Composed by John Rutter (1945-). For SSAATTBB choir and SSATB choir a cappella. Mixed Voices. John Rutter Anniversary Edition. Sacred. Very easy. Vocal score. 8 pages. Duration 5 mintues. Published by Oxford University Press

SSAATTBB chorus and oboe Composed by John Rutter (1945-). Vocal score. 16 pages. Duration 3'. Oxford University Press #9780193562301. Published by Oxford University Press

SSAATTBB a cappella. Composed by Andrej Makor. Choral. Octavo. 12 pages. Schott Music #C59050. Published by Schott Music

SSAATTBB choir, 2 horns, 3 trombones, 6 trumpets, timpani, 2 violins, 3 violas, violin, organ, theorbe

SKU: CA.4067909

A 26 in concerto. Composed by Heinrich Ignaz Franz von Biber. Edited by Werner Jaksch. 1x 40.679/21 cornett 1, 1x 40.679/22 cornett 2, 1x 40.679/31 trumpet 1, 1x 40.679/32 trumpet 2, 1x 40.679/33 trumpet 3, 1x 40.679/34 trumpet 4, 1x 40.679/35 trumpet 5, 1x 40.679/36 trumpet 6, 1x 40.679/37 trombone 1, 1x 40.679/38 trombone 2, 1x 40.679/39 . Sacred Music from Salzburg. Missa Alleluja A 26 In Concerto. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 68 pages. Duration 30 minutes. Carus Verlag #CV 40.679/09. Published by Carus Verlag (CA.4067909).

ISBN 9790007076559. Language: Latin.

This first edition of a mass by Biber offers a new glimpse of the colourful and contrastful world of the Baroque. Since the publication of his Missa Salisburgensis in 1903, no mass with this kind of many-voice scoring has appeared in print. This edition not only enriches the multi-choir repertoire, but also is an important contribution to study of an Austrian composer, who has long been known chiefly for his violin compositions. Score and parts available separately - see item CA.4067900.

SSAATTBB choir, a cappella (SATB) - Difficult

SKU: OU.9780193404847

Composed by Gabriel Jackson. Sacred choral - mixed voices. New Horizons. Vocal score. 24 pages. Duration 9'. Oxford University Press #9780193404847. Published by Oxford University Press (OU.9780193404847).

ISBN 9780193404847. 12 x 8 inches.

For SSAATTBB unaccompanied A challenging yet delicate anthem, with subtle key-signature changes, vocal divisions in up to eight parts, and alternating homophonic and polyphonic passages, the piece combines excerpts from the synonymous medieval hymn and Wordsworth's poem The Virgin, making it especially suitable for celebrations of the Blessed Virgin Mary.

About Oxford New Horizons

N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

Mixed choir (SSAATTBB) - advanced

SKU: HL.49018397

(In the Fields). Composed by Nikolai Andreyevich Roslavets. Edited by Marina Lobanova. This edition: Saddle stitching. Sheet music. Edition Schott. Choral score. 12 pages. Duration 2'. Schott Music #C54051. Published by Schott Music (HL.49018397).

ISBN 9790001174220. UPC: 884088648763. 7.5x11.5x0.051 inches. Russian.

In the days of Roslawez, the use of lyrical texts in Russian choral music was an exception. Traditionally, sacred liturgical texts were preferred in choral singing. Roslawez composed only a few choral works anyway, so this excellent cantabile piece is a real treasure. The poem 'Na poljach' (In the Fields) was written by the Russian poet Pyotr Oreshin. Little solo parts answered by the tutti, charming harmonies and a floating rhythm result in an Impressionist tonal image. The piece is quite easy to sing and will bring pleasure to both performers and listeners.Roslawez studied composition and violin in Moscow. He was among the leading figures of the musical scene in the 1920s. Treated more and more with hostility for political reasons and eventually barred from pursuing his career, he spent the last years of his life in poverty.