In this arrangement of Faure's Requiem for soloists, female choir and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto. The organ arrangement takes all three versions of the Requiem into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation of the instrumental parts. However, the organ part is tailored to the arrangement rather than trying to imitate the sound of the orchestra. / SSAA Et Orgue

This work will become a permanent fixture not only in church services, but also as grand opening piece of a sacred concert. The piece is not overly difficult and mostly in four parts while nevertheless bringing out the full sound of a women's choir. / Choeur SSAA A Cappella

Straight out of the hip and swinging 1960s, here's a sparkling setting of the favorite holiday tune for choirs in four parts! First featured on The Andy Williams Christmas Album, and recorded by a myriad of artists since then, it's a real show-stopper! / Choeur SSAA