(15 Weltliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Adam Adrio. For SSATB choir/basso continuo. This edition: Clothbound, Complete edition, Urtext edition. Linen. New Schein Edition. Volume 8. Choral score, Anthology. Language: German. Composed 1624. Published by Baerenreiter Verlag

SSATB choir

SKU: CA.7020019

Aus: Vierzehn Choralbearbeitungen. Composed by Max Reger and Nikolaus Decius. Choral collections; Hymns by Martin Luther: Die beste Zeit. German title: O Lamm Gottes, Unschuldig. Full score. Composed 1900. Op. 79f. 2 pages. Carus Verlag #CV 70.200/19. Published by Carus Verlag (CA.7020019).

ISBN 9790007228781. Key: F major. Language: German. Text: Weyermuller, Friedrich. Text: Friedrich Weyermuller.

With alternative text O Lamm Gottes unschuldig (text: Nikolaus Decius). Score available separately - see item CA.7020000.

SSATB chorus - Medium

SKU: JK.01068

Composed by Luacine Clark Fox. Arranged by S. Gordon Jessop. Choral SATB, Difficulty Medium, Piano Choir, Brotherhood, Example, Home, Jesus Christ - Example, Love, Service, Unity. Christmas. Duration 4:20. Jackman Music Corporation #01068. Published by Jackman Music Corporation (JK.01068).

John 13:34-35, 1 John 4:11.

Arranged for mixed chorus (SSATB), with scriptural text from 1 John and John 13. Sopranos divide at the end.
Composer: Luacine Clark Fox
Arranger: S. Gordon Jessop
Lyricist: 1 John 4:7-8, 12 / John 13:34-35
Difficulty: Medium
Performance time: 4:20
Reference: John 13:34-35, 1 John 4:11.

SSATB choir, a cappella (SATB) - easy

SKU: OU.9780193953956

Composed by Samuel Wesley. Edited by Richard Lyne. Sacred choral - mixed voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 6'. Oxford University Press #9780193953956. Published by Oxford University Press (OU.9780193953956).

ISBN 9780193953956. 12 x 8 inches.

For SSATB unaccompanied This piece was cited as an example of good church music in S.S.Wesley's pamphlet about the state of church music in 1849. The text had significance for Samuel Wesley as these were the last words said to him by his father. He uses the unusual key (for the time) of C sharp minor, giving the work a special intensity.