SSATB choir SKU: ST.T3412 Composed by Thomas Vautor. Edited by Edmund H F...(+)
SSATB choir
SKU:
ST.T3412
Composed by
Thomas Vautor. Edited by
Edmund H Fellowes. SSATB.
Choral. Octavo. Stainer &
Bell Ltd. #T3412.
Published by Stainer &
Bell Ltd. (ST.T3412).
Composed by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Chor...(+)
Composed by Jay Althouse.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
12 pages. Alfred Music
#00-45603. Published by
Alfred Music (AP.45603).
Come, Come Ye Saints Chorale SSATB SSATB, Piano [Octavo] - Intermédiaire/avancé Jackman Music Corporation
By Traditional Folk Song / Arr. Lund. Arranged by Lynn S. Lund. Text: William Cl...(+)
By Traditional Folk Song
/ Arr. Lund. Arranged by
Lynn S. Lund. Text:
William Clayton. For
SSATB Choir. Level:
Medium Difficullt.
Duration 4:30. Published
by Jackman Music
Corporation.
Tristesse Chorale SSATB SSATB, Piano [Conducteur] Carus Verlag
SSATB Choir, Piano SKU: CA.927600 Composed by Gabriel Faure. Arranged by ...(+)
SSATB Choir, Piano
SKU: CA.927600
Composed by Gabriel
Faure. Arranged by Denis
Rouger. Carus digital:
Extra digital products.
Full Score. Op. 6,2.
Duration 3 minutes.
Published by Carus Verlag
(CA.927600).
ISBN
9790007296117. French.
Text: Gautier,
Theophile.
A
prevailing melancholy
mood is characteristic of
Theophile Gautier's
(1811-1872) poetry; a
melancholy mood which
inspired composers such
as Hector Berlioz and
Gabriel Faure to compose
settings. Tristesse
(Sadness) is taken from
the 1838 collection La
Comedie de la Mort (The
Comedy of Death). With
over 50 poems this is
regarded as Gautier's
major Romantic work.
Although the narrator in
the poem is conscious of
the joy and zest for life
of spring coming into
bloom around him, he
cannot share this: Helas!
j'ai dans le coeur une
tristesse affreuse.
(Alas, in my heart I bear
a terrible grief.).
Faure's setting portrays
this effect less as a
dramatic sigh than a
melancholic unworldliness
with peaceful piano
accompaniment in the
minor key. This
art song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing any of the
qualities of the original
in the process. Each part
in the choir has a
melodic line drawn from
the harmonic and rhythmic
framework. In the
process, the variety and
refinement of the choral
language combines with an
enormous flexibility in
form and expression, as
French melodies or German
art song demand from a
soloist and
pianist.The songs
have been recorded by the
figure humaine chamber
choir on the CD ... Wo
die Zitronen bluhn (Carus
83.514).
Composed by
Peter Relph. Evoking
Sound. Music Education.
20 pages. GIA
Publications #9610.
Published by GIA
Publications (GI.G-9610).
UPC: 785147961000.
Latin. Text Source: Attr.
Ambrose of Milan,
340–397. Text by
Ambrose of
Milan.
Composer's
Notes When I met Kelsey
Rose in Oxford in St.
Stephen’s House
chapel over the summer of
2017, we had both just
attended a very moving
candlelit concert by
Westminster Williamson
Voices, featuring my
setting of
“Tenebrae
lumini.†I was
delighted to be asked to
write a piece for
compline in Princeton
University Chapel,
celebrating the 150th
anniversary of the
Anglican/Episcopal
chaplaincy at Princeton
University.
“Aurora†is
the result of that
meeting. Composing by
commission often throws
up some interesting
challenges. The piece had
to fit both as an
accompanying piece to the
plainchant of compline,
whilst simultaneously
being a celebratory
anthem. I was instantly
drawn back to the poetry
and hymns of St. Ambrose
of Milan, particularly
“Aurora iam spargit
polum.†Fragments
of chant (both real and
imagined) are used to
create the powerful
imagery of the descending
golden light of dawn. The
piece reaches its climax
with the plea for the
despair of night to
“vanish,â€
which it then does,
leaving the sopranos
alone on a high G.
When time is broke Chorale SSATB SSATB A Cappella [Vocal Score] Oxford University Press
Three Shakespeare Songs. Composed by Cecilia McDowall. New Horizons. Voca...(+)
Three Shakespeare
Songs. Composed by
Cecilia McDowall. New
Horizons. Vocal score. 36
pages. Duration 11'.
Published by Oxford
University Press
(OU.9780193408241).
5
Petrarch Sonnets for 5
Voices SSATB.
Composed by Anno
Schreier. Choral.
Classical. Octavo. 24
pages. Duration 900
seconds. Schott Music
#SKR20126. Published by
Schott Music
(HL.49046753).
ISBN
9781705154229. UPC:
196288021810.
With
the Petrarch settings, I
am continuing my
preoccupation with
classical Italian
literature, after setting
Michelangelo in 2011 and
Ariosto in 2013. The
gesture and harmony of
the piece are developed
entirely from the text
and from the sensations
that are expressed there.
Petrarch's poetry is an
exploration of beauty and
pain that begins again
and again: beauty that
lies in pain and pain
that is causedby beauty.
Anno Schreier.
A Boy Was Born Chorale SSATBB SSATBB, Piano [Octavo] Boosey and Hawkes
(Boosey and Hawkes Contemporary Choral Series). Composed by Will Todd. For Chora...(+)
(Boosey and Hawkes
Contemporary Choral
Series). Composed by Will
Todd. For Choral (SSATBB
WITH PIANO). Boosey and
Hawkes Sacred Choral.
Octavo. 12 pages. Boosey
and Hawkes #M060127137.
Published by Boosey and
Hawkes
Sei mein! Chorale SSATB SSATB, Piano [Conducteur] Carus Verlag
SSATB Choir, Piano SKU: CA.924400 Composed by Peter Cornelius. Arranged b...(+)
SSATB Choir, Piano
SKU: CA.924400
Composed by Peter
Cornelius. Arranged by
Denis Rouger. Secular
choral music. Separate
edition with CD. Lieder,
Secular choral music.
Full score. Op. 15, No.
1. Duration 2 minutes.
Carus Verlag #CV
09.244/00. Published by
Carus Verlag (CA.924400).
ISBN 9790007244392.
Key: B flat major.
Language: German. Text:
Cornelius,
Peter.
Sei mein!
was written and composed
by Peter Cornelius in
1865 for his future wife
Bertha Jung. The composer
set the poem in short
rhyming lines using the
scheme aaabcccb,
recounting with loving
humor what his beloved
means to him. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
Italienisches Madrigal
Nr. 16. Composed by
Heinrich Schutz. Edited
by Hans Joachim Moser.
This edition: urtext
edition. Stapled. Choral
score. SWV 16.
Baerenreiter Verlag
#BA02865_00. Published by
Baerenreiter Verlag
(BA.BA02865).
ISBN
9790006426577. 29.8 x 21
cm inches. Text Language:
Italian, German.
Translation: Hans Joachim
Moser.
Print on
demand (POD).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir: SSATB SKU: BA.BA02859 Italienisches Madrigal Nr. 10. ...(+)
Mixed choir: SSATB
SKU: BA.BA02859
Italienisches Madrigal
Nr. 10. Composed by
Heinrich Schutz. Edited
by Hans Joachim Moser.
This edition: urtext
edition. Choral score.
SWV 10. Baerenreiter
Verlag #BA02859_00.
Published by Baerenreiter
Verlag (BA.BA02859).
ISBN 9790006426515. 27
x 19 cm inches. Text
Language: Italian,
German. Translation: Hans
Joachim
Moser.
Print on
demand (POD).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir: SSATB SKU: BA.BA02855 Italienisches Madrigal Nr. 6. C...(+)
Mixed choir: SSATB
SKU: BA.BA02855
Italienisches Madrigal
Nr. 6. Composed by
Heinrich Schutz. Edited
by Hans Joachim Moser.
This edition: urtext
edition. Choral score.
SWV 6. Baerenreiter
Verlag #BA02855_00.
Published by Baerenreiter
Verlag (BA.BA02855).
ISBN 9790006426478. 27
x 19 cm inches. Text
Language: Italian,
German. Translation: Hans
Joachim
Moser.
Print on
demand (POD).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Italienisches Madrigal
Nr. 11. Composed by
Heinrich Schutz. Edited
by Hans Joachim Moser.
This edition: urtext
edition. Stapled. Choral
score. SWV 11.
Baerenreiter Verlag
#BA02860_00. Published by
Baerenreiter Verlag
(BA.BA02860).
ISBN
9790006426522. Text
Language: Italian,
German. Translation: Hans
Joachim
Moser.
Print on
demand (POD).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir: SSATB, basso
continuo ad libitum -
Level 3
SKU:
BA.BA00506
Motette. Composed
by Heinrich Schutz.
Edited by Wilhelm Kamlah.
This edition: urtext
edition. Stapled. Nr. 6
aus Geistliche Chormusik
(1648). Sacred. Choral
score. SWV 374. 4 pages.
Baerenreiter Verlag
#BA00506_00. Published by
Baerenreiter Verlag
(BA.BA00506).
ISBN
9790006403035. 27 x 19 cm
inches.
Basso
continuo-vocie see BA 500
67(Organ) und BA 500
86(Cello/Contrabass/Basso
on).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Adolphus
Hailstork. -. Goin' Home,
Songs for Sister Lisa.
Premiere: Portsmouth, VA.
Choral. Performance
Score. With Standard
notation. Composed 2010.
8 pages. Duration 2:15.
Theodore Presser Company
#312-41866. Published by
Theodore Presser Company
(PR.312418660).
ISBN
9781598064124. UPC:
680160605828. Octavo
inches. English. Text:
Spiritual.
Spiritual.
From the
blog of Opera Roanoke:
The four spirituals are
densely packed portraits
resonant with the black
church tradition...
Weaving together a fabric
of history and presence,
pain and struggle, exile
and homecoming,
Goin’ Home is an
engaging musical canvas
whose complex palette is
challenging as it is
rewarding.
SSATBB choir SKU: CA.964100 Responsory in the Nocturn on Good Friday(+)
SSATBB choir
SKU:
CA.964100
Responsory in the
Nocturn on Good
Friday. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music, Lent
and Passiontide. Full
score. Duration 6
minutes. Carus Verlag #CV
09.641/00. Published by
Carus Verlag (CA.964100).
ISBN 9790007143541.
Text language:
Latin.
The Good
Friday Responsory
Tenebrae factae sunt for
six-part chorus was
commissioned in 2012 for
Peking University Student
Choir and was premiered
at the World Choir Games
in Cincinnati, Ohio, USA
conducted by Hou Xijin.
It is an ambitious work
with a fervent intensity.
Matsushita sets the two
last words of Jesus, Deus
meus, ut quid me
dereliquisti? [My God,
why hast thou forsaken
me] and Pater, in manus
tuas commendo spiritum
meum [Father, into thy
hands I commend my
spirit] as pained
outcries in Stravinskyian
harshness, in chords
characterized by
tritones, as a truly
superhuman work of
redemption whose Easter
message of hope only
appears in the last
conciliatory F major
chord. Although this work
lies slightly beyond the
upper limit of the
musical and vocal
technical demands of the
Carus Contemporary
series, it is well within
the abilities of
ambitious chamber
choirs.