved Christmas hymn is
perfect for a candlelight
service or quiet concert
closer. The low, rocking
chords of the background
choral parts are the same
for all three stanzas.
Interest is built by the
addition of a
second-stanza solo and
third-stanza descants.
Experiment with assigning
the descants to
instruments, or with
supporting or replacing
the lower voices with
organ. SSSAA, soprano
solo, and three descants
a cappella; English; 4
pages; duration: 2:45
min.; range: f to f(top
descant to c''');
difficulty: easy-medium.
SSSAA, a cappella
Published by: Treble Clef
Music Minimum order
quantity: 8 copies.
(Cantata for Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited b...(+)
(Cantata for Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ruprecht Langer. For
SSATB choir, ST vocal
soli, 2 flute, 2 oboe, 3
trumpet, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Cantatas,
Christmas. Full score.
Text language:
German/English. BWV 191.
Duration 18 minutes.
Published by Carus Verlag
(Three African Songs). Arranged by Mike Brewer. Choir Secular. For with Piano (W...(+)
(Three African Songs).
Arranged by Mike Brewer.
Choir Secular. For with
Piano (Women's Choir).
Book; Choral Collection.
Faber Edition: Choral
Programme Series.
Multicultural; World
Female Voices; Tambourine (SSAA a cappella) SKU: HL.48025426 SSAA a ca...(+)
Female Voices; Tambourine
(SSAA a cappella)
SKU:
HL.48025426
SSAA a
cappella with Optional
Tambourine. Composed
by Anna Lapwood. BH
Secular Choral. Carol,
Christmas,
Christmas/Advent Sacred,
Classical. Octavo. 12
pages. Duration 330
seconds. Boosey and
Hawkes #M060150173.
Published by Boosey and
Hawkes (HL.48025426).
ISBN 9781835680032.
UPC:
196288207559.
Silen
t night: This arrangement
of the traditional carol
by Franz Gruber and
Joseph Muhr (translated
into English by John
Freeman Young) was
written by Anna Lapwood
and the Pembroke College
GirlsÂ? Choir for their
end of term party for the
families of the
choristers. The aim was
to produce an arrangement
manageable for the
youngest choristers
whilst stretching the
older ones with some
slightly jazzy harmonies.
It was written in one
75-minute rehearsal, and
performed to the parents
straight after. The choir
has written a new pieceat
the end of every term
since. Gaudete: This
arrangement of the
16th-century carol was
written during a full
weekend of group
composition with Anna
Lapwood and the Pembroke
College Girls' Choir, a
process with which they
had experimented
previously. The choir
decided to create
rhythmic impetus and
drive, which is delivered
from the outset in the
introductory material.
This figure is repeated
under the refrain for the
first three verses, while
the verses themselves are
presented in simple
unison. The final verse
is harmonised and
crescendos towards the
uplifting key change for
the final refrain, giving
a sense of climax, which
may be highlighted
further with an optional
tambourine.
