By Mark Hayes. For SSA (SSAA) choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2211H)

SSAA Chorus & Piano

SKU: SU.29130440

For SSAA Chorus & Piano. Composed by Christopher Fulkerson. Vocal/Choral, Secular Choral. Accompanied by piano, Women’s Chorus, SSAA. Choral Octavo. Subito Music Corporation #29130440. Published by Subito Music Corporation (SU.29130440).

Concert Etudes from the Textbook Vocal Musicianship, CF 61.1. Comets 2. Above the Firmament: The Outer Solar System 3. Asteroids 4. Below the Firmament: The Inner Solar SystemSSAA Chorus & Piano Duration: 13’30 Composed: 1989-2015 Published by: Christopher Fulkerson Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at.

SSAA choir

SKU: ST.CN23P

Composed by Rhiannon Randle. SSAA unaccompanied (with solos). . This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN23P. Published by Stainer & Bell Ltd. (ST.CN23P).

ISBN 9790220225147.

Comm issioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'.