SKU: CA.738661

ISBN 9790007229351. Text language: Latin.

The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).

SKU: CA.738660

ISBN 9790007166311. Text language: Latin.

The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).

SKU: JK.01075

Traditional spiritual for mixed chorus (SSAATTBB) and piano. Sopranos' highest note: G (optional high C). Recorded by the Wasatch Chorale - www.uvcs.
Arranger: Robert Millett
Difficulty: Medium-difficult / medium-difficult acc.
Performance time: 2:41.

SKU: CA.7070100

ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.

Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!

SKU: CA.7070110

ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.

“F riede auf Erden” op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erden”, he intended the piece to be performed unaccompanied.
To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen” (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.

SKU: HL.49044857

ISBN 9790001154444. UPC: 841886026537. 7.5x10.75 inches. Latin.

Szymon Godziemba-Trytek, born in Poland in 1988, already is one of the acclaimed choral composers of our time and has been awarded numerous prizes at national and international composition competitions, as e.g. in 2014 for his 'Miserere mei Deus, miserere mei', a musical setting of Psalm 56 for eight-part mixed a-cappella choir. It is the effective antiphony between female and male voices, four-part homophonic passages including four bars for two solo sopranos, rich dynamic nuances, staggered entries of the voices in imitation, and sound elements to be performed in an individual loop-like manner that make this sacred choral work special. For this work, the young composer was awarded the 3rd prize at the Composition Competition Musica Sacra.

SKU: HL.49044858

ISBN 9790001203357. UPC: 841886025172. 7.5x10.75 inches. Latin.

Gaetano Lorandi's eight-part 'Ave verum' for mixed a cappella choir was awarded a prize by the jury of the International Federation of Choral Music in 2013 for its high repertoire value and its great elaborateness. Based on the Latin prayer 'Ave verum' from the 14th century, this sacred a cappella choral work captures the special atmosphere of the mystery of the Eucharist in a musically impressive way. Characterized by dense chromaticism and successive changes of time and dynamics, it is based on a sophisticated handling of the text and a subtle musical language. Thus, the work is a demanding addition to existing Ave verum settings, both with regard to the music and to the performance practice.

SKU: BA.BA07414

ISBN 9790006559183. 27 x 19 cm inches. Text Language: Latin.

Based on the well-known bible text “Sing unto the Lord a new song” (Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.

Originall y conceived for male choir, women’s voices have now been added so that this version for mixed choir presents a further dimension of colour. This version also makes it possible to divide the choir into two groups, one for women and another for men, and to have them sing either together or as separate units.

The version for mixed choir was premiered in Uppsala Cathedral (Sweden) on 26 October 2013, with the Uppsala Cathedral Singers conducted by Ulric Andersson.

“ My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.
My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.”

Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmen”, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.

Please find a recording of Cantate Domino performed by the Riga Recording Studio Singers (Latvia) by clicking on Multimedia.

SKU: CA.178100

ISBN 9790007253967. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SKU: CA.177600

ISBN 9790007253912. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SKU: CA.178000

ISBN 9790007253950. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SKU: CA.178300

ISBN 9790007253981. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness.

Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SKU: CA.177900

ISBN 9790007253943. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SKU: CA.178200

ISBN 9790007253974. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

SKU: CA.177700

ISBN 9790007253929. German.

The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).