SSAATTBB choir, a cappella - Grade 4 SKU: KJ.9167 Composed by Jennaya Rob...(+)
SSAATTBB choir, a
cappella - Grade 4
SKU: KJ.9167
Composed by Jennaya
Robison. Arranged by
Jennaya Robison.
Collection. Music for the
Church Year. Sacred,
general. Octavo. 13
pages. Neil A. Kjos Music
Company #9167. Published
by Neil A. Kjos Music
Company (KJ.9167).
UPC:
084027047057.
This
SSAATTBB a cappella
setting of All Praise to
Thee brings innovative
textures and harmonic
sonorities to the
much-loved tune Tallis
Canon. An opening
statement of the tune is
followed by SATB parts
employing traditional
canonic treatment, which
then expands to 8 parts
with sustained chords
providing a new textural
backdrop for the
re-appearance of the hymn
tune in augmented
form.
Lo Yisa Goy Chorale SSAATTBB SSAATTBB, Piano Theodore Presser Co.
Choral SSAATTBB choir, Piano (for rehearsal) SKU: PR.312419090 Composed b...(+)
Choral SSAATTBB choir,
Piano (for rehearsal)
SKU: PR.312419090
Composed by Stacy Garrop.
16 pages. Duration 5
minutes. Theodore Presser
Company #312-41909.
Published by Theodore
Presser Company
(PR.312419090).
ISBN
9781491135778. UPC:
680160687848. English,
Hebrew.
In Stacy
Garrop’s inspired
hands, divisi mixed
chorus provides a rich
palette of texture and
color. Her setting
intermingles three
versions of the Hebrew
folk tune, taking
artistic advantage of
contrasts between solo
and tutti, homophony and
grand antiphony, divisi
men and divisi women, and
the gradual braiding and
unbraiding of Hebrew and
English texts. LO YISA
GOY is the explicitly
anti-war Scriptural text
better-known in its
English translation that
begins, “And they
shall beat their swords
into plowshares... nation
shall not lift up a sword
against
nation.â€. When
Jonathan Miller asked me
to write two pieces for
Chicago a cappella, I
knew right away that I
wanted to choose two
songs from my own
past.The first piece,
Hava Nagila, is a
celebratory song full of
joy. I wanted the second
work to contrast the
first, and to this end, I
chose the somber text of
Lo Yisa Goy, a prayer for
peace. I remember singing
this song as a young
child in Hebrew school
and synagogue, always in
context (at least in my
congregation) of praying
for the state of Israel.
I think we’re at a
particular point in which
people in a lot of
different nations could
use such a prayer. For
this reason,
you’ll hear the
words in both Hebrew and
English.In my research of
previous versions of the
melody, I discovered
three variants for the
tune, all of which I have
incorporated into my
piece.
SSAATTBB a cappella. By Benjamin Britten. (SSAATTBB A Cappella). Boosey and Haw...(+)
SSAATTBB a cappella. By
Benjamin Britten.
(SSAATTBB A Cappella).
Boosey and Hawkes Sacred
Choral. Size 6.75x10.5
inches. 8 pages.
Published by Boosey and
Hawkes.
2006. Composed by
Roxanna Panufnik.
Contemporary Medium
Ensemble. Edition Peters.
Modern. Score. 62 pages.
Duration 20 minutes.
Edition Peters
#98-EP71816A. Published
by Edition Peters
(PE.EP71816A).
ISBN
9790577020402. 420 x
297mm inches. English.
Rumi Rumi; translation by
Andrew
Harvey.
Love
Abide encapsulates
the very contemporary
ethos of multicultural
spiritual devotion in a
world populated by a rich
diversity of faiths--all
feeling, as deeply and as
aesthetically, the
compelling potency of
music with love.
A rich offering
on a theme of interfaith
connectivity. The
Japanese lullaby-inspired
Zen Love Song and the
title work Love Abide are
totally
absorbing.
BBC
Music Magazine, 5
stars
With its
outspoken positive
approach, Love Abide is
like a musical bouquet of
healing herbs. Roxana
Panufnuik's beautifully
crafted music is
inventive and truly
enjoyable. The Colla Voce
Singers produce singing
of exceptional quality,
with impressive control
and a very good balance.
Remy Franck,
www.pizzicato.lu, 5
stars
If I had to
choose a
'glass-half-full'
contemporary composer,
then Roxanna Panufnik
would be near the top of
my list. Her Music exudes
openness and inclusivity,
and it is in the choral
settings where hope and
positivity - two words
that lie at the heart of
her work - are most
keenly felt. ... much of
her recent work can be
seen to be built on the
solid foundations laid
down on this impressively
varied and diverse
collection. A music of
hope in dark and troubled
times.
Pwyll ap
Sion, Gramophone
Magazine.
This product is Printed
on Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Composed
by Marten Jansson.
Stapled. Choral score. 12
pages. Baerenreiter
Verlag #BA07414_00.
Published by Baerenreiter
Verlag (BA.BA07414).
ISBN 9790006559183. 27
x 19 cm inches. Text
Language:
Latin.
Based on the
well-known bible text
“Sing unto the Lord
a new song†(Psalm
96:1-3), this upbeat
composition with strong
dynamics and flowing
block chords alternating
with fast-paced polyphony
brings across this joyful
message and enthuses
singers.
Originall
y conceived for male
choir, women’s
voices have now been
added so that this
version for mixed choir
presents a further
dimension of colour. This
version also makes it
possible to divide the
choir into two groups,
one for women and another
for men, and to have them
sing either together or
as separate units.
The version for mixed
choir was premiered in
Uppsala Cathedral
(Sweden) on 26 October
2013, with the Uppsala
Cathedral Singers
conducted by Ulric
Andersson.
“
My music is my own and I
have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings‘ but also as
‘the happiest
classical music that we
have ever
heard’. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.â€
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of
Uppsala.
Please
find a recording of
Cantate Domino performed
by the Riga Recording
Studio Singers (Latvia)
by clicking on
Multimedia.
Choir Secular SSAATTBB choir (SSAATTBB) SKU: PE.EP68578 Three songs fo...(+)
Choir Secular SSAATTBB
choir (SSAATTBB)
SKU:
PE.EP68578
Three
songs for unaccompanied
choir. Composed by
Daniel Knaggs. Choral
Works (inc. Oratorios).
Edition Peters. Choral
Octavo. 44 pages. Edition
Peters #98-EP68578.
Published by Edition
Peters (PE.EP68578).
ISBN 9790300759630.
English.
Of Time
and Passing (2016) is a
cycle of three choral
songs written
specifically for the
London-based ensemble,
VOCES8, taking into
consideration their
versatilityand ability to
beautifully intone a
range of vocal colors
with precision and
grace.
The first
song, I. Life, sets my
translation of the poem A
Vida by Brazilian poet
Olavo Bilac (1865-1918),
a poet I discovered while
studying Brazilian
Portuguese at the
University of Michigan. I
was drawn both to the
simplicity of the text
and to the possibilities
of teasing out dual
contrasting moods. In the
beginning and end, this
song explores a texture
that is very much alive:
wave-like contours,
throbbing sounds, and
plenty of flowing
movement. Rising
eighth-note motives in
particular emphasize the
fleetingness of life. But
in the middle of the
song, the listener is
given a slowed-down
atmosphere to savor
life's beauty.
II.
To Everything a Season
capitalizes on VOCES8's
ability to effectively
interpret popular genres
a cappella. This ancient
text is taken from
Ecclesiastes (dated
around 300 B.C.) but I
set it to a modern,
rhythmically-regular and
percussive pop-style
idiom. Since popular
music in whatever era is
designed to appeal to
a specific ?present
time?, it is by its very
nature ephemeral, and
therefore seemed an apt
metaphor to evoke the
transitory nature of
seasons.
III. Into
Your Hands, confines the
writing into no more than
four parts, often with
octave unisons.This
creates a more direct and
word-focused setting in
which the Psalmist?s
urgent words are placed
at the forefront. Largely
homophonic, this song is
at times chorale-like, at
times
madrigal-like, finall
y relinquishing it?s
tension into peaceful
rest, proclaiming ?You
have redeemed me, O Lord,
faithful God??
Choral
Score SSAATTBB Latin.
Composed by Katarzyna
Danel. This edition:
Saddle stitching. Sheet
music. Choral. General
Worship, Latin, Sacred.
Octavo. Composed 2016. 20
pages. Duration 5' 30''.
Schott Music #C59049.
Published by Schott Music
(HL.49045601).
ISBN
9790001166256. UPC:
841886032682.
7.5x10.75x0.067 inches.
Latin. Psalm
89.
About 40
compositions, including
half for accompanying and
unaccompanied choir, are
currently in the catalog
of young Polish composer
Katarzyna Danel (born
1992). After several
national composition
competitions, she won the
13th International
Composition Competition
Musica Sacra Nova with
her Misericordias Domini
for eight-part mixed
choir a cappella. The
complex spiritual a
cappella choir is based
on the Gregorian chant of
the same name (Psalm
89,2). Three principal
structures are
characteristic of this
Latin-language choral
piece: on the one hand,
aleatoric sound clouds in
major pentatonic scales,
soundally supported by
long-held organum-like
notes taken from the
Gregorian choral melody;
As well as a
renaissance-like
polyphony, which is
linked with modern
harmony; And finally long
static chords that blend
into harmony and space. A
wonderfully
mystical-spherical
composition, which also
gives the individual
performer the possibility
of individual design
through the ad libitum
passages marked in the
sheet music.
SSAATTBB choir, cello SKU: CA.738661 Composed by Michael Waldenby. Contem...(+)
SSAATTBB choir, cello
SKU: CA.738661
Composed by Michael
Waldenby. Contemporary
Choir Music. Epilog.Deum
Time. Sacred vocal music,
Motets. Single Part,
Cello. Op. 49, No. 6. 2
pages. Duration 4
minutes. Carus Verlag #CV
07.386/61. Published by
Carus Verlag (CA.738661).
ISBN 9790007229351.
Text language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).
SSAATTBB choir, cello SKU: CA.738660 Composed by Michael Waldenby. Contem...(+)
SSAATTBB choir, cello
SKU: CA.738660
Composed by Michael
Waldenby. Contemporary
Choir Music. Epilog.Deum
Time. Sacred vocal music,
Motets. Full score. Op.
49, No. 6. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 07.386/60.
Published by Carus Verlag
(CA.738660).
ISBN
9790007166311. Text
language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).