Composed
by Johann Pachelbel.
Edited by Thomas
Röder. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel.
Complete Vocal Works,
Volume 7. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA10557_00.
Published by Baerenreiter
Verlag (BA.BA10557).
ISBN 9790006553068. 33
x 25.8 cm inches.
Language:
German.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbelâ??s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbelâ??s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbelâ??s surviving
vocal works in the best
possible form. It is
edited by the Institut
für Musikwissenschaft
at the University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbelâ??s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SSATB chorus and piano - Medium SKU: JK.01908 Composed by Ebenezer Beesle...(+)
SSATB chorus and piano -
Medium
SKU:
JK.01908
Composed by
Ebenezer Beesley.
Arranged by Christian
Orme. Christian,
Inspirational. Duration
3:50. Jackman Music
Corporation #01908.
Published by Jackman
Music Corporation
(JK.01908).
UPC:
093285019089. Psalm
147:1, Alma
26:8.
By Christian
Orme, who brought you the
popular arrangement of
Give Said the Little
Stream, we bring you Sing
We Now at Parting for
SSATB choir and piano. In
this arrangement,
Christian invites a warm
spirit of unity and love
in a pensive setting of
this loved parting
song. Composer: Music
by Ebenezer
Beesley Arranger:
Christian
Orme Lyricist: George
Manwaring Difficulty:
Medium Performance
time: 3:50 Reference:
Psalm 147:1, Alma
26:8.
SSATB choir SKU: CA.966600 Composed by Paul Ayres. Edited by Stefan Schuc...(+)
SSATB choir
SKU:
CA.966600
Composed by
Paul Ayres. Edited by
Stefan Schuck. CARUS
CONTEMPORARY. Itis Winter
Now. Sacred vocal music,
Advent, Christmas. Full
score. 4 pages. Duration
3 minutes. Carus Verlag
#CV 09.666/00. Published
by Carus Verlag
(CA.966600).
ISBN
9790007167714. Language:
English.
This is a
short, skilful song
setting, a typical
English Christmas carol
with an Advent text: the
cold winter as symbol of
the frozen world, waiting
for Christ. The setting,
through-composed in
verses, in five-four
time, captivates through
its sparse use of
diatonic formations of
dissonances, cantabile
imitations and
wide-arching melodic
lines. This little gem
encourages a beautiful,
expressive legato
interpretation and makes
an excellent counterpart
to Deilig (Carus 9.664)
in an Advent concert
program.
