By Jan Pieterszoon Sweelinck. Edited by James Jordan. For Voices: SSATB. Instrum...(+)
By Jan Pieterszoon
Sweelinck. Edited by
James Jordan. For Voices:
SSATB. Instruments:
Cello, double bass, or
bassoon (instruments
optional). Keyboard
accompaniment. Latin text
(English provided only
for convenience; not
singable to setting).
Evoking Sound Choral
Series Sacred. Published
by GIA Publications.
Movement I from To Shiver the Sky. Composed by Christopher Tin. BH Secular Cho...(+)
Movement I from To Shiver
the
Sky. Composed by
Christopher
Tin. BH Secular Choral.
Concert, Festival, Games
/
Video and Electronic,
Italian.
Octavo. Duration 230
seconds.
Boosey and Hawkes
#979-0-051-
48598-7. Published by
Boosey and
Hawkes
SSATB choir, organ accompaniment, trumpet in B-flat, trumpet in C - Early interm...(+)
SSATB choir, organ
accompaniment, trumpet in
B-flat, trumpet in C -
Early intermediate
SKU: GI.G-6426
Composed by William Owen.
Arranged by Alice Parker.
Christ the King,
Ascension. Choral. Tune
Name: Bryn Calfaria.
Sacred. Octavo. 20 pages.
GIA Publications #6426.
Published by GIA
Publications (GI.G-6426).
UPC: 785147642602.
English. Text by George
H. Bourne. Scripture:
Exodus 17:6.
This
majestic, minor hymn (
bryn calfaria) blazes
with visions of glory and
echoes with trumpet and
organ calls, while choral
alleluias rise to angelic
heights.
Choral (SSATBB) SKU: HL.48025430 Movement X from The Drop That Contain...(+)
Choral (SSATBB)
SKU:
HL.48025430
Movement X from The
Drop That Contained the
Sea. Composed by
Christopher Tin. BH
Secular Choral.
Classical, Concert, World
Music. Octavo. Duration
735 seconds. Boosey &
Hawkes #M051500062.
Published by Boosey &
Hawkes (HL.48025430).
ISBN 9798350126297.
UPC: 196288210825.
6.75x10.5
inches.
“Walo
yo Yamoni (We Overcome
the Wind)†is the
grand finale to
Christopher Tin's second
album 'The Drop That
Contained the Sea'. The
lyrics are a setting of a
Lango rainmaking prayer.
It was commissioned by
the St. Matthews Chamber
Orchestra, and recorded
by the Royal Philharmonic
Orchestra with the Soweto
Gospel Choir. New York
Concert Review wrote of
the Carnegie Hall
premiere “The
audience reacted after
the final notes with the
loudest and longest
standing ovation I have
ever heard at any
concertâ€, while The
York Press wrote
“We Overcome The
Wind was an outpouring of
joy; a unanimous standing
ovation evinced the sense
of togetherness at the
heart of this
concert.â€.