By Jay Althouse. For Choir. (SSAB). Choral Octavo. Choral Designs. Latin; Multicultural, World: Latin. Choral Octavo. 12 pages. Published by Alfred Publishing.

Arranged by Greg Gilpin. Octavo for SSATB choir (A Cappella). With piano rehearsal part. Series: Choral Octavo. 16 pages. Published by Alfred Publishing.

Composed by Bob Chilcott. Vocal score. 12 pages. Duration 4.5'. Oxford University Press #9780193413481. Published by Oxford University Press (OU.9780193413481).

Angels We Have Heard on High (No. 7 from "Carols of the Nativity") arranged by Stephen Chatman. For SSATBB, opt. piano or organ (Mixed Voices). Christmas. Choral. 12 pages. Published by E.C. Schirmer Publishing

Mixed choir (SSATBB) a cappella or with organ or brass instruments (BL KPL) - intermediate

SKU: HL.49024126

Composed by Schroeder. Sheet music. Schott Chorverlag (Choral Music). Set of Wind Parts. Op. 16. 10 pages. Schott Music #C 33728. Published by Schott Music (HL.49024126).

ISBN 9790001006064. Latin.

SSATB choir

SKU: CA.2037109

Aus: Geistliche Chormusik. Composed by Heinrich Schutz. Edited by Michael Heinemann. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Geistliche Chormusik 1648 SWV 369-397. Stuttgart Urtext Edition: Schutz. German title: Es ist erschienen die heilsame 6. Sacred, Motets; Stuttgart Urtext editions; Occasions: Peace and Justice; Use during church year: Epiphany, Christmas. Set of Orchestra Parts. Composed 1648. SWV 371. 12 pages. Duration 4 minutes. Carus Verlag #CV 20.371/09. Published by Carus Verlag (CA.2037109).

ISBN 9790007034641. Key: G dorian. Language: German/English.

Sco re available separately - see item CA.2037100.

Choral (SSATB choir) - intermediate to advanced

SKU: HL.125013

This edition: Saddle stitching. Sheet music. Pavane Choral. Anthem, Concert, Sacred. Score and parts. Composed 1924. 1490. 8 pages. Duration 13'. Pavane Publishing #P1490. Published by Pavane Publishing (HL.125013).

UPC: 884088986506. 6.75x10.5 inches.

A well-known text set by a veteran composer who knows how to make it singularly superior. The melody is immediately entrancing, a middle section introduces a high church chant-like, liturgical sound, then the melody resumes and brings us home. The passionate lyrics, although from scripture, make it appropriate for church and concert use.