Female choir (SSAA) and instruments (oboe, violin I, violin II, viola, cello, double bass) - level 4

SKU: M2.MOS-69449-60

Composed by Alfred Koerppen. Set of parts. Möseler Verlag #MOS 69449-60. Published by Möseler Verlag (M2.MOS-69449-60).

ISBN 9790203755692.

1955 erschien aus der Hand der franzosischen Nonne Carmen Bernos de Gaszold ein Gedichtband unter dem Titel Prieres dans l'Arche - Gebete aus der Arche. Diese Gebete werden den Tieren in den Mund gelegt, die mit Noah, in der drangvollen Enge der Arche vereint, das Ende der Sintflut erwarten. Die Dichterin folgt einer Tradition - man denkt an Asop, La Fontaine und Goethe - wenn sie im Wesen der Kreaturen Spiegelungen menschlicher Schwachen, Fehler und Tugenden erkennt. Denn die in der Wasserwuste gefangenen Tiere reden so fromm, furchtsam, selbstgerecht und banal, wie es menschlich ware. Und auch das Allzumenschliche - Hoffart, Leichtsinn, Neid - kommt zu Wort. Nur dass die Ichbefangenheit der betenden Tiere ihrer Unschuld keinen Abbruch tut. Ihre bedingte und bedrangte Natur findet Gedanken, die uns ein sympathisierendes Lacheln abgewinnt. Der Zyklus schien mir zur Vertonung geeignet, weil er ein religioses Thema unpratentios und originell vortragt und ein Stuck ermoglicht, das die ubliche Trennung zwischen weltlich und geistlich uberschreitet und Konzertsaal und Kirche in Anspruch nehmen kann. Zur Besetzung: Der Frauenchor muss aus den vier ublichen Stimmlagen 1. und 2. Sopran, 1. und 2. Alt bestehen, wobei auch noch Stimmteilungen vorkommen. In Nr. 9 Gebet der Taube wird noch ein (aus dem Chor zu bildendes) Soloquartett gebraucht. Der Instrumentalpart besteht aus einer Oboe und einem Streicherquintett (1. und 2. Violine, Viola, Violoncello und Kontrabass). Die Besetzung soll solistisch sein, kann aber bei den Streichern (und wenn die Klangbalance zum Chor dies wunschenswert macht) zu einem kleinen Kammerorchester erweitert werden. Der Charakter der Instrumente, ihre Techniken und Farben, erlauben mir realistische Klangmetaphern und physiognomische Parallelen - so, wenn das Cello im Duett mit dem Alt die hochmutige Giraffe in grossintervalligen Sprungen deutet, die rasende Geschaftigkeit der Ameise sich in schnellen Violinbariolagen ausdruckt oder die Oboe ein naturalistisches Rabengekrachz horen lasst. Der Zyklus beginnt mit dem Gebet des Noah. Man stelle sich das Gedrange und Geschrei vor, dass die Arche erfullt, die hochgehenden Wogen, den prasselnden Regen, und mitten darin den Urvater Noah, dem sich der Ausruf entringt: Herr, was fur ein Zirkus! Seine Ausbruche korrespondieren mit dem auf- und niederwogenden Streichersatz, bis der Sturm sich legt, die Wogen sich glatten und Noah in der mehrmals gedehnten Phrase Es dauert lange seine Ergebung und Hoffnung ausdruckt. Nach dem pharisaischen Gebet der Giraffe ergreift die Schildkrote das Wort. Ihr Instrument ist die Bratsche. Ihre schnaufende Kurzatmigkeit hindert sie, ihr Gebet zusammenhangend zu sprechen. Der fleissigen Ameise - sie erbost sich sehr uber die Grille, deren Wirtshausmusik sie unterbricht - folgt der Hahn mit hellen und scharfen Tonen. Er ist es, der die Sonne aufgehen lasst; man kann es in dem sich auffaltenden Klang der Coda horen. Der vergessliche Schmetterling taumelt in immer neu variierten Oboenfiguren durch die glasernen Sommerklange von Streicherflageoletts, bis es ihm einfallt, was er sagen wollte: Amen. Das Schwein bekennt sich zu seiner schnuffelnden und grunzenden Natur, die, von den Streichern mit rauhem Bogendruck gezeichnet, in der Coda durch eine stille F-Dur-Kantilene eine sonderbare Verklarung erfahrt. Vor uns die Sintflut ruft der Rabe, und sein durchdringender Oboenschrei ubertont das Wogen und Schwanken der Streicher, die hier Motive aus dem Gebet des Noah wieder aufnehmen. In der darauf eintretenden Stille bieten die Instrumente verschiedene Themen an, die folgenlos verschwinden - um nach dem Altsolo Die Arche wartet sich in einem ruhig-feierlichen a-cappella-Satz mit alternierendem Soloquartett wieder zusammenzufinden und das Werk in reinem Es-Dur beschliessen. Alfred Koerppen.

By Jakob Handl. For SSAA/SSAA choir. (a cappella). Christmas. Level: Easy. Published by Treble Clef Music Press.

SSAA and Piano

SKU: HL.14024685

Composed by Nicola Porpora. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV199230. Published by Music Sales (HL.14024685).

Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A rival of Handel, he formed an opera company which performed his own compositions all over Europe. He was widely acclaimed during his lifetime both as a composer and also as a pedagogue, counting Haydn among his students. Regrettably, most of his compositions have largely fallen into obscurity since his death.

Credidi Propter is a setting of Psalm 116, originally for SSAA Upper Voice Choir, Strings and Organ Continuo, with optional Viola part. It has been edited by D. E. Hyde, and arranged with Piano accompaniment.

SSAA choir, piano

SKU: LO.10-5540S

Composed by Brenda Portman. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5540S. Published by Sacred Music Press (LO.10-5540S).

ISBN 9780787771799.

This stunning anthem by Brenda Portman is based on a new translation of the words that are familiar from the hymn How Great Thou Art. Portman's original music begins mysterously before opening up into a glorious, resplendent conclusion. Then we will sing forever more, O mighty God! Sure to become a favorite of choir and congregation alike.

By Pavel Grigorievich Chesnokov (1877-1944). Arranged by Vladimir Morosan. For SSAA choir. Russian Title: Spasenie sodelal. Language: Church Slavonic. Op. 25, No. 5. Published by Musica Russica

SSAA, a cappella

SKU: SU.80300114

For SSAA, a cappella. Arranged by Lee Bratton. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300114. Published by Treble Clef Music Press (SU.80300114).

This texture of this setting evokes the longing to go over Jordan, over home with its effective use of octaves, and of chords blossoming out from unisons to wide voicings and back again. SSAA and soprano solo a cappella. English. Easy/Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

SSAA, a cappella

SKU: SU.80300156

For SSAA, a cappella. Arranged by William G. Lycan. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300156. Published by Treble Clef Music Press (SU.80300156).

The haunting melody is variously placed against pedal points, with unison phrase closings, in the alto line, and at close imitation, to give the acoustic feeling of the singers' listening and longing for the sound of the beloved. SSAA (some divisi) a cappella; 6 pages; duration: 2:30 min.; range: f to g; difficulty: medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

SSAA, Piano

SKU: SU.80300216

For SSAA, Piano. Composed by Michael Cleveland. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300216. Published by Treble Clef Music Press (SU.80300216).

The ambiguous tonality of the opening section reflects the poet’s restlessness, in this cry of longing for a dead lover in the silence of the night. A richly romantic setting which showcases beautiful choral sound. SSAA & piano; English. Medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

SSAA, a cappella

SKU: SU.80300167

For SSAA, a cappella. Composed by Maria Löfberg. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300167. Published by Treble Clef Music Press (SU.80300167).

This supple and mellifluous setting seems to grow from plainchant--its largely stepwise motion grows naturally out of text accents, and individual sections are singled out now and then, for variety in texture. This deceptively simple piece is intelligent and lovely. SSAA a cappella; duration: 2’00; range: a-g; difficulty: medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

By Camille Saint-Saens. For SSAA Choir, Organ. French Sacred Music. Score. Language: Latin. 8 pages. Published by Carus Verlag (German import).

Choral (SSAA a cappella)

SKU: HL.1168819

Arranged by Kirby Shaw. Festival Choral. A Cappella, Concert, Contest, Festival, Jazz. Octavo. Duration 200 seconds. Published by Hal Leonard (HL.1168819).

UPC: 196288124405. 6.75x10.5x0.01 inches.

This classic arrangement was originally scored for mixed voices, and is now available for treble choirs! Jazz harmonies are found throughout this lovely a cappella setting, which is full of opportunities to teach expressive singing and vocal blend.

By Nikolai Kedroff, Sr.. For SSAA choir. Russian Title: Otche nash. Choral octavo. Language: Church Slavonic. Published by Musica Russica

Composed by Justin Timberlake, Max Martin, and Shellback. Arranged by Aaron Dale. Barbership Harmony Society. Octavo. Barbershop Harmony Society #211412. Published by Barbershop Harmony Society

SSAA choir, a cappella

SKU: OU.9780193568242

Composed by Sarah Quartel. Songbird. Vocal score. 8 pages. Duration 4.5'. Oxford University Press #9780193568242. Published by Oxford University Press (OU.9780193568242).

ISBN 9780193568242. 10 x 7 inches.

For SSAA unaccompanied Garden of Dreams sets of fragments of text by Sappho, translated by Arthur Sanders Way and A. S. Kline. Sarah Quartel has used cross-rhythms, syncopation, and flowing melodic lines to create a sense of restless longing.

By Elizabeth Alexander. Text: Joan Wolf Prefontaine. For Women's Choir (SSAA) a cappella. (SSAA). Level: medium-difficult. Duration 5 minutes. Published by Seafarer Press.

SSAA, a cappella

SKU: SU.80300169

For SSAA, a cappella. Composed by Jonathan D. Green. Vocal/Choral, Sacred Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300169. Published by Treble Clef Music Press (SU.80300169).

This gentle, homophonic setting, with its low tessitura and repeated rhythmic pattern, would definitely comfort the baby. This piece is perfect for setting a quiet mood for a Christmas service or concert. SSAA a cappella; Latin; duration: 2’10; range: b flat-e flat; difficulty: medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

Arranged by Mark Hayes. For Choir. (SSAA). Choral Octavo. Choral Octavo. 16 pages. Published by Alfred Publishing.

SSA Choral (SSAA Choir)

SKU: HL.35031801

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. Duration 225 seconds. Published by Shawnee Press (HL.35031801).

ISBN 9781540004772. UPC: 888680710705. 6.75x10.5x0.04 inches.

Stand back for this fantastic arrangement from the hit musical revival, Hello Dolly! Beginning with an expressive solo, the choral begins to come alive in tempo and energy until the final chord. Available in voicings to suit just about every performing ensemble with optional instrumentation, you'll feel like you're on Broadway with every performance!

SSAA choir and piano

SKU: OU.9780193552272

Composed by Sarah Quartel. Songbird. Vocal score. 12 pages. Duration 3.5'. Oxford University Press #9780193552272. Published by Oxford University Press (OU.9780193552272).

ISBN 9780193552272. 10 x 7 inches.

For SSAA and piano Refuge sets a powerful Sara Teasdale poem that perfectly captures the healing power of singing: 'For with my singing I can make a refuge for my spirit's sake'. Quartel's musical structure complements the narrative, opening and closing with music marked 'resilient and strong', with a 'warm and hopeful' central section.

By Greg Gilpin. For SSAA choir unaccompanied. Choral. Octavo. Published by Shawnee Press.

Choir Secular (Women's Choir)

SKU: AP.47521

Composed by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 8 pages. Alfred Music #00-47521. Published by Alfred Music (AP.47521).

UPC: 038081542140. English.

A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Expressive singing and vocal artistry are encouraged by the gentle ebb and flow of tempo.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SSAA choir, Organ

SKU: CA.751700

Composed by Johannes Matthias Michel. Contemporary Choir Music. Sacred vocal music, Peace and justice. Full score. Composed 2015. 8 pages. Duration 3 minutes. Carus Verlag #CV 07.517/00. Published by Carus Verlag (CA.751700).

ISBN 9790007166885. Text language: Latin.

Dona nobis pacem and Lux aeterna were both written for concert programs devoted to specific themes. They share the use of the techniques of minimalism in their organ parts, enabling the broad vocal lines in the choral voices to stretch out above this instrument, thus imparting a special aspect to the concerns addressed by the texts: the longing for freedom in the here and now, as expressed in the Dona nobis pacem, as well as the desire for peace and tranquillity in the Lux aeterna.

((O Sweetest of Songs)). By Z. Randall Stroope. For Choral (SSAA). Walton Choral. 12 pages. Walton Music #WW1486. Published by Walton Music

Composed by James Rolfe. For SSAA choir, a cappella. Octavo. Published by Cypress Choral Music

SSAA choir, Organ

SKU: CA.751600

Composed by Johannes Matthias Michel. Contemporary Choir Music. Sacred vocal music, Peace and justice. Full score. Composed 2015. 12 pages. Duration 5 minutes. Carus Verlag #CV 07.516/00. Published by Carus Verlag (CA.751600).

ISBN 9790007166878. Text language: Latin.

Dona nobis pacem and Lux aeterna were both written for concert programs devoted to specific themes. They share the use of the techniques of minimalism in their organ parts, enabling the broad vocal lines in the choral voices to stretch out above this instrument, thus imparting a special aspect to the concerns addressed by the texts: the longing for freedom in the here and now, as expressed in the Dona nobis pacem, as well as the desire for peace and tranquillity in the Lux aeterna.

SSAA, a cappella

SKU: SU.80300185

For SSAA, a cappella. Composed by Scott A. Tucker. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300185. Published by Treble Clef Music Press (SU.80300185).

I stumble and tumble, begins this freely-rendered medieval text, set in 6/4 over a delightfully lurching scat ostinato in 12/8. Written for the women of the Cornell University Chorus, it works easily when conducted in a big 2. English. SSAA a cappella. Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

SSAA, a cappella

SKU: SU.YR6002V3

For SSAA, a cappella. Composed by Alan Stringer. Vocal/Choral, Secular Choral. A cappella, SSAA, Women’s Chorus. Choral Octavo. Subito Music Corporation #YR6002v3. Published by Subito Music Corporation (SU.YR6002V3).

Words based on the writings of Emma Goldman and Mariana Romo CarmonaSSAA, a cappella Composed: 2002 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.