SSATB chorus - Medium SKU: JK.01660 Composed by Julie Webb. Choral SATB, ...(+)
SSATB chorus - Medium
SKU: JK.01660
Composed by Julie Webb.
Choral SATB, Difficulty
Medium, Piano Choir,
Children, Fatherhood, God
the Father, God's Love,
Love. Christian,
Inspirational. Duration
2:30. Jackman Music
Corporation #01660.
Published by Jackman
Music Corporation
(JK.01660).
Psalm
82:6, Mosiah 4:15,
Doctrine and Covenants
14:7.
Original
arrangement for mixed
chorus (SSATB), about our
Father in Heaven and our
fathers on earth: From
soothing hands under
quiet skies, to the
reflection of wond'ring
eyes. He gently hums
heaven's lullaby.
Beautiful harmony between
the voices. Composer:
Julie Webb Lyricist:
Julie Webb
Difficulty: Medium
Performance time:
2:30 Reference: Psalm
82:6, Mosiah 4:15,
Doctrine and Covenants
14:7.
Choral; Piano (SSATB) SKU: HL.50405570 SSATB. Composed by Johann S...(+)
Choral; Piano (SSATB)
SKU: HL.50405570
SSATB. Composed by
Johann Sebastian Bach.
Edited by Georges
Barré and re.
Choral Large Works.
Baroque, Classical,
General Worship,
Masterworks, Sacred. 24
pages. Editions Salabert
#SRL12219. Published by
Editions Salabert
(HL.50405570).
SSATBB choir SKU: CA.964100 Responsory in the Nocturn on Good Friday(+)
SSATBB choir
SKU:
CA.964100
Responsory in the
Nocturn on Good
Friday. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music, Lent
and Passiontide. Full
score. Duration 6
minutes. Carus Verlag #CV
09.641/00. Published by
Carus Verlag (CA.964100).
ISBN 9790007143541.
Text language:
Latin.
The Good
Friday Responsory
Tenebrae factae sunt for
six-part chorus was
commissioned in 2012 for
Peking University Student
Choir and was premiered
at the World Choir Games
in Cincinnati, Ohio, USA
conducted by Hou Xijin.
It is an ambitious work
with a fervent intensity.
Matsushita sets the two
last words of Jesus, Deus
meus, ut quid me
dereliquisti? [My God,
why hast thou forsaken
me] and Pater, in manus
tuas commendo spiritum
meum [Father, into thy
hands I commend my
spirit] as pained
outcries in Stravinskyian
harshness, in chords
characterized by
tritones, as a truly
superhuman work of
redemption whose Easter
message of hope only
appears in the last
conciliatory F major
chord. Although this work
lies slightly beyond the
upper limit of the
musical and vocal
technical demands of the
Carus Contemporary
series, it is well within
the abilities of
ambitious chamber
choirs.
