Composed by Edward Heyman, music by Victor Young. Arranged by Kirby Shaw. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Secular. 8 pages. Published by Alfred Music

SSAA choir

SKU: BP.2161

Composed by Dan Forrest. Arranged by Dan Forrest. Sacred octavos. Sacred. Octavo. Beckenhorst Press #2161. Published by Beckenhorst Press (BP.2161).

Printed product.

This arrangement of HUMILITY (1871) with the time-honored text by Edward Caswall (1858) swells with emotion in the stunning unfolding of the text. It is scored for SATB choir and piano, now also available scored for TTBB and SSAA with optional string quartet and percussion or optional orchestral accompaniment.

By Franz Joseph Haydn (1732-1809). Arranged by Edward Barry Greene. For SSAA Choir Organ (Women's Voices). General, Psalm. Psalm 23:1-2 (paraphrase). Choral. 8 pages

Composed by Christopher Dotson, Perrie Edwards, Jade Thirlwall, Jesy Nelson, Leigh Anne Pinnock, Kyle Coleman, Thomas Barnes, Peter Kelleher, Ben Kohn, Mischke Butler, Erika Nuri, Iain James, Michelle Lewis, and Heidi Rojas. Arranged by Andy Beck. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Pop; Secular. 16 pages. Published by Alfred Music

SSAA choir

SKU: ST.CN23P

Composed by Rhiannon Randle. SSAA unaccompanied (with solos). . This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN23P. Published by Stainer & Bell Ltd. (ST.CN23P).

ISBN 9790220225147.

Comm issioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'.