SSAATTBB choir, a cappella - Grade 4

SKU: KJ.9167

Composed by Jennaya Robison. Arranged by Jennaya Robison. Collection. Music for the Church Year. Sacred, general. Octavo. 13 pages. Neil A. Kjos Music Company #9167. Published by Neil A. Kjos Music Company (KJ.9167).

UPC: 084027047057.

This SSAATTBB a cappella setting of All Praise to Thee brings innovative textures and harmonic sonorities to the much-loved tune Tallis Canon. An opening statement of the tune is followed by SATB parts employing traditional canonic treatment, which then expands to 8 parts with sustained chords providing a new textural backdrop for the re-appearance of the hymn tune in augmented form.

By African American Spiritual. Arranged by Courtney Carey. For Voices: SSAATTBB. Piano reduction. African American Church Music Series Sacred. Level: medium. 7 pages. Published by GIA Publications.

By Charles C. Converse. Arranged by Craig Jessop, John Longhurst. For SSAATTBB Choir. Medium. Duration 4:15

SSAATTBB choir, keyboard accompaniment - Beginning

SKU: GI.G-6188

Composed by Salone T. Clary. Thanksgiving Day. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #6188. Published by GIA Publications (GI.G-6188).

English.

A thrilling blockbuster of praise for SSAA and TTBB choirs. Except for a very brief contrapuntal “Alleluia” section, the piece moves forward with big block chords, changing dynamics, and tempos to its brilliant, highsweeping, final cadence. A great anthem of praise for developed voices or combined choirs. Wow!

SSAATTBB Choir - Level 4

SKU: CA.742900

Composed by Kay Johannsen. Contemporary Choir Music. Sacred vocal music. Full Score. Duration 4 minutes. Carus Verlag #CV 07.429/00. Published by Carus Verlag (CA.742900).

ISBN M-007-25230-4. Language: Hebrew.

The a cappella motet Alleluja (2018) is a song of longing which resonates existential need as well as the hope of a profound connection to God. In the beginning, which is delicate and motivically very concentrated but metrically deliberately uncoordinated, more and more voices gather to sing together, until suddenly, starting from the bass, a violent and rhythmically exalted incantation breaks out. The following fortissimo unison in a high register is the climax of the entire work piece. In the Abgesang, the beginning is taken up, but now in a polyphonic and harmonically intensified setting. The end in A major seems like a salvation. The work has been released on the CD Rejoice. Vocal Music by Kay Johannsen (Carus 83.496/00).