Choral SSATB chorus

SKU: PR.312418660

Composed by Adolphus Hailstork. -. Goin' Home, Songs for Sister Lisa. Premiere: Portsmouth, VA. Choral. Performance Score. With Standard notation. Composed 2010. 8 pages. Duration 2:15. Theodore Presser Company #312-41866. Published by Theodore Presser Company (PR.312418660).

ISBN 9781598064124. UPC: 680160605828. Octavo inches. English. Text: Spiritual. Spiritual.

From the blog of Opera Roanoke: The four spirituals are densely packed portraits resonant with the black church tradition... Weaving together a fabric of history and presence, pain and struggle, exile and homecoming, Goin’ Home is an engaging musical canvas whose complex palette is challenging as it is rewarding.

A Comedy for Chorus, SSATB, A Cappella. By Peter Schickele. Mixed choir. For SSATB Chorus, Piano Rehearsal. Elkan-Vogel Choral Music. First performed by the Dale Warland Singers on November 7, 1989. Classical. Choral Part(s). 78 pages. Duration 21:00. Published by Theodore Presser Company.

SSATB choir/orchestra (Mixed choir: SSATB, Orch)

SKU: BA.BA10557

Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 7. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10557_00. Published by Baerenreiter Verlag (BA.BA10557).

ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB. By Johann Sebastian Bach. Arranged by Robert Hufstader. (SSATB). Choral Large Works. Size 6.7x10.5 inches. 64 pages. Published by G. Schirmer, Inc.

By Don Carlo Gesualdo. Edited by Weismann. For SSATB (4), SAATB (4) a cappella. Madrigals, Secular Choral Works. Published by C.F. Peters.

Composed by Stephen Chatman. For Soprano Voice Solo, SATB choir a cappella. Choral. Christmas. Moderately Easy. Octavo. Published by E.C. Schirmer Publishing

Mixed choir: SSATB, basso continuo

SKU: BA.BA02573

Motette. Composed by Johann Hermann Schein. Edited by Adam Adrio. This edition: urtext edition. Stapled. Aus Israelsbrünnlein. Sacred. Choral score. Composed 1623. No. 23. Baerenreiter Verlag #BA02573_00. Published by Baerenreiter Verlag (BA.BA02573).

ISBN 9790006423125. 27 x 19 cm inches.

Print on demand (POD).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB choir

SKU: CA.2005105

Composed by Heinrich Schutz. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Psalm 116 Das Ist Mir Lieb. Sacred, Motets, Psalms, German; Stuttgart Urtext editions; Occasions: Prayer, Psalms; Use during church year: Easter and Eastertide. Choral Score. Composed 1623 (terminus ante quem). SWV 51. Duration 14 minutes. Carus Verlag #CV 20.051/05. Published by Carus Verlag (CA.2005105).

ISBN 9790007100476. Key: D dorian. Language: German/English.

Sco re available separately - see item CA.2005100.

SSATB choir

SKU: CA.2005100

Composed by Heinrich Schutz. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Psalm 116 Das Ist Mir Lieb. Sacred, Motets, Psalms, German; Stuttgart Urtext editions; Occasions: Prayer, Psalms; Use during church year: Easter and Eastertide. Full score. Composed 1623 (terminus ante quem). SWV 51. Duration 14 minutes. Carus Verlag #CV 20.051/00. Published by Carus Verlag (CA.2005100).

ISBN 9790007089450. Key: D dorian. Language: German/English.

SSATB choir

SKU: CA.743400

Composed by Martin Luther and Volker Jaekel. Hymns by Martin Luther: Mit Fried und Freud ich fahr dahin; Carus sheet music series: Contemporary choral music. Sacred vocal music, Hymn settings, Special days. Full score. 4 pages. Duration 4 minutes. Carus Verlag #CV 07.434/00. Published by Carus Verlag (CA.743400).

ISBN 9790007181772. Language: German.

For the 500th anniversary of the Reformation a collection of all 35 hymns by Luther is being released on a double CD for the first time (Carus 83.469). The recorded choral pieces, chorale cantatas and chorale settings come from six centuries and cover a wide stylistic range. This piece was specially written for this collection.

(From Liebeslieder Polkas [S. 2/4]). By PDQ Bach (1935-). Edited by Peter Schickele. Mixed chorus. For Soprano I, Soprano II, Alto Solo, Tenor, Bass, Piano. Liebeslieder Polkas S. 2/4. Choral. Choral Part(s). Standard notation. S. 2/4. 5 pages. Duration 1:45

By Thomas Weelkes. Arranged by Bray. For Mixed Choir Unaccompanied. TCM45R. Published by Oxford University Press.

SSATB choir, divisi & organ (SATB) - easy

SKU: OU.9780193953949

Composed by Harry Bramma. Sacred choral - mixed voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 8 pages. Duration 3'. Oxford University Press #9780193953949. Published by Oxford University Press (OU.9780193953949).

ISBN 9780193953949. 12 x 8 inches.

For SSATB (with divisions) and organ Following the recent release of a CD of Harry Bramma's church music, the Church Music Society is proud to publish this setting of words of St Augustine of Hippo, written for the Choir of St Martin's, Dorking, to mark the centenary of the birth of Dr William Cole.

By Harbold, Tim. Choral. For SSATBB choir. General. Published by E.C. Schirmer Publishing.

Mixed choir: SSATB

SKU: BA.BA02855

Italienisches Madrigal Nr. 6. Composed by Heinrich Schutz. Edited by Hans Joachim Moser. This edition: urtext edition. Choral score. SWV 6. Baerenreiter Verlag #BA02855_00. Published by Baerenreiter Verlag (BA.BA02855).

ISBN 9790006426478. 27 x 19 cm inches. Text Language: Italian, German. Translation: Hans Joachim Moser.

Print on demand (POD).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Luca Marenzio (1553-1599). Edited by John Steele. For 5 and 6 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

By Luca Marenzio (1553-1599). Edited by John Steele. For 5 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

SSATB choir, divisi, piano reduction - Advanced

SKU: GI.G-9610

Composed by Peter Relph. Evoking Sound. Music Education. 20 pages. GIA Publications #9610. Published by GIA Publications (GI.G-9610).

UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.

Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.” I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora” is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.” Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,” which it then does, leaving the sopranos alone on a high G.

By Elizabeth Alexander. For SSATB Choir, piano (SSATB). Medium-difficult. Duration 7 minutes

Arranged by Mark Hayes. For Choir. (SSATB, a cappella). Choral Octavo. Choral Designs. Spiritual. Choral Octavo. 20 pages. Published by Alfred Publishing.
Level: Level 5 (grade L5).

SSATB choir

SKU: CA.2001100

Aus: Italienische Madrigale. Composed by Heinrich Schutz. Edited by Siegfried Schmalzriedt. This edition: urtext. Cycles: Schutz: Italienische Madrigale SWV 1-19. Stuttgart Urtext Edition: Schutz. German title: Quella damma son io. Madrigals, Secular choral music. Full score. Composed 1611. SWV 11. Duration 2 minutes. Carus Verlag #CV 20.011/00. Published by Carus Verlag (CA.2001100).

ISBN 9790007033248. Key: A minor. Language: Italian. Text: Guarini, Giambattista. Text: Giambattista Guarini.