By Kikapust Choral Series. Arranged by Jonathan Rathbone. For SSAATTBB. Christmas Music, Secular Choral Works. Duration 255" 2.11". Published by C.F. Peters.

For SSAATTBB. By Voces8. By Jocelyn Hagen. Choral Works (inc. Oratorios). Voces8 Singles. Octavo. Edition Peters #EP68723. Published by Edition Peters

SSAATTBB chorus a cappella - 5

SKU: CA.7070100

Composed by Arnold Schonberg. Edited by Iris Pfeiffer. Carus digital: Extra digital products. Choral Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070100. Published by Carus Verlag (CA.7070100).

ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.

Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!

SSAATTBB chorus a cappella - Grade 5

SKU: CA.7070110

Composed by Arnold Schönberg. Edited by Iris Pfeiffer. Full Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070110. Published by Carus Verlag (CA.7070110).

ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.

“F riede auf Erden” op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erden”, he intended the piece to be performed unaccompanied.
To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen” (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.

Choral SSAATTBB choir, Piano (for rehearsal)

SKU: CF.CM9419

Composed by Andrea Ramsey. Fold. Performance Score. With Standard notation. 12 pages. Duration 4 minutes, 23 seconds. Carl Fischer Music #CM9419. Published by Carl Fischer Music (CF.CM9419).

ISBN 9780825898174. UPC: 798408098179. 6.875 x 10.5 inches. Text: Christina Rossetti. Christina Rossetti.

Ramsey's setting of this well-known holiday text is one of simplistic beauty. Carol-like at times, In the Bleak Midwinter is replete with opportunities for choirs to experiment with shifts in vocal color in the dramatic moments Ramsey masterfully crafts within the piece.

By Robert P. Manookin. For SSAATTBB choir, Organ. Difficult. Octavo. Published by Jackman Music Corporation

SSAATTBB choir, keyboard accompaniment - Beginning

SKU: GI.G-6188

Composed by Salone T. Clary. Thanksgiving Day. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #6188. Published by GIA Publications (GI.G-6188).

English.

A thrilling blockbuster of praise for SSAA and TTBB choirs. Except for a very brief contrapuntal “Alleluia” section, the piece moves forward with big block chords, changing dynamics, and tempos to its brilliant, highsweeping, final cadence. A great anthem of praise for developed voices or combined choirs. Wow!