Composed by John Rutter (1945-). For SSAATTBB choir and SSATB choir a cappella. Mixed Voices. John Rutter Anniversary Edition. Sacred. Very easy. Vocal score. 8 pages. Duration 5 mintues. Published by Oxford University Press

Mixed choir (SSAATTBB) with soloists (SBar), children's choir and orchestra - easy

SKU: HL.49004849

Weihnachtskantate. Composed by Hans Lang. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Op. 51. 40 pages. Duration 40'. Schott Music #ED 4388. Published by Schott Music (HL.49004849).

ISBN 9790001051620. German.

By Anne Heider. Arranged by Anne Heider. For SSAATTBB Chorus and piano reduction. Christmas. Sacred. Easy/medium. 12 pages

SSAATTBB chorus & solo voices, unaccompanied (SATB) - easy

SKU: OU.9780193868779

Composed by Ellen Gilson Voth. Secular Choral - Mixed Voices. Vocal score. 8 pages. Oxford University Press #9780193868779. Published by Oxford University Press (OU.9780193868779).

ISBN 9780193868779.

For SSAATTBB with solo voices, unaccompanied.

By Antonio Lotti; Aaron David Miller. Edited by Richard Proulx. For Unison, SATB, SSAATTBB Chorus and piano reduction. Ars Antiqua. Sacred. Easy/medium. Text language: English/Latin. 12 pages

Mixed choir (SSAATTBB) with children's choir (Mez) - very easy

SKU: HL.49025282

Vom Himmel hoch, ihr Englein kommt. Composed by LANG. This edition: Folding. Sheet music. Schott Chorverlag (Choral Music). Choral Score. 4 pages. Duration 4'. Schott Music #C 40655. Published by Schott Music (HL.49025282).

ISBN 9790001010177.

SSAATTBB choir & organ (ad lib.) (SATB) - easy

SKU: OU.9780193954120

Composed by William Sterndale Bennett. Edited by Peter Horton. Sacred choral - mixed voices. Church Music Society Publications. Vocal score. 16 pages. Duration 5'. Oxford University Press #9780193954120. Published by Oxford University Press (OU.9780193954120).

ISBN 9780193954120. 12 x 8 inches.

for SSAATTBB and organ (ad lib.)
Born 200 years ago this year and orphaned at the age of 3, Sterndale Bennett was brought up by his grandfather in Cambridge, where he sang in the choir of King's College before entering the Royal Academy of Music to study the piano at the age of 10. He was later to become Professor of Music at Cambridge and Principal of the RAM. This fine eight-part setting of verses from Psalm 71, written towards the end of his life, explores imitative and antiphonal textures.