Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, T...(+)
Composed by Howard
Goodall
(1958-).
Multi-Movement/Large
Choral Work. Lent,
Triduum/Three Days,
Tenebrae,
21st Century, Heaven,
Lament/Grief/Sorrow.
Vocal/choral score.
MorningStar Music
Publishers
#56-0002. Published by
MorningStar Music
Publishers
By Jay Althouse. For Choir. (SSAB). Choral Octavo. Choral Designs. Latin; Multi...(+)
By Jay Althouse. For
Choir. (SSAB). Choral
Octavo. Choral Designs.
Latin; Multicultural,
World: Latin. Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
(S.S.A.T.B., A Cappella). By Hans Leo Hassler (1564-1612). Edited by Robert Fiel...(+)
(S.S.A.T.B., A Cappella).
By Hans Leo Hassler
(1564-1612). Edited by
Robert Field. SATB
chorus. For SSATB Chorus,
Piano Rehearsal. Early
Choral Masters. Choral.
Piano/Vocal Score.
Standard notation. 5
pages
Edited
by Gerd-Peter Munden.
Stapled. Choral score,
anthology. 32 pages.
Baerenreiter Verlag
#BA08957_91. Published by
Baerenreiter Verlag
(BA.BA08957-91).
ISBN
9790006525522. 27 x 19 cm
inches. Text Language:
German, English,
Latin.
Year after
year, during Advent and
the Christmas season,
compositions are sought
which present well-known
carols in a new light,
whether it be
compositions set for
small or larger groups,
for children or adults,
with or without
accompanying keyboard
instruments. This
collection by Gerd-Peter
Munden presents carols in
new settings as a welcome
addition to the Christmas
literature and will
enrich the repertoire of
an adults' or children's
choir.
-
Well-known Advent and
Christmas carols in new
settings - With texts
in German and
English - With short
Latin introductions as a
part of each motet -
Ideal for a children's or
adults' choir during the
Christmas
season
Contents There comes a galley,
laden / Es kommt ein
Schiff, geladen O
saviour, open heaven's
gate / O Heiland, reiss
die Himmel auf O Lord,
how shall I meet you /
Wie soll ich dich
empfangen Angels from
the realms of Glory /
Hort der Engel helle
Lieder As I was
watching o'er my sheep /
Als ich bei meinen
Schafen wacht Good
Christian men rejoice /
Nun singet und seid
froh
The
Editor Gerd-Peter
Munden is one of the most
creative German
church-musicians today.
From 1992 to 1999 he
worked as the cantor in
Minden, where he also
directed the music school
for choristers. From 1999
he has been the
Cathedral-Cantor at the
Braunschweig Cathedral
and the director of the
cathedral school for
choristers. He is the
initiator and artistic
director of a successful
school project throughout
Germany encouraging
youngsters to sing.
SSATBB choir SKU: CA.964100 Responsory in the Nocturn on Good Friday(+)
SSATBB choir
SKU:
CA.964100
Responsory in the
Nocturn on Good
Friday. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music, Lent
and Passiontide. Full
score. Duration 6
minutes. Carus Verlag #CV
09.641/00. Published by
Carus Verlag (CA.964100).
ISBN 9790007143541.
Text language:
Latin.
The Good
Friday Responsory
Tenebrae factae sunt for
six-part chorus was
commissioned in 2012 for
Peking University Student
Choir and was premiered
at the World Choir Games
in Cincinnati, Ohio, USA
conducted by Hou Xijin.
It is an ambitious work
with a fervent intensity.
Matsushita sets the two
last words of Jesus, Deus
meus, ut quid me
dereliquisti? [My God,
why hast thou forsaken
me] and Pater, in manus
tuas commendo spiritum
meum [Father, into thy
hands I commend my
spirit] as pained
outcries in Stravinskyian
harshness, in chords
characterized by
tritones, as a truly
superhuman work of
redemption whose Easter
message of hope only
appears in the last
conciliatory F major
chord. Although this work
lies slightly beyond the
upper limit of the
musical and vocal
technical demands of the
Carus Contemporary
series, it is well within
the abilities of
ambitious chamber
choirs.
Composed by
Randall Giles. Cathedral.
Choral, Chant, General,
Hymn. Octavo. Paraclete
Press #0620. Published by
Paraclete Press
(PL.0620).
Scripture
Reference: Luke 2:6-14 *
ancient Latin text with a
19th century translation
as well * Christmas carol
of intensity, yet with a
gentle lilt * demanding
yet rewarding vocal
writing with a high
tessitura * like the
Gregorian chant, modal
with a slightly modern
flavor * occasional
six-part writing adds
brilliance and depth *
slower pace demands good
breath control and
stamina.