From: Funf Spruche und Psalmen fur mehrstimmigen Chor op. 34. Composed by Hans Fahrmann. Edited by Dieter Zeh. Carus digital: Extra digital products. Full Score. Op. 34,3. Duration 3 minutes. Published by Carus Verlag

SSAATTBB a cappella. By Benjamin Britten. (SSAATTBB A Cappella). Boosey and Hawkes Sacred Choral. Size 6.75x10.5 inches. 8 pages. Published by Boosey and Hawkes.

SSAATTBB Choir - Level 4

SKU: CA.177700

Composed by Hans Fahrmann. Edited by Dieter Zeh. Separate edition to the CD. Sacred vocal music, Motets, Psalms, German. Full Score. Op. 45,2. Duration 3 minutes. Carus Verlag #CV 01.777/00. Published by Carus Verlag (CA.177700).

ISBN 9790007253929. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

Composed by Ola Gjeilo. For Choral (SSAATTBB). Walton Choral. 28 pages. Walton Music #WW1548. Published by Walton Music

French and Latin Choruses. By Leonard Bernstein. (SSAATBB A Cappella). Boosey and Hawkes Large Choral. Size 6.8x10.5 inches. 62 pages. Published by Boosey and Hawkes.

Composed by Richard Burchard. Pavane Secular. 12 pages. Pavane Publishing #P1503. Published by Pavane Publishing (HL.145662).

From: Funf Spruche und Psalmen fur mehrstimmigen Chor op. 34. Composed by Hans Fahrmann. Edited by Dieter Zeh. Carus digital: Extra digital products. Full Score. Op. 34,1. Duration 5 minutes. Published by Carus Verlag

From: Funf Spruche und Psalmen fur mehrstimmigen Chor op. 34. Composed by Hans Fahrmann. Edited by Dieter Zeh. Carus digital: Extra digital products. Full Score. Op. 34,4. Duration 5 minutes. Published by Carus Verlag

From: Funf Spruche und Psalmen fur mehrstimmigen Chor op. 34. Composed by Hans Fahrmann. Edited by Dieter Zeh. Full Score. Op. 34,5. Duration 5 minutes. Published by Carus Verlag

Brazilian Lullaby. By Steven Stucky. Text: Anonymous. Mixed choir. For SSAATTBB Chorus, Piano Rehearsal. Cradle Songs. Choral. Piano/Vocal Score. Composed 1997. 16 pages. Duration 4:30. Published by Theodore Presser Company.

By Charles A. Silvestri and Ola Gjeilo. For Choral (SSAATTBB). Walton Choral. 20 pages. Walton Music #WW1494. Published by Walton Music

SSAATTBB chorus a cappella - 5

SKU: CA.7070100

Composed by Arnold Schonberg. Edited by Iris Pfeiffer. Carus digital: Extra digital products. Choral Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070100. Published by Carus Verlag (CA.7070100).

ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.

Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!

SSAATTBB chorus a cappella - Grade 5

SKU: CA.7070110

Composed by Arnold Schönberg. Edited by Iris Pfeiffer. Full Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070110. Published by Carus Verlag (CA.7070110).

ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.

“F riede auf Erden” op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erden”, he intended the piece to be performed unaccompanied.
To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen” (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.

Composed by Olivier Messiaen (1908-1992). Arranged by Clytus Gottwald. For 19 voices - SSSSAAAAATTTTTBBBBB. Contemporary choral music. Full score. Language: French. Composed 1992. 12 pages. Duration 8 minutes. Published by Carus Verlag

Orchestra Alto, Baritone, Chor (SSAATTBB), Organ, Harp, Strings

SKU: PE.EP71816A

2006. Composed by Roxanna Panufnik. Contemporary Medium Ensemble. Edition Peters. Modern. Score. 62 pages. Duration 20 minutes. Edition Peters #98-EP71816A. Published by Edition Peters (PE.EP71816A).

ISBN 9790577020402. 420 x 297mm inches. English. Rumi Rumi; translation by Andrew Harvey.

Love Abide encapsulates the very contemporary ethos of multicultural spiritual devotion in a world populated by a rich diversity of faiths--all feeling, as deeply and as aesthetically, the compelling potency of music with love.

A rich offering on a theme of interfaith connectivity. The Japanese lullaby-inspired Zen Love Song and the title work Love Abide are totally absorbing.

BBC Music Magazine, 5 stars

With its outspoken positive approach, Love Abide is like a musical bouquet of healing herbs. Roxana Panufnuik's beautifully crafted music is inventive and truly enjoyable. The Colla Voce Singers produce singing of exceptional quality, with impressive control and a very good balance.

Remy Franck, www.pizzicato.lu, 5 stars

If I had to choose a 'glass-half-full' contemporary composer, then Roxanna Panufnik would be near the top of my list. Her Music exudes openness and inclusivity, and it is in the choral settings where hope and positivity - two words that lie at the heart of her work - are most keenly felt. ... much of her recent work can be seen to be built on the solid foundations laid down on this impressively varied and diverse collection. A music of hope in dark and troubled times.

Pwyll ap Sion, Gramophone Magazine.



This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Mixed choir (SSAATTBB) - Level 4

SKU: BA.BA07414

Composed by Marten Jansson. Stapled. Choral score. 12 pages. Baerenreiter Verlag #BA07414_00. Published by Baerenreiter Verlag (BA.BA07414).

ISBN 9790006559183. 27 x 19 cm inches. Text Language: Latin.

Based on the well-known bible text “Sing unto the Lord a new song” (Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.

Originall y conceived for male choir, women’s voices have now been added so that this version for mixed choir presents a further dimension of colour. This version also makes it possible to divide the choir into two groups, one for women and another for men, and to have them sing either together or as separate units.

The version for mixed choir was premiered in Uppsala Cathedral (Sweden) on 26 October 2013, with the Uppsala Cathedral Singers conducted by Ulric Andersson.

“ My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.
My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.”

Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmen”, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.

Please find a recording of Cantate Domino performed by the Riga Recording Studio Singers (Latvia) by clicking on Multimedia.

Composed by Katarina Pustinek Rakar. Carus digital: Extra digital products. Full Score. Composed 2018. Duration 7 minutes. Published by Carus Verlag

Composed by Blake Wilson. Walton Choral. Music Education. Octavo. 20 pages. Walton Music #WW1616. Published by Walton Music (GI.WW1616).

SSAATTBB choir, tea lights/candles, metronome

SKU: CA.910900

Composed by Manfred Langer. Choirs in movement. German title: Der Mond Ist Aufgegangen Einzelexemplar. Secular choral music. Full score. Composed 2006. Duration 7 minutes. Carus Verlag #CV 09.109/00. Published by Carus Verlag (CA.910900).

ISBN 9790007165604. Language: German/English. Text: Claudius, Matthias. Text: Matthias Claudius.

The poem Der Mond ist aufgegangen by Matthias Claudius is equally well known and loved. In the setting by Manfred Langer sound is joined by the visual element. The moon risen - dimmed hall lights and candles. Than follows richly harmonious and atmospheric choral music. And when the moon has gone down - darkness, silence. One can scarcely imagine a more fitting conclusion to a concert.

SSAATTBB choir, voice solos, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone, tuba, timpani - Advanced

SKU: GI.G-8070

Composed by Blake R. Henson. Evoking Sound. Music Education. Octavo. 24 pages. GIA Publications #8070. Published by GIA Publications (GI.G-8070).

UPC: 785147807001. Arabic, English, Greek, Hebrew, Latin. Text Source: Allah uh Akbar, Kyrie eleison, Adon olam (Jewish hymn), Lux aeterna, Yuriduna anyuttufiu (Qur'an—Sura 9:32), Agnus Dei, Isaiah 2:4. Scripture: Isaiah 2:4.

A serious choral work for eight mixed voices, organ, brass quintet, and timpani on texts in Latin, Greek, Hebrew, Arabic, and English. The vocal score is 19 pages 219 measures in length. Composition began on 9/11/01, and the work was published for the tenth anniversary of the events of that day. It's a work that calls for peace through unity and pluralism. The title refers to a fence along the Israeli-Lebanon border on which the flags of both countries fly over a plaque containing Isaiah 2:4 inscribed in Hebrew, Arabic, and English. .

SSAATTBB Choir - Level 4

SKU: CA.178100

Composed by Hans Fahrmann. Edited by Dieter Zeh. Separate edition to the CD. Sacred vocal music, Motets, Psalms, German. Full Score. Op. 45,6. Duration 4 minutes. Carus Verlag #CV 01.781/00. Published by Carus Verlag (CA.178100).

ISBN 9790007253967. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SSAATTBB Choir - Level 4

SKU: CA.177600

Composed by Hans Fahrmann. Edited by Dieter Zeh. Separate edition to the CD, foreward in german. Sacred vocal music, Motets, Psalms, German. Full Score. Op. 45,1. Duration 4 minutes. Carus Verlag #CV 01.776/00. Published by Carus Verlag (CA.177600).

ISBN 9790007253912. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SSAATTBB Choir - Level 4

SKU: CA.178000

Composed by Hans Fahrmann. Edited by Dieter Zeh. Separate edition to the CD. Sacred vocal music, Motets, Psalms, German. Full Score. Op. 45, No. 5. Duration 4 minutes. Carus Verlag #CV 01.780/00. Published by Carus Verlag (CA.178000).

ISBN 9790007253950. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SSAATTBB Choir - Level 4

SKU: CA.177900

Composed by Hans Fahrmann. Edited by Dieter Zeh. Separate edition to the CD. Sacred vocal music, Motets, Psalms, German. Full Score. Op. 45,4. Duration 2 minutes. Carus Verlag #CV 01.779/00. Published by Carus Verlag (CA.177900).

ISBN 9790007253943. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SSAATTBB Choir - Level 4

SKU: CA.178200

Composed by Hans Fahrmann. Edited by Dieter Zeh. Separate edition to the CD, foreward in german. Sacred vocal music, Motets, Psalms, German. Full Score. Op. 45,7. Duration 5 minutes. Carus Verlag #CV 01.782/00. Published by Carus Verlag (CA.178200).

ISBN 9790007253974. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).