Composed by Jim Papoulis. For SSAA choir, piano accompaniment, djembe. Robyn Lana Choral Series. Octavo. Santa Barbara Music Publishing #SBMP1258. Published by Santa Barbara Music Publishing

SSAA chorus, piano (opt. guitar) - intermediate

SKU: BP.DF1023

Composed by Dan Forrest. Choral, School, Church, Community, Collegiate, Revoicing. Justice. Octavo. The Music of Dan Forrest #DF1023. Published by The Music of Dan Forrest (BP.DF1023).

6.88 x 10.5 inches.

From the composer: Written as a statement of support for, and allyship with, our Black brothers and sisters (as well as all people of color). Too often, in any aspect of life, we explain away other people’s experiences instead of seeking to understand experiences that differ from our own; we’re so busy talking about our own viewpoints that we fail to listen to the voices we most need to hear. I asked Tony Silvestri to write a text that could function as a personal statement from me to people I need to listen to—especially to my friends of color. This the text that resulted—words that speak powerfully for any situation where we need to listen to those who have been marginalized or mistreated, not heard or believed. For SATB or SSAA choir with piano and optional guitar.

By Bob Chilcott. For SA and SSAA choir unaccompanied. Upper Voices. Secular, Choral Leaflet. Vocal score. 16 pages. Duration 4'. Published by Oxford University Press

By Adolphus Hailstork. For SSAA Chorus, a cappella. Standard notation. Published by Theodore Presser Company

With works by Kunst, Klempir, Sigmund and others. Composed by Jude Roldan. Sheet music. Pavane Secular. A Cappella, Female Voices, Concert, Sacred. 1505. 8 pages. Pavane Publishing #P1505. Published by Pavane Publishing (HL.143864).

SSAA choir and piano (Upper Voices - 3 parts or more) - easy

SKU: OU.9780193413207

Composed by Bob Chilcott. Secular Choral - Upp. Voices. Vocal score. 8 pages. Duration 4.5'. Oxford University Press #9780193413207. Published by Oxford University Press (OU.9780193413207).

ISBN 9780193413207. 10 x 7 inches.

For SSAA and piano Originally the second movement of Chilcott's choral work Five Days that Changed the World, this setting of Charles Bennett's text has melodic and interweaving choral parts, with the piano part providing harmonic support for the voices throughout.

The Holly and the Ivy arranged by Carl Nygard, Jr.. For SSAA Choir (SSAA A Cappella). Mark Foster. 12 pages. Shawnee Press #MF0938. Published by Shawnee Press

Composed by Michael John Trotta. 21st Century. Piano/choral score. Duration 3 minutes, 40 seconds. Galaxy Music Corporation #1.3550. Published by Galaxy Music Corporation

Music and lyrics by Amanda McBroom, performed by Bette Midler, edited by Bob Dingley, arranged by Kirby Shaw. Octavo for SSAA choir (A Cappella). With optional alto voice solo. Series: Pop choral octavo (SSAA). 8 pages. Published by Alfred Publishing.

By Greg Jasperse. For SSAA choir, a cappella (SSAA). Choral. Shawnee Press. Secular. 12 pages

By Sarah Quartel. For SSAA choir and percussion. Upper Voices. Songbird. Secular, Choral Leaflet. Vocal score. 16 pages. Duration 4'. Published by Oxford University Press

(No. 8 from Symphony of Psalms). (SSAA). In High Voice. 32 pages. Published by Boosey & Hawkes.

SSAA choir

SKU: ST.CN27P

Composed by James McCarthy. SSAA unaccompanied. . This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN27P. Published by Stainer & Bell Ltd. (ST.CN27P).

ISBN 9790220225512.

The words of Peaceful was the Night are taken from John Milton's ode On the Morning of Christ's Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ's appearing on the earth. (As the poet wrote: 'His reign of peace upon the Earth began.') In James McCarthy's carol, the voices play a dual role, as narrator, and by evoking the atmosphere of a singular moment of frozen time. Although commissioned by Sonoro for performance during the Christmas period, this singable, lyrical setting would fit well into a programme of music suitable for any time of the year.

By Stephen Hatfield. (SSAA A Cappella). In High Voice. 16 pages. Published by Boosey & Hawkes.

((Four Songs for Treble Voices)). Composed by Alice Parker. For Choral (SSAA A Cappella). Walton Choral. Walton Music #WW1547. Published by Walton Music

By Robert Kyr (1952-). For SSAA Choir (Women's Voices). General. Choral. 12 pages. Published by E.C. Schirmer Publishing

By Stephen Chatman. For SSAA Choir (Children's or Women's Voices). Christmas. Choral. 12 pages. Published by E.C. Schirmer Publishing

By Ronald Perera. For SSA Choir, Orchestra [or Piano] (Women's Voices). General. Choral, Orchestra. 8 pages

By Gwyneth W. Walker. For Womens chorus unaccompanied. (Womens Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

SSAA Choir

SKU: HL.14042514

Composed by Magnus Lindberg. Choral. Classical. Octavo. 46 pages. Chester Music #CH61505. Published by Chester Music (HL.14042514).

8.25x11.75x0.162 inches.

Songs From North And South by Magnus Lindberg . 5 songs for upper voices unaccompanied.

SSAA choir

SKU: BP.BP2187

Composed by Dan Forrest. Sacred octavos. Octavo. Beckenhorst Press #BP2187. Published by Beckenhorst Press (BP.BP2187).

Printed product.

Add a string quartet to this joyful arrangement of a well-known hymn set for SATB and piano, and the result is a classical setting that will forever live as a favorite for your choir and congregation alike. The imperative Rejoice is felt not only in the text but in the clear call of the voices and the accompaniment.

Ori ginal SATB version: Rejoice the Lord is King! - Forrest (SATB).

Choral (SSAA Choir)

SKU: HL.114523

Composed by Johnny Marks. Arranged by Nancy Grundahl. Henry Leck Creating Artistry. Christmas, Concert. Octavo. 16 pages. Published by Hal Leonard (HL.114523).

UPC: 884088874803. 6.75x10.5 inches.

Cascading bells played by choir members and the recurring phrase “Et in terra pax” between the verses of the familiar melody create a joyful seasonal showcase for treble voices. The final triumphant verse features a majestic descant and transitions into a sonorous conclusion on the final phrase, “good will to all.&rdquo.

CME In High Voice. Composed by Andrea Clearfield (1960-). In High Voice. Concert, Festival. Octavo. 32 pages. Boosey and Hawkes #M051484324. Published by Boosey and Hawkes

CME In High Voice. Composed by Andrea Clearfield (1960-). In High Voice. Concert, Festival. Octavo. 8 pages. Boosey and Hawkes #M051484652. Published by Boosey and Hawkes

CME In High Voice. Composed by Andrea Clearfield. In High Voice. Festival, Concert. Octavo. 24 pages. Boosey and Hawkes #M051483013. Published by Boosey and Hawkes (HL.48023358).