Choral (SSAA a cappella)

SKU: HL.1288645

Composed by Lin-Manuel Miranda. Arranged by Kirby Shaw. Disney Choral. Movies. Octavo. Published by Hal Leonard (HL.1288645).

UPC: 196288168058. 6.75x10.5 inches.

This captivating new a cappella arrangement of Moana's empowering anthem is perfect for inspiring voices looking for a fresh spin on a recent animated classic. Emotional depth and a careful attention to melodic lines will be welcome as the sequel hits theaters later this year!

SSAA choir, piano reduction - Intermediate

SKU: GI.WW1740

Composed by Traditional Spiritual/arr. Brent Wells. Arranged by Brent Wells. Concert, School. Andrew Crane Choral Series. Classical. Octavo. 8 pages. Walton Music #WW1740. Published by Walton Music (GI.WW1740).

UPC: 785147016861. English. Text source: Traditional spiritual. Traditional Spiritual.

Brent Wells' setting of I Heard from Heaven Today builds from melancholy reflection to an outpouring of joy. An exceptional selection for mid-level and advanced treble choirs with achievable vocal lines and learning opportunities.

SSAA choir, piano accompaniment - Early intermediate

SKU: GI.WW1649

Composed by Erik Reid Jones. Arranged by Erik Jones. Walton Choral. Classical. Octavo. 24 pages. Walton Music #WW1649. Published by Walton Music (GI.WW1649).

UPC: 785147006763. English. Text Source: Irish Children's Song.

A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The vocals are set in a simple homophonic style, which makes the body percussion achievable. Can be performed with or without piano. Don't miss this fantastic concert closer! Also available in SATB voicing. Body Percussion Full Chart Body Percussion Group 1 Body Percussion Group 2 Body Percussion Group 3.

Choral (SSAA Choir)

SKU: HL.48023528

SSAA. Composed by Einojuhani Rautavaara. BH Large Choral. Classical, Contemporary. Softcover. 20 pages. Fennica Gehrman #M550112223. Published by Fennica Gehrman (HL.48023528).

7.75x10.75x0.072 inches.

Composed by Johnny Mercer, music by Barry Manilow. Arranged by Kirby Shaw. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Classic Pop; Secular. 12 pages. Published by Alfred Music

SSAA choir

SKU: C4.9790902257145

Arranged by Michael Leighton Jones. Classical. Score. Crescendo Music Publications #9790902257145. Published by Crescendo Music Publications (C4.9790902257145).

ISBN 9790902257145. 8.27 x 11.7 inches.

Written for Chis Watson and the Choir of Trinity College, Melbourne, these fine settings augment the familiar tunes with changes in form. They have been recorded by the Choir of Trinity College under the direction of Christopher Watson on Walking on Waves (ACIS; 194-660-710-178).

Composed by Edward Heyman, music by Victor Young. Arranged by Kirby Shaw. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Secular. 8 pages. Published by Alfred Music

Choir Secular (Women's Choir)

SKU: AP.50270

Composed by Alan Jay Lerner and Frederick Loewe. Arranged by Kirby Shaw. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Jazz; Secular; Standard. Choral Octavo. 8 pages. Alfred Music #00-50270. Published by Alfred Music (AP.50270).

UPC: 038081574400. English.

The cherished love song from Camelot receives a classic choral treatment in this lush, a cappella setting. Equally suitable for large ensembles or small vocal jazz groups, Kirby Shaw's impressive arrangement presents Lerner and Loewe at their finest!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Composed by Kevin Keller. Barbershop Harmony Society. Barbershop, Standards. Octavo. 8 pages. Barbershop Harmony Society #211879. Published by Barbershop Harmony Society

Composed by Robert Applebaum. Advanced/Collegiate. Secular, 21st century. Octavo. Duration 3 minutes, 30 seconds. Published by E.C. Schirmer Publishing (EC.8439).

Excellence in Choral Music Series. Composed by Kathleen Thomerson. Arranged by Tom Trenney. Pavane Choral. Octavo. 12 pages. Pavane Publishing #P1639. Published by Pavane Publishing

SSAA choir, piano reduction - Early intermediate

SKU: GI.WW1805

Composed by Amanda Quist and Tim Brent. Concert. Amanda Quist Choral Series. Classical. Octavo. 8 pages. Walton Music #WW1805. Published by Walton Music (GI.WW1805).

UPC: 785147025269. English. Text by Laura Foley.

I have noticed joy, how it threads below the darkness… this moving work by Tim Brent and Amanda Quist expresses what it means to have hope. Laura Foley's incredible - yet simple - poem is brought to life by the composers with a steady melody and lovely partwriting.

SSAA choir

SKU: ST.CN23P

Composed by Rhiannon Randle. SSAA unaccompanied (with solos). . This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN23P. Published by Stainer & Bell Ltd. (ST.CN23P).

ISBN 9790220225147.

Comm issioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'.