By The Real Group. Composed by Anders Edenroth. (SSATB A Cappella). Walton Choral. 20 pages. Published by Walton Music.

Composed by Cecilia McDowall. Sacred choral - mixed voices. New Horizons. Vocal score. 12 pages. Duration 5'. Oxford University Press #9780193524194. Published by Oxford University Press

Choral (SSATB choir) - intermediate to advanced

SKU: HL.125013

This edition: Saddle stitching. Sheet music. Pavane Choral. Anthem, Concert, Sacred. Score and parts. Composed 1924. 1490. 8 pages. Duration 13'. Pavane Publishing #P1490. Published by Pavane Publishing (HL.125013).

UPC: 884088986506. 6.75x10.5 inches.

A well-known text set by a veteran composer who knows how to make it singularly superior. The melody is immediately entrancing, a middle section introduces a high church chant-like, liturgical sound, then the melody resumes and brings us home. The passionate lyrics, although from scripture, make it appropriate for church and concert use.

SSATBB choir, a cappella

SKU: OU.9780193566996

Composed by Jussi Chydenius. Voice Junction. Vocal score. 12 pages. Oxford University Press #9780193566996. Published by Oxford University Press (OU.9780193566996).

ISBN 9780193566996. 10 x 7 inches.

For SSATBB unaccompanied This song skillfully blends a classic poem, Christina Rossetti's Uphill, with a relaxed, lightly jazzy style. Expanding from three- to six-part harmony, the chordal texture allows for strong annunciation of this well-known text. Chydenius's opening direction 'Swung, yet profound' encapsulates the essence of this work.

(Schnadahupfl singa, Das). Edited by Hans Bachl. Folk song. For SSATBB choir. 2. Score

SSATB choir/orchestra (Mixed choir: SSATB, Orch)

SKU: BA.BA10557

Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 7. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10557_00. Published by Baerenreiter Verlag (BA.BA10557).

ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(15 Weltliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Adam Adrio. For SSATB choir/basso continuo. This edition: Clothbound, Complete edition, Urtext edition. Linen. New Schein Edition. Volume 8. Choral score, Anthology. Language: German. Composed 1624. Published by Baerenreiter Verlag

By Cyndi Lauper. By Cyndi Lauper and Rob Hyman. Arranged by Philip Kern. For Choral, Guitar, Percussion (SSATB). Choral. 16 pages. Published by Shawnee Press

Composed by Garth Brooks and Jenny Yates. Arranged by Bryan Sharpe. Choral Octavo. Alfred Pop Series. Country; Pop; Secular. 24 pages. Published by Alfred Music (AP.46458).

SSATB choir, divisi, piano reduction - Advanced

SKU: GI.G-9610

Composed by Peter Relph. Evoking Sound. Music Education. 20 pages. GIA Publications #9610. Published by GIA Publications (GI.G-9610).

UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.

Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.” I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora” is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.” Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,” which it then does, leaving the sopranos alone on a high G.

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

SSATB Choral (SSATB a cappella)

SKU: HL.1437384

Composed by Cheryl Engelhardt. Hinshaw Music. Octavo. Hinshaw Music #HMC2726. Published by Hinshaw Music (HL.1437384).

UPC: 196288204497.

“Th e Listening,” written by Grammy-nominated composer Cheryl B. Engelhardt in December 2017 for VOICES 21C under the artistic direction of André de Quadros, draws its inspiration from Dr. Martin Luther King Jr.'s impactful 1967 speech, “Beyond Vietnam: A Time to Break Silence.” This dynamic, emotion-filled piece expresses King's call to end societal silence. The rhythmic elements in the piece are derived from the poetic nature of King's speech. The inclusion of a children's choir, inspired by the Parkland school shooting and subsequent protests, symbolizes the disruption of childhood peace by violence. Notably, the virtual collaboration, featuring Donzaleigh Abernathy, Dr. King's goddaughter, emphasizes the song's contemporary relevance in addressing social issues, and was featured in PEOPLE. Premiered live at the Massachusetts Music Educators Conference in 2018 by VOICES 21C, and digitally released during Black History month in 2021, “The Listening” stands as a profound anthem for breaking silence and to foster positive change.

Choral (SSATB)

SKU: HL.49046375

SSATB a cappella. Composed by Peter Gabriel. Edited by Bertrand Grö and ger. Choral. Classical, Jazz, Pop. Octavo. 16 pages. Duration 285 seconds. Schott Music #C54273. Published by Schott Music (HL.49046375).

ISBN 9781540084590. UPC: 840126908251.

Peter Gabriel's 1992 Gospel Ballad; as performed by Vocal Line. A new choral series that sets a new standard: Familiar traditionals are replaced by legendary pop and jazz classics, the arrangers - among them Jens Johansen, Bertrand Groger, Oliver Gies, Thierry Lalo, Dylan Bell - rank among the great figures of the European choral scene, and the book comes along in an absolutely choir-friendly format: as a handy, modern separate edition at an affordable price - a valuable addition for all jazz, pop and gospel ensembles looking to add new pieces to their repertoire. further editions: Straighten up and Fly right / Smells Like Teen Spirit / African Call / Blues on Sunday / As.

(aus: Israelsbrunnlein. Geistliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir. No. 22. Madrigale, Psalms, German. Level 3. Score. Language: German/English. Composed 1623. 12 pages. Duration 4 min

Composed by Arvo Part (1935-). Choral part(s). With Standard notation. Universal Edition #UE19350. Published by Universal Edition

Composed by Cecilia McDowall. Christmas Songs & Carols - Mixed Voices. New Horizons. Vocal score. 16 pages. Duration 4'. Oxford University Press #9780193532113. Published by Oxford University Press

SSATB a cappella

SKU: GI.G-008817

Easter, Triduum, OT 16 Year A. Tune Name: Picardy, Traditional French Carol, 17Th Century. Sacred. Octavo. 4 pages. GIA Publications #008817. Published by GIA Publications (GI.G-008817).

UPC: 641151088174. English.

Orlando composer Bob Schaefer always brings out the best in choirs with his musically compelling liturgical works. The images he portrays in each unique composition serve to support the particular liturgical day or ritual action. In this eucharistic anthem he makes use of staggered vocal entrances, creating a wash of sound as the melody first emerges from the lower voices.

SSATB choir and piano

SKU: OU.9780193572263

Composed by Katerina Gimon. Voice Junction. Vocal score. Duration 4'. Oxford University Press #9780193572263. Published by Oxford University Press (OU.9780193572263).

ISBN 9780193572263. 10 x 7 inches.

For SSATB and piano Come Back Like the Sea sets a Sara Teasdale poem that uses the metaphor of the ocean's tide to symbolize life's ups and downs. The music captures the sea imagery and sense of yearning with a captivating opening soundscape, melodies that ebb and flow like the tide, and an evocative piano part that weaves throughout the work.

When God Dips His Love in My Heart by Cleavant Derricks. Arranged by Cleavant Derricks, Marty Parks. For SSATB choir. Anthems. Southern Gospel and Sacred. Octavo. 12 pages. Duration 2 minutes, 58 seconds. Published by Lillenas Publishing Company

By Stephen Chatman. For SSATB Choir, organ, opt trumpet (off stage) and optional congregation (Mixed Voices). General, Psalm. Psalm 121. Choral. Moderately Easy. 16 pages

By Douglas E. Wagner. For SATB (SSATB) choir and piano. Secular Christmas. Octavo. Published by Heritage Music Press. (15/2129H)

By Thomas Morley (1557-1602) and David Giardiniere. For SSATB choir (a cappella). Christmas. Octavo

Composed by Jan Pieterszoon Sweelinck (1562-1621). Sacred choral - mixed voices. Church Music Society Publications. Vocal score. Oxford University Press #9780193954199. Published by Oxford University Press

Arranged by Stephen Hatfield. (SSATB A Cappella). Boosey and Hawkes Secular Choral. 14 pages. Published by Boosey & Hawkes.