Choral (SSAATTBB A Cappella)

SKU: HL.49045940

SSAATTBB a cappella. Composed by Alwin Michael Schronen. Choral. Classical, General Worship, Sacred. Octavo. 8 pages. Schott Music #C59054. Published by Schott Music (HL.49045940).

Artfully combining the old with the new - that is one of the hallmarks of Alwin M. Schronen. That this versatile balancing actor andbearer of numerous compositional prizes succeeds in mastering this artistic balancing act, he proves once again in his sacred choralcomposition Hodie Christus natus est. This Latin-speaking work for 8-part mixed choir a cappella (SSAATTBB) is based on the antiphonto the Magnificat of the Christmas Vespers. Schronen opens his Christmas song with the literal intonation of the traditional Gregorian melody. After this beginning, alternating between male and female voices, the composer lets the entire choir join in the jubilation of thanks for the birth of Jesus. He manages to lift the listener with his very own musical language in other heavenly realms. A wonderful, but at the same time vocally demanding piece of music, which is equally suitable for the use of church music asit is for concert use.

Choral (SSAATTBB A Cappella)

SKU: HL.49045938

SSAATTBB a cappella. Composed by Magdalena Zimmermann. Choral. Classical, General Worship, Sacred. Octavo. 8 pages. Duration 360 seconds. Schott Music #SKR20115. Published by Schott Music (HL.49045938).

Magnificat by Magdalena Zimmermann for mixed choir (SSAATTBB) plays with harmony, rhythm and dynamics. The unexpected continuation of melodies by the voices, combined with shifted rhythms, engages the audience's attention until the last bar and results in a rich sound. With its soft and gentle ending, Magnificat as a prayer of Mary exudes, at the same time, a sense of calmness and gentleness.The work is rhythmically and harmonically demanding, which is why the singers need to be steady keeping beat and intonation. Once Magnificat has been rehearsed, it is suitable for concerts as well as Sunday services.

By Giacomo Meyerbeer arr. Lyon. Arranged by A. Laurence Lyon. For SSAATTBB Choir. Medium. Duration 5:00

Choral SSAATTBB choir, Piano (for rehearsal)

SKU: CF.CM530

Composed by Norwegian Folk. Edited by Walter Aschenbrenner. Arranged by Edvard Bull Edvard Grieg. SWS. Performance Score. With Standard notation. Composed 1939. 8 pages. Carl Fischer Music #CM530. Published by Carl Fischer Music (CF.CM530).

ISBN 9781491144978. UPC: 680160902477. 6.875 x 10.5 inches. Key: G major. English. Edvard Bull.

From his Album for Male Voices, Op. 30, a set of 12 Norwegian folksongs set for chorus with male leads, The Great Angelic Host was arranged for double mixed chorus by Eyvind H. Bull, and has here been edited by Walter Aschenbrenner. We are pleased to make this exquisite choral work available once again. David Monrad Johansen, in his published life of Grieg, was moved to say, In The Great Angelic Host true religious feeling has been given the purest expression. This composition shows what wonderful material we have right at hand on which to base a future church music for Norway..

By Anton Bruckner (1824-1896). Arranged by Kurt Soldan. Choir and piano. For SSAATTBB Choir, Piano. This edition: Paperback. Liturgical, Mass, Original Works, Transcriptions, Choral. Romantic Period; Sacred/Hymns, German. Large Vocal Score. 52 pages. Publ

SSAATTBB chorus a cappella - 5

SKU: CA.7070100

Composed by Arnold Schonberg. Edited by Iris Pfeiffer. Carus digital: Extra digital products. Choral Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070100. Published by Carus Verlag (CA.7070100).

ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.

Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!

SSAATTBB chorus a cappella - Grade 5

SKU: CA.7070110

Composed by Arnold Schönberg. Edited by Iris Pfeiffer. Full Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070110. Published by Carus Verlag (CA.7070110).

ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.

“F riede auf Erden” op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erden”, he intended the piece to be performed unaccompanied.
To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen” (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.

Composed by Olivier Messiaen (1908-1992). Arranged by Clytus Gottwald. For 19 voices - SSSSAAAAATTTTTBBBBB. Contemporary choral music. Full score. Language: French. Composed 1992. 12 pages. Duration 8 minutes. Published by Carus Verlag

By Ola Gjeilo. SSAATTBB. Walton Choral. 20 pages. Walton Music #WW1480. Published by Walton Music

By Bob Chilcott. For SSAATTBB choir, a cappella. Mixed Voices. Christmas, Choral Leaflet. Vocal score. 16 pages. Duration 2.5'. Published by Oxford University Press

SSAATTBB choir, a cappella

SKU: OU.9780193571532

Composed by Matthew Lyon Hazzard. Voice Junction. Vocal score. Duration 3.5'. Oxford University Press #9780193571532. Published by Oxford University Press (OU.9780193571532).

ISBN 9780193571532. 10 x 7 inches.

For SSAATTBB unaccompanied Hazzard's enchanting Sanctus, setting text from the Latin Mass, captures the feeling of a rushing current throughout. Suitable for concert use, this piece features imaginative text-setting and driving rhythms that create an engaging experience for singers and listeners alike.

Arranged by James Erb. American Folk Song. For Choir. (SSAATTBB, a cappella). Choral Octavo. Choral Octavo. 12 pages. Published by Alfred Publishing.

SSAATTBB choir, soprano voice solo, organ accompaniment - Late intermediate

SKU: GI.G-7547

Composed by Blake R. Henson. Annunciation, Assumption, Immaculate Conception, Mary Mother of God. Evoking Sound. Music Education. Octavo. 16 pages. GIA Publications #7547. Published by GIA Publications (GI.G-7547).

UPC: 785147754701. Latin. Text Source: Latin, 13th-16th c. Scripture: Luke 1:29, 42.

Text Source: Traditional prayer.

SSAATTBB Choir - Level 4

SKU: CA.742900

Composed by Kay Johannsen. Contemporary Choir Music. Sacred vocal music. Full Score. Duration 4 minutes. Carus Verlag #CV 07.429/00. Published by Carus Verlag (CA.742900).

ISBN M-007-25230-4. Language: Hebrew.

The a cappella motet Alleluja (2018) is a song of longing which resonates existential need as well as the hope of a profound connection to God. In the beginning, which is delicate and motivically very concentrated but metrically deliberately uncoordinated, more and more voices gather to sing together, until suddenly, starting from the bass, a violent and rhythmically exalted incantation breaks out. The following fortissimo unison in a high register is the climax of the entire work piece. In the Abgesang, the beginning is taken up, but now in a polyphonic and harmonically intensified setting. The end in A major seems like a salvation. The work has been released on the CD Rejoice. Vocal Music by Kay Johannsen (Carus 83.496/00).

Composed by Brian Edward Galante. For Choral (SSAATTBB A CAPPELLA). Walton Choral. Walton Music #WW1552. Published by Walton Music

Choral (SSAATTBB choir A Cappella)

SKU: HL.153809

Composed by K. Lee Scott. Gentry Publications. A Cappella, Sacred. Octavo. 12 pages. Gentry Publications #JG2496. Published by Gentry Publications (HL.153809).

UPC: 888680097554. 6.75x10.5 inches.

K. Lee Scott has taken a Latin setting of Psalm 51, “Create in me a clean heart,” and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or community choirs, appropriate for concert or worship. Medium to difficult.

By Knut Nystedt. Arranged by Knut Nystedt. Text: Psalm 144. For A Cappella. (SSAATTBB). Sacred, Concert. Level: Medium Advanced Adult. 8 pages. Published by Hinshaw Music Inc.

By Ola Gjeilo. (SSAATTBB A Cappella). This edition: WW1400. Walton Choral. 36 pages. Published by Walton Music.

Arranged by Stacey V. Gibbs. For Choral (SSAATTBB A Cappella). Fred Bock Publications. 12 pages. Gentry Publications #JG2430. Published by Gentry Publications

Choral (SSAATTBB choir A Cappella)

SKU: HL.35006236

Composed by Jakobus Gallus. Edited by R. Paul Crabb. Mark Foster. A Cappella, Advanced Choir, Concert, Festival, Latin, Sacred. Octavo. 20 pages. Shawnee Press #MF4015. Published by Shawnee Press (HL.35006236).

UPC: 747510066248. 6.75x10.5 inches.

This new edition of “Exsultate lusti in Domino” was prepared from Denkmaler der Tonkunst in Osterreich. An excellent example of eighteenth-centuray choral writing, this work is a wonderful teaching tool as well as an impressive performance piece. The double choir effect of women and men creates a rich texture, which routinely alternates between major and minor modes. The result is a complex sounding, yet only moderately difficult work, accessible to high school, college, and church choirs.

Choral (SSAATTBB A Cappella)

SKU: HL.1197970

Arranged by Justin Miller. National/Emerson Fred Bock. Octavo. 16 pages. Duration 180 seconds. Hal Leonard #NM1074. Published by Hal Leonard (HL.1197970).

UPC: 196288135104. 6.75x10.5x0.036 inches.

This witty setting seeks to answer the age-old question, what SHALL we do with that drunken sailor, anyway? Written for a cappella divisi chorus and offering plenty of rhythmic interest plus a big finish, this piece would make a rousing concert closer!

SSAATTBB choir, piano accompaniment, piano, violin 1, violin 2, viola, cello - Intermediate

SKU: GI.WW1835A

Composed by Ola Gjeilo. School, Concert. Walton Choral. Classical. Full score and parts. 20 pages. Walton Music #WW1835A. Published by Walton Music (GI.WW1835A).

UPC: 785147029366. English. Text by Charles Anthony Silvestri.

Full Score and Instrumental Parts for WW1835 Tundra (SATB). *ERRATA NOTE: Soprano 1 starting in measure 50 is a minor third too high. Soprano 1s should sing mm. 50-end a minor third lower, starting on a G (the piece ending on an F). The sample pages here and the digital PDF reflect the corrected version. Ola Gjeilo · Kantorei: TUNDRA.

Psallite Choral Series. Composed by Brad Nix. Sacred Choral. A Cappella, Christmas, Christmas Sacred, Concert. Octavo. 16 pages. Published by Hal Leonard

Composed by Hoagy Carmichael. Arranged by Tripp Carter. Henry Leck Creating Artistry. A Cappella, Concert, Festival. Octavo. 12 pages. Duration 210 seconds. Published by Hal Leonard

Choral (SSAATTBB choir)

SKU: HL.48022627

SSAATTBB and piano. Composed by Christopher Norton. Boosey & Hawkes Sacred Choral. Christmas. Octavo. Hal Leonard #M060122996. Published by Hal Leonard (HL.48022627).

A Rock 'n' Roll style original carol by Christopher Norton, creator of the Microjazz series of instrumental publications, and actor and writer, Nigel Forde. The swing rhythms, vocal effects and catchy melody make this a perfect concert opener which is sure to get the audience members' feet tapping.