By Fanny Mendelssohn Hensel. Edited by Suzanne Summerville. Goethe. For soprano, women's choir (SSAA) and piano. First Publication. Level: intermediate. Full score. Duration 12'. Published by Furore-Verlag (German import).

SSAA choir, piano, optional string quartet and percussion (SSAA)

SKU: BP.CU1027B

Composed by Craig Courtney. Arranged by Craig Courtney. Sacred octavos. Capital University Choral Series. Sacred. Orchestra score and parts. Beckenhorst Press #CU1027B. Published by Beckenhorst Press (BP.CU1027B).

Full score and parts for flute I and II, oboe I and II, clarinet in B-flat I and II, bassoon I and II, horn in F I and II, trumpet in B-flat I, II and III, trombone I, II and III, tuba, timpani, percussion, harp, violin I and II, viola, cello and contrabass.

SSAA choir

SKU: BP.2102B

Composed by Dan Forrest. Arranged by Dan Forrest. Band & orchestra. Sacred. Score and parts. Beckenhorst Press #2102B. Published by Beckenhorst Press (BP.2102B).

Full score and parts for flute I,II; oboe I, II; clarinet in B-flat I,II; bassoon I, II; horn in F I,II (III, IV); trumpet in B-flat I, II; trombone I, II; tuba; percussion I, II; harp (optional); violin I, II; viola, cello; double bass.

Composed by John Francis Wade (1711-1786). Arranged by Dan Forrest. For SSAA choir, orchestra. Band/Orchestra Music. Capital University Choral Series. Sacred. Score and parts. Published by Beckenhorst Press

By Antonio Vivaldi (1678-1741). Edited by Malcolm Bruno. Arranged by Malcolm Bruno. For SSAA choir (horn I II), piano (Solo Soprano/Solo Alto/Female Choir: SSAA (Coro I II)/Orchestra (Coro I II): 2 Violins/Viola/Basso continuo (Violoncello/Contrabas

For Treble Choir, A Cappella. By Maurice Ohana. Treble choir. For SSAA. Chant. Choral Part(s). 8 pages. Published by Theodore Presser Company.

By Elizabeth Alexander. For Women's Choir (SSAA choir, a cappella). Collegiate Repertoire, Community Chorus, Concert Music. Freedom, Slavery, Secular, Choral. Moderately Advanced. Printed music. Duration 7 minutes. Published by Seafarer Press

SSAA choir, piano

SKU: GH.GE-11608

Three Sacred dances. Composed by Fredrik Sixten. Piano reduction. With Language: English, Swedish. Gehrmans Musikforlag #GE 11608. Published by Gehrmans Musikforlag (GH.GE-11608).

ISBN 979-0-070-11608-4. A4 inches. Text: Lukas/Luke 6:23, Matteus/Matthew 11:17, Ps 149:3.

Version for female choir, piano and string quartet: GE 11580 I. Gladly greet the day with dancing for joy! (Luk 6:23) II. We piped a tune for you but you were not ever dancing (Matt 11:17) III. With dance shall they praise his name! (Psalm 149:3).

Female choir (SSAA) and instruments (oboe, violin I, violin II, viola, cello, double bass) - level 4

SKU: M2.MOS-69449-60

Composed by Alfred Koerppen. Set of parts. Möseler Verlag #MOS 69449-60. Published by Möseler Verlag (M2.MOS-69449-60).

ISBN 9790203755692.

1955 erschien aus der Hand der franzosischen Nonne Carmen Bernos de Gaszold ein Gedichtband unter dem Titel Prieres dans l'Arche - Gebete aus der Arche. Diese Gebete werden den Tieren in den Mund gelegt, die mit Noah, in der drangvollen Enge der Arche vereint, das Ende der Sintflut erwarten. Die Dichterin folgt einer Tradition - man denkt an Asop, La Fontaine und Goethe - wenn sie im Wesen der Kreaturen Spiegelungen menschlicher Schwachen, Fehler und Tugenden erkennt. Denn die in der Wasserwuste gefangenen Tiere reden so fromm, furchtsam, selbstgerecht und banal, wie es menschlich ware. Und auch das Allzumenschliche - Hoffart, Leichtsinn, Neid - kommt zu Wort. Nur dass die Ichbefangenheit der betenden Tiere ihrer Unschuld keinen Abbruch tut. Ihre bedingte und bedrangte Natur findet Gedanken, die uns ein sympathisierendes Lacheln abgewinnt. Der Zyklus schien mir zur Vertonung geeignet, weil er ein religioses Thema unpratentios und originell vortragt und ein Stuck ermoglicht, das die ubliche Trennung zwischen weltlich und geistlich uberschreitet und Konzertsaal und Kirche in Anspruch nehmen kann. Zur Besetzung: Der Frauenchor muss aus den vier ublichen Stimmlagen 1. und 2. Sopran, 1. und 2. Alt bestehen, wobei auch noch Stimmteilungen vorkommen. In Nr. 9 Gebet der Taube wird noch ein (aus dem Chor zu bildendes) Soloquartett gebraucht. Der Instrumentalpart besteht aus einer Oboe und einem Streicherquintett (1. und 2. Violine, Viola, Violoncello und Kontrabass). Die Besetzung soll solistisch sein, kann aber bei den Streichern (und wenn die Klangbalance zum Chor dies wunschenswert macht) zu einem kleinen Kammerorchester erweitert werden. Der Charakter der Instrumente, ihre Techniken und Farben, erlauben mir realistische Klangmetaphern und physiognomische Parallelen - so, wenn das Cello im Duett mit dem Alt die hochmutige Giraffe in grossintervalligen Sprungen deutet, die rasende Geschaftigkeit der Ameise sich in schnellen Violinbariolagen ausdruckt oder die Oboe ein naturalistisches Rabengekrachz horen lasst. Der Zyklus beginnt mit dem Gebet des Noah. Man stelle sich das Gedrange und Geschrei vor, dass die Arche erfullt, die hochgehenden Wogen, den prasselnden Regen, und mitten darin den Urvater Noah, dem sich der Ausruf entringt: Herr, was fur ein Zirkus! Seine Ausbruche korrespondieren mit dem auf- und niederwogenden Streichersatz, bis der Sturm sich legt, die Wogen sich glatten und Noah in der mehrmals gedehnten Phrase Es dauert lange seine Ergebung und Hoffnung ausdruckt. Nach dem pharisaischen Gebet der Giraffe ergreift die Schildkrote das Wort. Ihr Instrument ist die Bratsche. Ihre schnaufende Kurzatmigkeit hindert sie, ihr Gebet zusammenhangend zu sprechen. Der fleissigen Ameise - sie erbost sich sehr uber die Grille, deren Wirtshausmusik sie unterbricht - folgt der Hahn mit hellen und scharfen Tonen. Er ist es, der die Sonne aufgehen lasst; man kann es in dem sich auffaltenden Klang der Coda horen. Der vergessliche Schmetterling taumelt in immer neu variierten Oboenfiguren durch die glasernen Sommerklange von Streicherflageoletts, bis es ihm einfallt, was er sagen wollte: Amen. Das Schwein bekennt sich zu seiner schnuffelnden und grunzenden Natur, die, von den Streichern mit rauhem Bogendruck gezeichnet, in der Coda durch eine stille F-Dur-Kantilene eine sonderbare Verklarung erfahrt. Vor uns die Sintflut ruft der Rabe, und sein durchdringender Oboenschrei ubertont das Wogen und Schwanken der Streicher, die hier Motive aus dem Gebet des Noah wieder aufnehmen. In der darauf eintretenden Stille bieten die Instrumente verschiedene Themen an, die folgenlos verschwinden - um nach dem Altsolo Die Arche wartet sich in einem ruhig-feierlichen a-cappella-Satz mit alternierendem Soloquartett wieder zusammenzufinden und das Werk in reinem Es-Dur beschliessen. Alfred Koerppen.

SSAA/SSAA, a cappella

SKU: SU.80300120

For SSAA/SSAA, a cappella. Composed by Jakob Handl. Vocal/Choral, Sacred Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300120. Published by Treble Clef Music Press (SU.80300120).

This very easy double chorus piece, with Chorus I-II echoes, is a wonderful introduction to the world of more than four parts. The text, based on the parable of the wise and foolish virgins, is suitable for Advent. Chosen for the 1997 ACDA National Convention women's chorus reading session. SSAA/SSAA (double chorus) a cappella; Latin. Easy. SSAA/SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

(Drei Kantoreisatze, als kleine Choralkantate zu gebrauchen). By Helmut Bornefeld. For I: SA Choir, Melody instrument; II: SSAA Choir, Melody instrument, [Bass instrument]; III: Unison Choir, Melody instrument, [Bass instrument]. This edition: Complete edition. G-Dur (G major). Christmas Praise and thanks. Level 2. Full score. Language: German. BoWV 5 (daraus). 4 pages. Published by Carus Verlag

SSAA, Piano

SKU: SU.80300259

For SSAA, Piano. Composed by Martha Alter. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300259. Published by Treble Clef Music Press (SU.80300259).

This lost gem from just before World War II sets an ancient Greek paean to the blessings of peace: spiders spin webs over swords and shields, and young warriors have a big party. The piano accompaniment's warlike dissonances are juxtaposed to the choir's peace motifs in an effective struggle. A fine concert closer. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

SSAA choir, piano, optional string quartet (SSAA)

SKU: BP.2094A

Arranged by Craig Courtney. Sacred octavos. Sacred. Instrumental score and parts. Beckenhorst Press #2094A. Published by Beckenhorst Press (BP.2094A).

Full score and parts for violin I, II, viola and cello.

SSAA chorus, organ - late intermediate

SKU: BP.BP2291

Composed by Craig Courtney. General. Original Voicing: BP2257 With Accomp. Track. Octavo. Beckenhorst Press #BP2291. Published by Beckenhorst Press (BP.BP2291).

6.875 x 10.5 inches.

Now available for SSAA voices! This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and people alike. Suitable for use on its own, or as part of the three-movement work; effective in both worship and concert settings. Scored for SSAA choir and organ (in choral score) or piano (available separately) with optional brass sextet, or string quartet, or full orchestra. An accompaniment track (brass and organ) is also available.
Church
S cripture reference: Micah.

By Michael Horvit. (SSAA). Transcontinental Music Choral. Jewish. Size 7x10.5 inches. 6 pages. Published by Transcontinental Music Publications.

SSAA choir

SKU: BP.CU1040B

Composed by Jill Jackson Miller and Sy Miller. Arranged by Craig Courtney. Band & orchestra. Capital University Choral Series. Orchestration. Beckenhorst Press #CU1040B. Published by Beckenhorst Press (BP.CU1040B).

Full score and parts for flute, oboe, b-flat clarinet, bassoon, horn in F I and II, trombone, bass trombone, harp, violin I and II, viola, cello and double bass.

By Roger Bourland. Text: Emily Dickinson. For SSAA choir. (Women's Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

By Henrique Oswald (1852-1931). For SSAA choir, organ ad libitum. Octavo. Published by Alliance Music Publications

By Martha Alter. For SSAA choir (with piano). Secular. Medium-Difficult. Choral octavo. Text language: English. Published by Treble Clef Music Press

(from Songs of the Lights, Set II). By Imant Raminsh. (SSAA). BH CME Advanced. Size 6.8x10.5 inches. 14 pages. Published by Boosey & Hawkes.

(SSA/SSAA a cappella). By Viktor Ullmann. Sop./Alto I/Alto II a cappella. Choral. Softcover. 6 pages. Schott Music #C53693. Published by Schott Music

By Various. Edited by Volker Hempfling. For SSAA choir. Choral collections. Collection available separately - see item CA.220200. Christmas, Choral collections for women's choir Morning, midday, evening. Package. Published by Carus Verlag

By Various. Edited by Volker Hempfling. For SSAA choir. Choral collections. Christmas, Choral collections for women's choir Morning, midday, evening. Choral collection. 224 pages. Published by Carus Verlag

Choir Secular (Women's Choir)

SKU: AP.50278

From SIX. Composed by Lucy Moss and Toby Marlow. Arranged by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Pop/Rock; Secular. Choral Octavo. 16 pages. Alfred Music #00-50278. Published by Alfred Music (AP.50278).

UPC: 038081574486. English.

Winner of the 2022 Tony Award for Best Original Score! The musical SIX is a modern retelling of the lives of Henry VIII's wives, presented as a high-energy pop concert. In this poignant power ballad, Jane Seymour (wife number three) sings of ultimate devotion, despite her husband's flaws. My love is set in stone. An RandB groove, woven choral textures, and a layered final flourish bestow the royal treatment on this remarkable rendition.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SSAA chorus, organ - late intermediate

SKU: BP.BP2292

Composed by Craig Courtney. General; Benedictions; Peace. Original Voicing: BP2258 With Accomp. Track. Octavo. Beckenhorst Press #BP2292. Published by Beckenhorst Press (BP.BP2292).

6.875 x 10.5 inches.

Now available for SSAA voices! The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody, which is one large-scale arc, is stated twice, creating a simple, sincere message of peace and rest. Suitable for use on its own, or as part of the three-movement work; effective in both worship and concert settings. Scored for SSAA choir and organ (in choral score) or piano (available separately) with optional brass sextet, or string quartet, or full orchestra. An accompaniment track (brass and organ) is also available.
Church
S cripture reference: Numbers.

By Antonio Vivaldi (1678-1741). Arranged by Joan Whittemore. For SSAA choir, violin I and II, viola and continuo. Instrumental parts. Published by Alliance Music Publications . instrumental parts.