SSAATTBB choir, cello SKU: CA.738661 Composed by Michael Waldenby. Contem...(+)
SSAATTBB choir, cello
SKU: CA.738661
Composed by Michael
Waldenby. Contemporary
Choir Music. Epilog.Deum
Time. Sacred vocal music,
Motets. Single Part,
Cello. Op. 49, No. 6. 2
pages. Duration 4
minutes. Carus Verlag #CV
07.386/61. Published by
Carus Verlag (CA.738661).
ISBN 9790007229351.
Text language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).
SSAATTBB choir, cello SKU: CA.738660 Composed by Michael Waldenby. Contem...(+)
SSAATTBB choir, cello
SKU: CA.738660
Composed by Michael
Waldenby. Contemporary
Choir Music. Epilog.Deum
Time. Sacred vocal music,
Motets. Full score. Op.
49, No. 6. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 07.386/60.
Published by Carus Verlag
(CA.738660).
ISBN
9790007166311. Text
language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).