Composed by Craig Courtney. For TTBB choir, piano accompaniment, with optinoal violin (flute) and cello (bassoon). Octavo. 12 pages. Published by Beckenhorst Press

By Mark Hayes. Choir Secular. Men's Choir. Choral Octavo. Choral Designs. 16 pages. Published by Alfred Music Publishing

(No. 3 from Love Was My Lord and King ). By Gwyneth W. Walker (1947-). For TTBB choir, chamber Orchestra or Piano. Choral, general. Octavo. 12 pages. Published by E.C. Schirmer Publishing

Composed by James Pierpont (1822-1893). Arranged by Kay Thompson and Johnny Mandel, choral arr. Mark Hayes. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Christmas; Secular; Winter. 16 pages. Published by Alfred Music

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

By James Pierpont (1822-1893). Arranged by Jack Gold and Marty Paich [Barbra Streisand], choral setting by Mark Hayes. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Christmas; Novelty; Secular; Winter. 12 pages. Published by Alfred Music (AP.3990

Men's choir (TTBB) with solo-soprano or children's choir/female choir a cappella - intermediate

SKU: HL.49015248

Set of Parts. Composed by Friedrich Zipp. Sheet music. Edition Schott. With instrumentsn (oboe, strings) or organ. Classical. Set of Parts. 12 pages. Duration 6'. Schott Music #ED7039-10. Published by Schott Music (HL.49015248).

ISBN 9790001074049. UPC: 073999345933. 8.25x11.75x0.063 inches. German.

For Men's Choir (TTBB) with Solo Soprano or Children's Choir/Women's Choir a cappella or with Instruments (Oboe, Strings) or Organ.

Choral (TTBB Choir)

SKU: HL.1197972

Composed by Bradley Ellingboe. National/Emerson Fred Bock. Octavo. 12 pages. Duration 345 seconds. Hal Leonard #NM1077. Published by Hal Leonard (HL.1197972).

UPC: 196288135128. 6.75x10.5x0.029 inches.

This exciting new setting of a text by the 13th-century Persian poet Rumi sings of the healing power of singing itself. Bradley Ellingboe's gift for melody is once again on full display, through masterful vocal parts complemented by lyrical solo violin and a rolling piano accompaniment that conjures the sounds of the sea. Suitable for high school or college ensembles, this piece is sure to garner the enthusiastic favor of any audience.

TTBB choir, piano accompaniment - Early intermediate

SKU: GI.WW1695

Arranged by Ryan Murphy. Andrew Crane Choral Series. Classical. Octavo. 20 pages. Walton Music #WW1695. Published by Walton Music (GI.WW1695).

UPC: 785147010869. English. Text Source: African American spiritual.

Arranged for the 2018 Georgia All-State Men's Chorus, Ryan Murphy's arrangement of Music in the Air brings the song to an exciting new life. This setting includes a driving piano accompaniment and singable vocal parts, making this an achievable work for your choir with great impact. Andrew Crane Choral Series.

TTBB choir, piano accompaniment, drum and, guitar - Intermediate

SKU: GI.WW1697

Composed by Robert Dwyer Joyce. Arranged by Dan Davison. Walton Choral. Classical. Octavo. 20 pages. Walton Music #WW1697. Published by Walton Music (GI.WW1697).

UPC: 785147011866. English.

Frequent doubling of parts throughout makes this work worthwhile for high school choirs and beyond. Building on the drama of the well-known text, set in a fresh and varying style, this is a great choice for your next concert centerpiece. The hand drum and guitar parts add to the Celtic excitement.

Choral (TTBB Choir)

SKU: HL.145682

Sheet music. Pavane Secular. Male Voices, Mexican, Concert. Set of parts. 1518. 12 pages. Pavane Publishing #P1518. Published by Pavane Publishing (HL.145682).

UPC: 888680066987. 6.75x10.5 inches. Czech.

Selected for the new Music of the Americas Multicultural Series from North Dakota State University, this zesty piece hails from Mexico. The encouraging message is that chuchumbé; will reach you whether things go good or bad. It is similar to saying the rhythm or dance of life will positively infect you no matter what. And what a great dance it is, with hand percussion bringing additional rhythm to the piece. The verses are so playful it is appropriate for performers to alter the words based on the region in which they are singing. Easy to Medium. For male choirs in high school or college.

Men's choir (TTBB), soloists with accompaniment einer combo (INSTR KPL) - intermediate to advanced

SKU: HL.49031867

Ein lustiger Zyklus. Composed by Fischer. Sheet music. Edition Schott. Set of Parts. 64 pages. Duration 17'. Schott Music #ED 5282-10. Published by Schott Music (HL.49031867).

ISBN 9790001060158.