Composed by Stephen Schwartz. Edited by Anne Raugh. Arranged by Deke Sharon. For Choral (SSAA A Cappella). Choral. Octavo. Published by Contemporary A Cappella Publishing

I'm Trying to Be Like Jesus; He Sent His Son. Composed by Janice Kapp Perry, Michael Finlinson Moody. Arranged by Sally DeFord. Sacred. Octavo. Duration 5 minutes, 20 seconds. Published by Jackman Music Corporation

SSAA, a cappella

SKU: SU.80300162

For SSAA, a cappella. Arranged by Nina Gilbert. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300162. Published by Treble Clef Music Press (SU.80300162).

1. Oh, the Beautiful Treasure; 2. We Will Walk with Mother and Mourn; 3. Hop Up and Jump Up. Explore the American heritage of Shaker hymnody with these three settings of lesser-known, very appealing Shaker spirituals. Each brief setting grows from its underlying melody to make an exceptionally unified arrangement. With a different technique as the focus for each arrangement, these minute-long pieces make fine vocalises for your choir. Oh the beautiful treasure, with its square rhythms, horn calls, and harmonic texture opening out and closing, is excellent for teaching chord tuning. We will walk with Mother and mourn, with its smooth, stepwise, rising and falling melody, is a fine exercise for legato singing. Hop up and jump up, with its crisp rhythms and phrase fragments tossed from part to part, calls for rhythmic clarity and clean entrances and cutoffs. SSAA a cappella; 13 pages, plus editorial notes; duration: 3:15 min.; range: g to f; difficulty: easy-medium; from the Nina Gilbert Choral Series. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

SSAA, Piano

SKU: SU.80300240

For SSAA, Piano. Arranged by Peter Harvey. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300240. Published by Treble Clef Music Press (SU.80300240).

At the beginning, this setting is deceptively demure. Don't be fooled! Choral bagpipe snarls (pipers piping), choral dub-a-dubs (drummers drumming), and other satisfyingly silly devices pile up in show-stopping mayhem on the very last, the ultimate day of Christmas. SSAA; piano; English; Medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

SSAA, Piano

SKU: SU.80300163

For SSAA, Piano. Arranged by Michael Cleveland. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300163. Published by Treble Clef Music Press (SU.80300163).

This frankly sentimental Irish ballad of long-lost love has appealing double descants, independent four-part writing for a full soprano and alto range, yummy harmonies and voicing, and an irresistible choral cadenza which imitates the easy movement of the waving grass. Regretful but never self-pitying, the Yeats poem concludes, But I was young and foolish, and now am full of tears. SSAA and piano; 8 pages; duration: 4:00 min.; range: f# to g; difficulty: medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

By Michael Cleveland (arranger). For SSAA choir (with piano). Folk songs. Medium. Choral octavo. Text language: English. Published by Treble Clef Music Press

Words based on Ecclesiastes 3:1-8, 11, music by Greg Gilpin. For Choir. (SSAA). Choral Octavo. Choral Designs. Sacred; Secular. Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Albert E. Bramley and Albert E. Bramley. Arranged by Craig Courtney and Craig Courtney. Sacred. Octavo. 15 pages. Published by Beckenhorst Press (BP.2110).

SSAA unaccompanied - Late Intermediate

SKU: EC.1.3707

Composed by Nyi Nyi Myin. Advent, Christmas, Lessons and Carols. Galaxy Music Corporation #1.3707. Published by Galaxy Music Corporation (EC.1.3707).

UPC: 600313137075. Latin.

Choral (SSAA Choir)

SKU: HL.158720

This edition: Saddle stitching. Sheet music. Pavane Choral. Female Voices, Concert, Poetry. Octavo. 1559. 12 pages. Pavane Publishing #P1559. Published by Pavane Publishing (HL.158720).

UPC: 888680614188. 6.75x10.5 inches. Czech. Sara Teasdale/Kevin Memley.

Several superb settings of this moving poem by Sara Teasdale precede this one, but Kevin Memley has earned the reputation to take us somewhere new, even with classic texts. Premiered at the ACDA Western Convention, this SSAA setting with piano is entirely new and gratifying. Always melodic and harmonically fulfilling, this new setting works best for advanced high school, college and community treble choirs. Medium.

By Cristian Grases. For Choral (SSAA). Fred Bock Publications. 12 pages. Gentry Publications #JG2436. Published by Gentry Publications

By Gwyneth W. Walker (1947-). For SSAA, piano (Women's Voices). General, Secular. Choral. 16 pages. Published by E.C. Schirmer Publishing

Composed by Michael Culloton. Advanced/Collegiate. Year B Advent2. Advent, 21st Century, Hope/Assurance. Octavo. Published by Galaxy Music Corporation (EC.1.3489).

Arranged by Richard Bjella. For SSAA choir, clarinet and violin. Octavo. Published by Alliance Music Publications

SSAA choir - Medium Composed by Ola Gjeilo. Walton. Sacred. Octavo. 12 pages. Published by Walton Music

(For Playing). By Otar Taktakishvili (1924-1989). For SSAA choir. Secular. Octavo. Published by Earthsongs

Composed by Karen Marrolli. 21st Century. Instrumental part. Duration 5 minutes, 30 seconds. Galaxy Music Corporation #1.3516. Published by Galaxy Music Corporation

Choral (SSAA Choir)

SKU: HL.14021007

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical, Youth Choir. Book [Softcover]. Composed 2003. 28 pages. Chester Music #CH61800. Published by Chester Music (HL.14021007).

ISBN 9781844492893. 8.5x11.0x0.088 inches.

A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the text of George Mackay Brown. This enchanting 12-minute cycle is typical of the subtle and delicate way Maxwell-Davies approaches writing for children: straightforward, tender, affectionate, yet with just a hint of the complexity found in challenging 'adult' works like the cycle Westerlings. George Mackay Brown's poetry with its haiku-like short stanzas and pointilliste allusive imagery leaves you constantly intrigued : who is the boy 'lost on the hill till sundown', and why is time 'a bird with white wings?' Is this perhaps the poet himself playing a bit of holiday truant?