By Craig Courtney. For TTBB choir and organ (with optional trumpet (brass quintet, string ensemble)). Christmas, Discipleship, Eastertide, General, Reformation, Sacred. Sacred Anthem

By Mary Mcdonald. For SSATBB choir and organ. New Year's, General, Sacred. Sacred Anthem. Published by Lorenz Publishing Company.

By David Len Allen. Text: David Len Allen. For SSATBB Choir. Level: Medium Difficullt. Duration 2:45. Published by Jackman Music Corporation.

By Mary Mcdonald. Arranged by Mike Harbin. For TTBB choir, organ (with optional string orchestra). Sacred Anthem. Octavo. Published by Monarch Music

Composed by Mack Wilberg (1955-). Octavo for TTBB choir and organ accompaniment. 13 pages. Published by Oxford University Press.

By Samuel Webbe, William Henry Walker, Hans Henry Petersen and O. P. Huish. Arranged by Donald H. Ripplinger. For TTBB choir. Medium / Medium-Difficult (accompaniment). Octavo. Published by Jackman Music Corporation

By K. Newell Dayley. Arranged by K. Newell Dayley. For TTBB choir. Medium. Octavo. Duration 3:30. Published by Jackman Music Corporation

Orchestra version: TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, contrabass; organ version: TTBB choir, organ

SKU: CA.5017211

Composed by Josef Gabriel Rheinberger. Sacred vocal music, Mass, latin. German title: Missa In B (Orchesterfassung). Sacred vocal music, Masses, Latin. Single Part, Double Bass. Composed 1892. Op. 172. 4 pages. Duration 23 minutes. Carus Verlag #CV 50.172/11. Published by Carus Verlag (CA.5017211).

ISBN 9790007080549. Key: B flat major. Language: Latin.

The Mass in B flat, op. 172, dates from 1892 and was published in two authentic versions. The instrumental accompaniment can be played either by an ensemble of wind instruments or by organ. Between Gloria and Credo Rheinberger placed a powerfully expressive a cappella Ave Maria, probably due to the fact that the Mass was first performed on a major feast day of the Virgin Mary: on the feast of Purification (Candlemas) in Breslau Cathedral. Score and part available separately - see item CA.5017200.

Composed by John Rutter (1945- ). For TTBB choir and piano or organ or small orchestra. Octavo. Duration 4 minutes. Published by Oxford University Press

Composed by Sven-David Sandstrom. For mezzo-soprano voice, TTBB choir, organ. Text: William Blake. For mezzo, manskor och orgel.. Language: English. Published by Gehrmans Musikforlag

Arranged by Mack Wilberg. For TTBB choir and piano/orchestra (3 flutes ( piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns. 3 trumpets (C), 3 trombones, tuba, timpani, 3 percussion (triangle, suspended cymbal, bass drum, chimes), harp, organ, strings). Male Voices. Spirituals, Leaflet. Level B (easy). Vocal score. 12 pages. Duration 5'. Published by Oxford University Press

By Henry Purcell. Arranged by Robin Langley. For Mixed Choir and Organ. CMSR86. Published by Oxford University Press.

By Alan Hovhaness (1911-2000). For SSATBB choir, Organ. The Word of Our God Shall Stand Forever Op. 246, No. 2. Modern. Duration 5 minutes

By Anton Bruckner. Edited by Nowak. For TTBB, TTTBB, TTBB-TTBB,. Bruckner complete critical edition, Volume 23/2. Published by Bruckner Verlag (Musikwissenschaftlicher Verlag).

Choral TTBB choir

SKU: PR.312416820

Men's Chorus (10 Copies). Composed by Chen Yi. Choral part(s). With Standard notation. 480 pages. Duration 17 minutes. Theodore Presser Company #312-41682. Published by Theodore Presser Company (PR.312416820).

UPC: 680160050376. 8.5 x 11 inches.

Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.
Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year.  I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners.  They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences.  This correlation between speech and music distinguishes folk songs of one region from another.  I learned all songs by heart and sang them back in the exams every week.  They melted in my blood and became my natural music language.  The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire.  The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi).  I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.   From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music.  The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come.  In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes.  They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

TTBB chorus and Organ

SKU: JK.00352

Composed by Various. Arranged by Ryan K. Eggett and T. Chemain Evans. Choral General Conference, Choral TB, Difficulty Medium, Organ Choir, Special Events Conference (Ward, Missionary Work. Christian, Inspirational. Jackman Music Corporation #00352. Published by Jackman Music Corporation (JK.00352).

Doctrine and Covenants 4:2-3, Doctrine and Covenants 20:17-19.

Powerful choral medley (TTBB) combining music and lyrics from four beloved children's songs--I Hope They Call Me On a Mission, I Will Be Valiant, We'll Bring the World His Truth, and Called to Serve.
Performed in the October 2014 Priesthood Session of LDS General Conference. Also available as SATB arrangement #01754.
Composer: Various
Arranger: T. Chemain Evans and Ryan K. Eggett
Lyricist: Various
Performance Time: 4:45
Reference: Doctrine and Covenants 4:2-3, Doctrine and Covenants 20:17-19

By Larry Pugh. For TTB/TBB choir, TTBB choir and piano. Sacred. Sacred Choral Collection. Published by Lorenz Publishing Company. (45/1157L)

Composed by Allen Pote. For TTBB choir and keyboard with optional handbells and brass or orchestration. Hope's All-Time Best Selling Choral Series. Sacred, General Worship, God's Attributes/Character, Joy, Praise. Octavo. Published by Hope Publishing Company

By Josef Gabriel Rheinberger. For Orchestra version: TTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, Contrabass; Organ version: TTBB Choir, Organ. Full score available separately - see item CA.5017200. Masses, Latin. Choral score. Language: Latin. Composed 1892. 172. 16 pages. Duration 23 min. Published by Carus Verlag (German import).

Composed by John Rutter (1945-). For SATBB choir and organ/chamber ensemble (flute, oboe, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Christmas Carols. Level A (very easy). Vocal score. Duration 4 minutes. Published by Oxford University Press

By Ronald Staheli. For TTBB choir, Organ. Octavo. Duration 1:40. Published by Jackman Music Corporation

By Nicolas Gombert (1490-1556). Arranged by Francis Steele. For SATTBB choir, a cappella. Mixed Voices. Musica dei Donum. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 5'. Published by Oxford University Press

Composed by Charles Villiers Stanford (1852-1924). Choral. Masterworks Series. Concert, General. Octavo. Lorenz Publishing Company #15/4018R. Published by Lorenz Publishing Company (LO.15-4018R).

By Camille Saint-Saens. For TTBB Choir, Organ. French Sacred Music. Score. Language: Latin. 12 pages. Published by Carus Verlag (German import).

By Josef Gabriel Rheinberger. For Orchestra version: TTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, Contrabass; Organ version: TTBB Choir, Organ. This edition: paperbound. Full score available separately - see item CA.5017200. Masses, Latin. Organ reduction. Language: Latin. Composed 1892. 172. 28 pages. Duration 23 min

By Franz Schubert. Edited by Werle(Urtext). For TTB, TTBB, TTBBB (a cappella/piano;4 horn). TTB(5);TTBB(18);TTBBB(2): some with Pf and/or with incidental solos;one with 4 Horns. Secular Choral Works. Published by C.F. Peters.