Since Brahms' 'Guten Abend, gut Nacht', lullabies have been a popular element in many a concert progamme. Heinrich Poos set to music three traditional lullabies for women's choir which are perfect for evening concerts or serenades at events on a smaller scale. / Choer SSAA

It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effective sound image in the listener's mind.The poem 'Ziles zina' by the contemporary Latvian poet Uldis Berzins (*1944) centres on the themes of man, nature and transience in aphoristic brevity.Vasks wrote a piece of music on this poem which contains downright rewarding tasks for the choir and opens up to the listener a fascinating world of sound. / Choeur De Femmes (SSAA) A Cappella

A series of outstanding songs, taken from the bestselling Close Harmony Ladies' Barbershop Songbook , selected for their appropriateness for female singers, arranged for close-harmony quartets or women's choirs. Nicholas Hare's beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy piano rehearsal. / Choeur SSAA

Basé sur une ancienne fable taoïste d'un agriculteur petit village dont la fortune change continuellement à travers une chaîne d'événements interconnectés. Singers sont divisés en deux groupes de caractères - le narrateur et les villageois - et un soliste chante le rôle de l'agriculteur. La morale de cette histoire: Vous ne savez jamais, continuer à avancer. Tout n'est pas tel qu'il apparaît en premier. / Choeur SSAA Et Soliste

A single voice states the opening phrase before it returns in ethereal 4-part women's harmony in this gorgeous setting of the mass text. Close harmonies and gentle motivic imitations throughout invite an intimate sense of wonder. Intricate divisi writing provides a satisfying challenge for advanced choirs. Highly recommended! / Choeur SSAA A Cappella

Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking the atmosphere of a singular moment of frozen time. Although commissioned by Sonoro for performance during the Christmas period, this singable, lyrical setting would fit well into a programme of music suitable for any time of the year. / Date parution : 1905-07-10/ Feuillet / SSAA a Cappella

Five choral songs. Par SCHONHERR CHRISTOPH. Since his earliest childhood, Christoph Schönherr has been fascinated by all things nautical. His cycle Von Schiffen, Meer und Wind (Of Ships, Sea and Wind) brings together verses by different poets that explore the sea in its various guises. The work's selected poems describe the vast ocean that can fill us with a deep sense of tranquility, but can also bring mortal danger with its storms and destructive waves. Boats, and especially sailing ships, are often associated with freedom, a sense of weightlessness, and security. But if we are caught in a storm at sea, we suddenly find ourselves at the mercy of nature. We are made painfully aware of our own insignificance in the greater scheme of things.According to the composer and passionate sailor: ?In the five choral songs I attempt to characterize the atmosphere of the texts and the emotions they contain. My experiences at sea, for example in storms or when simply contemplating the motionless water, guided me in my search for a suitable means of musical expression.? / Date parution : 2023-06-01/ Répertoire / SSAA

Blezzard Judith (Editor). Par BLEZZARD JUDITH. Ce volume présente une richesse du répertoire inestimable, original pour les chorales de voix supérieure. Bon nombre des pièces recueillies dans le présent volume sont publiées ici pour la première fois ou ne jouissent pas de la même exposition comme une grande partie du répertoire des voix mixtes. Le volume s'appuie sur le succès de 'Chorale Programme Series' la musique de Faber, dont certaines pièces ont été tirées. 30 'Masterworks sacré englobe de nombreuses époques et offre les deux accompagné et morceaux non accompagnés, il forme une collection dynamique et polyvalente convenant à une variété de services et de concerts à travers l'année. Ce volume est une ressource inestimable, tant pour les chorales de voix supérieure afin d'obtenir source d'inspiration et nouveau répertoire ainsi que pour mixtes chorales de voix qui veulent mettre en valeur le talent de leurs les chanteuses. 10-packs sont disponibles et offrent une économie de coûts importantes. Les oeuvres de 30 inclus dans le volume sont Adoramus te Christe (Paolo Agostini) - Die Ehre Gottes aus der Natur (Ludwig van Beethoven) - Adoramus te Christe (Jo.../ Recueil / Choeur (Unisson), Voix Hautes et Voix Egales

Par RANDLE RHIANNON. / Date parution : 1905-07-09/ Feuillet / Choeur de Femmes (SSAA)

Arrangement: Shaw Kirby. Par SHAW KIRBY. This whimsical gem for treble choirs will captivate your audiences. Kirby's exquisite arrangement of this classic song lets each section blossom with a turn at the melody. / Feuillet / Choeur (Unisson), Voix Hautes et Voix Egales