Choral (SSAA Choir)

SKU: HL.275373

Composed by Thelonius Monk. Arranged by Ed Lojeski. Jazz Chorals. Ballad, Concert, Jazz, Standards, Vocal Jazz. Octavo. Duration 190 seconds. Published by Hal Leonard (HL.275373).

UPC: 888680743758. 6.75x10.5x0.019 inches.

This Jazz standard by Thelonious Monk is melodically and harmonically sophisticated and interesting. It has been covered by more artists that can be counted and on every instrument, every band-big and small and singers and singing ensembles. The options are seemingly endless. Here, Ed gives us another worthy arrangement for the jazz, show or concert choir.

SSAA choir, piano accompaniment - Early intermediate

SKU: GI.WW1674

Composed by David N. Childs. Walton Choral. Classical. Octavo. 16 pages. Walton Music #WW1674. Published by Walton Music (GI.WW1674).

UPC: 785147012269. English. Text by Rumi.

This romantic work written for the composer's bride is built around fragments of Sufi Rumi poetry for a truly emotional setting. It requires a men's choir with mature sound, advanced high school, college, and beyond.

Barbershop Quartets for Women (SSAA). (a cappella). CHORAL MUSIC. Barbershop. Published by Bourne Music Co.

SSAA choir

SKU: CA.964420

No. 3 from Three Marian Motets. Composed by Ko Matsushita. Contemporary Choir Music. Hodie Beata Virgo Maria Fass.Ssaa. Sacred vocal music, Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Carus Verlag #CV 09.644/20. Published by Carus Verlag (CA.964420).

ISBN 9790007143497. Text language: Latin.

The aged Simeon takes the new-born Jesus in his arms, recognises his significance and celebrates this moment in a paean of praise as the fulfilment of his life. In Matsushita's motet this song of praise, the nunc dimittis, stands at the centre of the composition. Here, the triad of C-F sharp-G, used for the word hodie - today at the beginning, symbolically combines with a Gregorian-like motif, revolving around the central note of B flat in whole-tone movement, and which is used to represent the Virgin Mary. The work ends with a mystical wash of sound, a whole-tone cluster which emerges from the aleatorically repeated basic motifs of the work, and fades away to nothing.