Latin Language Edition. Composed by Giuseppe Verdi (1813-1901). Choral (Sacred);...(+)
Latin Language Edition.
Composed by Giuseppe
Verdi (1813-1901). Choral
(Sacred); Choral Worship
Collection; Collections;
Masterworks; Performance
Music Ensemble; Worship
Resources. Kalmus
Edition. Masterwork;
Romantic; Sacred. Book.
72 pages. Kalmus Classic
Edition #00-K06939.
Published by Kalmus
Classic Edition
Choral (SSAA a cappella) SKU: HL.48024903 Marian Antiphone SSAA a capp...(+)
Choral (SSAA a cappella)
SKU: HL.48024903
Marian Antiphone SSAA
a cappella. Composed
by Arnesen and Kim
André. BH Large
Choral. Classical,
General Worship, Sacred.
Octavo. 16 pages.
Duration 300 seconds.
Boosey & Hawkes
#M060137020. Published by
Boosey & Hawkes
(HL.48024903).
UPC:
840126930771.
This
setting of Ave Regina
c''lorum (Hail, O Queen
of Heaven), one of the
four Marian antiphons
with origins in the 4th
century, is ajoyous work
for upper voices,
suitable for children's
or women's choirs. It is
full of energy and,
although it is largely
homophonic, the rhythmic
interplay between the
parts creates interesting
textures which combine
with Arnesens
recognisable, beautiful
harmonic language. The
jubilant outer sections
contrast with a slower,
more mysterious middle
section where the text
speaks of the Virgin
Marys beauty. A joy to
both sing and listen to,
this new piece will make
an attractive addition to
a concert or service.
SSAA choir SKU: CA.964200 No. 1 from Three Marian Motets. Composed...(+)
SSAA choir
SKU:
CA.964200
No. 1
from Three Marian
Motets. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music,
Advent, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Carus Verlag #CV
09.642/00. Published by
Carus Verlag (CA.964200).
ISBN 9790007143510.
Text language:
Latin.
Matsushita's
composition draws on
elements of the Gregorian
antiphon. It begins in
unison Gregorian chant,
as was typical of
Renaissance motets, and
the beginning of new
lines of text are also
derived from Gregorian
material. Matsushita
juxtaposes a syllabic,
rhythmic declamation with
this melody, constantly
alternating bars with
even and odd numbers of
beats, the octave C' -
C'' constantly repeated
by the outer parts and
leading towards the
climax at the text nomen
Jesu. After ascending D
major arpeggios, the
central word Jesu
radiates into F sharp
major, the following
repetition in the compass
of an octave on C is more
tranquil, ending
peacefully with an F
major chord, ppp.
