SSAA choir and piano (Upper Voices - 3 parts or more) - easy SKU: OU.97801934...(+)
SSAA choir and piano
(Upper Voices - 3 parts
or more) - easy
SKU:
OU.9780193413207
Composed by Bob Chilcott.
Secular Choral - Upp.
Voices. Vocal score. 8
pages. Duration 4.5'.
Oxford University Press
#9780193413207. Published
by Oxford University
Press (OU.9780193413207).
ISBN 9780193413207. 10
x 7 inches.
For
SSAA and piano Originally
the second movement of
Chilcott's choral work
Five Days that Changed
the World, this setting
of Charles Bennett's text
has melodic and
interweaving choral
parts, with the piano
part providing harmonic
support for the voices
throughout.
Female choir (SSAA) and instruments (oboe, violin I, violin II, viola, cello, do...(+)
Female choir (SSAA) and
instruments (oboe, violin
I, violin II, viola,
cello, double bass) -
level 4
SKU:
M2.MOS-69449-60
Composed by Alfred
Koerppen. Set of parts.
Möseler Verlag #MOS
69449-60. Published by
Möseler Verlag
(M2.MOS-69449-60).
ISBN
9790203755692.
1955
erschien aus der Hand der
franzosischen Nonne
Carmen Bernos de Gaszold
ein Gedichtband unter dem
Titel Prieres dans
l'Arche - Gebete aus der
Arche. Diese Gebete
werden den Tieren in den
Mund gelegt, die mit
Noah, in der drangvollen
Enge der Arche vereint,
das Ende der Sintflut
erwarten. Die Dichterin
folgt einer Tradition -
man denkt an Asop, La
Fontaine und Goethe -
wenn sie im Wesen der
Kreaturen Spiegelungen
menschlicher Schwachen,
Fehler und Tugenden
erkennt. Denn die in der
Wasserwuste gefangenen
Tiere reden so fromm,
furchtsam, selbstgerecht
und banal, wie es
menschlich ware. Und auch
das Allzumenschliche -
Hoffart, Leichtsinn, Neid
- kommt zu Wort. Nur dass
die Ichbefangenheit der
betenden Tiere ihrer
Unschuld keinen Abbruch
tut. Ihre bedingte und
bedrangte Natur findet
Gedanken, die uns ein
sympathisierendes Lacheln
abgewinnt. Der Zyklus
schien mir zur Vertonung
geeignet, weil er ein
religioses Thema
unpratentios und
originell vortragt und
ein Stuck ermoglicht, das
die ubliche Trennung
zwischen weltlich und
geistlich uberschreitet
und Konzertsaal und
Kirche in Anspruch nehmen
kann. Zur Besetzung: Der
Frauenchor muss aus den
vier ublichen Stimmlagen
1. und 2. Sopran, 1. und
2. Alt bestehen, wobei
auch noch Stimmteilungen
vorkommen. In Nr. 9 Gebet
der Taube wird noch ein
(aus dem Chor zu
bildendes) Soloquartett
gebraucht. Der
Instrumentalpart besteht
aus einer Oboe und einem
Streicherquintett (1. und
2. Violine, Viola,
Violoncello und
Kontrabass). Die
Besetzung soll solistisch
sein, kann aber bei den
Streichern (und wenn die
Klangbalance zum Chor
dies wunschenswert macht)
zu einem kleinen
Kammerorchester erweitert
werden. Der Charakter der
Instrumente, ihre
Techniken und Farben,
erlauben mir realistische
Klangmetaphern und
physiognomische
Parallelen - so, wenn das
Cello im Duett mit dem
Alt die hochmutige
Giraffe in
grossintervalligen
Sprungen deutet, die
rasende Geschaftigkeit
der Ameise sich in
schnellen
Violinbariolagen
ausdruckt oder die Oboe
ein naturalistisches
Rabengekrachz horen
lasst. Der Zyklus beginnt
mit dem Gebet des Noah.
Man stelle sich das
Gedrange und Geschrei
vor, dass die Arche
erfullt, die hochgehenden
Wogen, den prasselnden
Regen, und mitten darin
den Urvater Noah, dem
sich der Ausruf entringt:
Herr, was fur ein Zirkus!
Seine Ausbruche
korrespondieren mit dem
auf- und niederwogenden
Streichersatz, bis der
Sturm sich legt, die
Wogen sich glatten und
Noah in der mehrmals
gedehnten Phrase Es
dauert lange seine
Ergebung und Hoffnung
ausdruckt. Nach dem
pharisaischen Gebet der
Giraffe ergreift die
Schildkrote das Wort. Ihr
Instrument ist die
Bratsche. Ihre
schnaufende Kurzatmigkeit
hindert sie, ihr Gebet
zusammenhangend zu
sprechen. Der fleissigen
Ameise - sie erbost sich
sehr uber die Grille,
deren Wirtshausmusik sie
unterbricht - folgt der
Hahn mit hellen und
scharfen Tonen. Er ist
es, der die Sonne
aufgehen lasst; man kann
es in dem sich
auffaltenden Klang der
Coda horen. Der
vergessliche
Schmetterling taumelt in
immer neu variierten
Oboenfiguren durch die
glasernen Sommerklange
von Streicherflageoletts,
bis es ihm einfallt, was
er sagen wollte: Amen.
Das Schwein bekennt sich
zu seiner schnuffelnden
und grunzenden Natur,
die, von den Streichern
mit rauhem Bogendruck
gezeichnet, in der Coda
durch eine stille
F-Dur-Kantilene eine
sonderbare Verklarung
erfahrt. Vor uns die
Sintflut ruft der Rabe,
und sein durchdringender
Oboenschrei ubertont das
Wogen und Schwanken der
Streicher, die hier
Motive aus dem Gebet des
Noah wieder aufnehmen. In
der darauf eintretenden
Stille bieten die
Instrumente verschiedene
Themen an, die folgenlos
verschwinden - um nach
dem Altsolo Die Arche
wartet sich in einem
ruhig-feierlichen
a-cappella-Satz mit
alternierendem
Soloquartett wieder
zusammenzufinden und das
Werk in reinem Es-Dur
beschliessen. Alfred
Koerppen.
By Daniel Bernard Roumain. For SSAA or children's chorus and instruments (Chorus...(+)
By Daniel Bernard
Roumain. For SSAA or
children's chorus and
instruments (Chorus
(SSAA) or Children's
Choir; 1 Electric Bass; 1
Drum Kit; Piano or
Synthesizer). Set of
Parts. Composed 2001.
Duration 7'
The Holly and the Ivy arranged by Carl Nygard, Jr.. For SSAA Choir (SSAA A Cappe...(+)
The Holly and the Ivy
arranged by Carl Nygard,
Jr.. For SSAA Choir (SSAA
A Cappella). Mark Foster.
12 pages. Shawnee Press
#MF0938. Published by
Shawnee Press
Tipitin Chorale SSAA SSAA A Cappella Alfred Publishing
Choir Secular (Women's Choir) SKU: AP.48860 Composed by English words, Ho...(+)
Choir Secular (Women's
Choir)
SKU:
AP.48860
Composed by
English words, Horace
Heidt, Maria Grever, and
adaptation by Raymond
Leveen. Arranged by Raul
Dominguez. Performance
Music Ensemble; Single
Titles. Lawson-Gould.
Multicultural; Secular;
World. Choral Octavo. 12
pages. Alfred Music
#00-48860. Published by
Alfred Music (AP.48860).
UPC: 038081561844.
Spanish.
Written by
Mexico's first well-known
female composer, MarÃa
Grever, this vals
Mexicano (Mexican waltz)
makes a charming a
cappella work for
outstanding choirs. The
textured setting offers
well-conceived choral
parts throughout,
sometimes using lower
voices to provide a
dance-like underscore for
the lilting melody. A
full translation and
pronunciation notes aid
in the understanding and
mastery of an entirely
Spanish text, which
recounts a story of new
love. Feature an agile
soprano on the jaunty
descant near the end.
SSAA, Piano SKU: SU.80300148 For SSAA, Piano. Composed by Michael ...(+)
SSAA, Piano
SKU:
SU.80300148
For
SSAA, Piano. Composed
by Michael Cleveland.
Vocal/Choral, Sacred
Choral. Accompanied by
piano. Choral Octavo.
Treble Clef Music Press
#80300148. Published by
Treble Clef Music Press
(SU.80300148).
This
mellifluous setting is
achingly sweet but never
sappy, with distinctive
writing for all parts and
an independent keyboard
accompaniment. An
unusually good match of a
12th century hymn text
(known in English as
Jesus, the very thought
of thee) and its musical
setting. Latin, with full
translation. SSAA and
keyboard. Medium. SSAA,
piano Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
SSAA choir, piano SKU: CA.966200 Hymn for Pentecost. Composed by K...(+)
SSAA choir, piano
SKU:
CA.966200
Hymn for
Pentecost. Composed
by Ko Matsushita. Edited
by Stefan Schuck.
Contemporary Choir Music.
Sacred vocal music,
Whitsun. Full score. 12
pages. Duration 5
minutes. Carus Verlag #CV
09.662/00. Published by
Carus Verlag (CA.966200).
ISBN 9790007167677.
Language:
Latin.
Matsushita's
setting of a hymn for
Pentecost is a dialog
between women's choir and
piano: while the choir
develops its melodies
from the Gregorian hymn,
the piano provides a
counterpoint with the
minimalistic sounds of
fourth and fifths,
together with short
independent motives
related to the text of
the hymn. Corresponding
to the chorale, the meter
changes continually, as
if floating. The choir is
treated homophonically
throughout and, in
preparation for the
climax of the piece it is
briefly divided into six
parts at the words
pacemque dones protinus
(true peace bring unto
us). One again Matsushita
proves himself a master
of economy in his use of
compositional means; thus
his works of new church
music are appealing,
effective, and they
express humility.
Choral (SSAA a cappella) SKU: HL.48024903 Marian Antiphone SSAA a capp...(+)
Choral (SSAA a cappella)
SKU: HL.48024903
Marian Antiphone SSAA
a cappella. Composed
by Arnesen and Kim
André. BH Large
Choral. Classical,
General Worship, Sacred.
Octavo. 16 pages.
Duration 300 seconds.
Boosey & Hawkes
#M060137020. Published by
Boosey & Hawkes
(HL.48024903).
UPC:
840126930771.
This
setting of Ave Regina
c''lorum (Hail, O Queen
of Heaven), one of the
four Marian antiphons
with origins in the 4th
century, is ajoyous work
for upper voices,
suitable for children's
or women's choirs. It is
full of energy and,
although it is largely
homophonic, the rhythmic
interplay between the
parts creates interesting
textures which combine
with Arnesens
recognisable, beautiful
harmonic language. The
jubilant outer sections
contrast with a slower,
more mysterious middle
section where the text
speaks of the Virgin
Marys beauty. A joy to
both sing and listen to,
this new piece will make
an attractive addition to
a concert or service.
Composed by James Pierpont (1822-1893). Arranged by Kay Thompson and Johnny Mand...(+)
Composed by James
Pierpont (1822-1893).
Arranged by Kay Thompson
and Johnny Mandel, choral
arr. Mark Hayes. Choral
Octavo. Alfred Pop
Series. Christmas;
Secular; Winter. 16
pages. Published by
Alfred Music (AP.45476).
Movement III - Mother Earth (SSA Choral Part). Composed by Johan De Meij. Amstel...(+)
Movement III - Mother
Earth (SSA Choral Part).
Composed by Johan De
Meij. Amstel Music.
Concert Piece. Set (Score
and Parts). Composed
2007. Amstel Music #AM
93-050. Published by
Amstel Music
Silent Night Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSSAA, a cappella SKU: SU.80300155 For SSSAA, a cappella. Arranged...(+)
SSSAA, a cappella
SKU:
SU.80300155
For
SSSAA, a cappella.
Arranged by Katherine
Dienes. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300155. Published by
Treble Clef Music Press
(SU.80300155).
This full, yet
gentle setting of the
beloved Christmas hymn is
perfect for a candlelight
service or quiet concert
closer. The low, rocking
chords of the background
choral parts are the same
for all three stanzas.
Interest is built by the
addition of a
second-stanza solo and
third-stanza descants.
Experiment with assigning
the descants to
instruments, or with
supporting or replacing
the lower voices with
organ. SSSAA, soprano
solo, and three descants
a cappella; English; 4
pages; duration: 2:45
min.; range: f to f(top
descant to c''');
difficulty: easy-medium.
SSSAA, a cappella
Published by: Treble Clef
Music Minimum order
quantity: 8 copies.
Silent Night Chorale SSAA SSAA A Cappella [Octavo] Treble Clef Music Press
By Franz Xaver Gruber. Arranged by Katherine Dienes (Arranger). For SSSAA choir....(+)
By Franz Xaver Gruber.
Arranged by Katherine
Dienes (Arranger). For
SSSAA choir. (a
cappella). Sacred,
Christmas. Level:
Easy-Medium. Published by
Treble Clef Music Press.
By Francis Scott Key, music by John Stafford Smith. Arranged by Mark Hayes. Choi...(+)
By Francis Scott Key,
music by John Stafford
Smith. Arranged by Mark
Hayes. Choir Secular.
Women's Choir. Choral
Octavo. Choral Designs.
Patriotic. 8 pages.
Published by Alfred Music
Publishing
Choral (SSAA Choir) SKU: HL.48022722 SSAA and Piano. Composed by J...(+)
Choral (SSAA Choir)
SKU: HL.48022722
SSAA and Piano.
Composed by James
Macmillan. Boosey &
Hawkes Sacred Choral.
Christmas, General
Worship, Sacred.
Softcover. 14 pages. Hal
Leonard #M060125782.
Published by Hal Leonard
(HL.48022722).
ISBN
9780851628257.
7.25x10.0x0.091
inches.
A setting
of a nativity poem from
Her Maker's Maker by
Michael Symmons Roberts,
New-made for a king was
commissioned by Andreas
Klatt for Farnham Youth
Choir. Scored mainly in
four parts, the choral
texture is homophonic,
the harmony rich yet
approachable by young
performers, with a
decorative piano
accompaniment. In the
mould of a lullaby, the
piece's over-riding calm
is troubled towards the
close by indistinct pp
lontano interjections
from the piano, in
response to the poem's
portentous closing
words.
SSAA chorus - early intermediate SKU: XC.HRMG1932 Composed by Michael Joh...(+)
SSAA chorus - early
intermediate
SKU:
XC.HRMG1932
Composed
by Michael John Trotta.
Michael John Trotta.
Music Education. Octavo.
16 pages. Hampton Roads
Music Group LLC
#HRMG1932. Published by
Hampton Roads Music Group
LLC (XC.HRMG1932).
UPC: 785147103356.
English.
A stirring
testament to the power of
music, Sara Teasdale's
text is set to a
captivating melody, with
careful use of
suspensions, and optional
parts for violin and
cello. A flowing piano
accompaniment and
optional solo or descant
line bring beauty and
depth to the gentle
setting. For with my
singing, I can make a
refuge for my spirit's
sake. Â .
SSAA, a cappella SKU: SU.80300110 For SSAA, a cappella. Composed b...(+)
SSAA, a cappella
SKU:
SU.80300110
For
SSAA, a cappella.
Composed by Jakob Handl.
Vocal/Choral, Sacred
Choral. A cappella.
Choral Octavo. Treble
Clef Music Press
#80300110. Published by
Treble Clef Music Press
(SU.80300110).
Rejoice with
me, all ye who love the
Lord is the beginning of
the text, expressing
Mary's joy in a
first-person responsory
text incorporating parts
of the Magnificat. This
sturdy polyphonic setting
concludes with an
exultant homophonic
section in triple meter.
SSAA a cappella; Latin.
Medium. SSAA, a cappella
Published by: Treble Clef
Music Minimum order
quantity: 8 copies.
Morning Light Chorale SSAA SSAA A Cappella - Facile Oxford University Press
SSAA choir, a cappella (Upper Voices - 3 parts or more) - easy SKU: OU.978019...(+)
SSAA choir, a cappella
(Upper Voices - 3 parts
or more) - easy
SKU:
OU.9780193404755
Composed by Sarah
Quartel. This edition:
paperback. Secular Choral
- Upp. Voices. Songbird.
Secular. Vocal score. 12
pages. Duration 4.5'.
Oxford University Press
#9780193404755. Published
by Oxford University
Press (OU.9780193404755).
ISBN 9780193404755. 10
x 7 inches.
For
SSAA unaccompanied
Morning Light sets an
optimistic text by the
composer about home and
finding your way.
Inspired by American
folksongs, the
captivating melody and
warm harmonies perfectly
complement the uplifting
theme of the text.
Morning Light will be a
welcome addition to the
upper-voice
repertoire.
The Waiting Sky Chorale SSAA SSAA A Cappella - Facile Oxford University Press
SSAA choir, a cappella (Upper Voices - 3 parts or more) - Easy to Moderately Dif...(+)
SSAA choir, a cappella
(Upper Voices - 3 parts
or more) - Easy to
Moderately Difficult
SKU:
OU.9780193528178
Composed by Oliver
Tarney. Advent,
Christmas. Vocal score. 4
pages. Duration 3'.
Oxford University Press
#9780193528178. Published
by Oxford University
Press (OU.9780193528178).
ISBN 9780193528178. 10
x 7 inches.
For
SSAA unaccompanied Oliver
Tarney has re-worked his
popular unaccompanied
minature The Waiting Sky
for upper voices. While
it would make a beautiful
addition to a concert
programme at other times
of the year, the setting
is perfect as a
reflective carol for
Advent, anticipating the
wonder of the birth of
Christ.
What Sweeter Music Chorale SSAA SSAA, Piano [Octavo] MorningStar Music Publishers
Composed by Hal H. Hopson. For SSAA choir, piano. Hal Hopson Choral Series - Acc...(+)
Composed by Hal H.
Hopson. For SSAA choir,
piano. Hal Hopson Choral
Series - Accessible
Anthems for Choirs.
Christmas, 21st Century.
Medium. Octavo. Published
by MorningStar Music
Publishers
My soul is awakened Chorale SSAA SSAA, Piano - Facile Oxford University Press
SSAA choir and piano (Upper Voices - 3 parts or more) - Easy to Moderately Diffi...(+)
SSAA choir and piano
(Upper Voices - 3 parts
or more) - Easy to
Moderately Difficult
SKU:
OU.9780193530294
Composed by Sarah
Quartel. Secular Choral -
Upp. Voices. Vocal score.
16 pages. Duration 4.5'.
Oxford University Press
#9780193530294. Published
by Oxford University
Press (OU.9780193530294).
ISBN 9780193530294. 11
x 9 inches.
For
SSAA and piano This is a
beautiful piece setting
an evocative text by Anne
Bronte that explores
natural imagery on a
blustery day and the
feelings they inspire.
Supported by the piano
acccompaniment, Quartel's
soaring melodies, rich
harmonies, and syncopated
rhythms illustrate the
power of the wind.
(African-American Spiritual). By African-American Spiritual. Arranged by Robert ...(+)
(African-American
Spiritual). By
African-American
Spiritual. Arranged by
Robert de Cormier and
Robert De Cormier. For
SSAA. Choral octavo. 2
pages. Published by E.
Henry David . choral
octavo.