Arranged by Jay Althouse. For Choir. (TTBB). Choral Octavo. Folk Song; Peace/Brotherhood; Spiritual. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

TTBB Choir and Piano

SKU: HL.14024500

Composed by Robert Pearsall. Music Sales America. Classical. Choral Score. Music Sales #NOV450330. Published by Music Sales (HL.14024500).

Choir Secular (Men's Choir)

SKU: AP.48481

Composed by George Gershwin and Ira Gershwin. Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Great American Songbook; Jazz; Secular; Standard. Choral Octavo. 16 pages. Alfred Music #00-48481. Published by Alfred Music (AP.48481).

UPC: 038081553047. English.

No one but Mark Hayes could take this Gershwin masterpiece and make it into an absolutely rip-roaring, no-holds-barred choral work. You want rhythm? You'll get it, in more ways than you can count in this outstanding arrangement of one of America's great songs. A classic, by any standard.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

For Choral, Men's Voices. Music Sales America. 20th Century. 4 pages. Edition Wilhelm Hansen #WH14671. Published by Edition Wilhelm Hansen

Arranged by Kevin A. Memley. For Choral (TTBB). Walton Choral. Walton Music #WW1517. Published by Walton Music

By Irving Berlin, Ringwald. For Men's Chorus. Popular Standards/Show Tunes, Contest/Festival Music, Patriotic Songs. Sheet Music. Published by Shawnee Press.

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

TTBB Choir

SKU: HL.14000823

Composed by Antonin Dvorak. Music Sales America. Classical. Choral Score. Composed 2002. Chester Music #CH05702. Published by Chester Music (HL.14000823).

V illage Gossip is the first movement of Czech composer Antonin Dvorak's cycle 'Five Choruses For Male Voice'.

The cycle of five choruses is set toLithuanian folk texts translated by Frantisek Ladislav Celakovsky and is written for unaccompanied male choir (TTBB Voices). The title page of the autograph score bears the note: Composed on the journey from Prague to Vienna,12thof December 1878.

The individual parts of the cycle present a vibrant palette of moods, from the balladic 'Dwellers by the Sea' to the final, light-hearted 'The Sparrow's Feast'. The songs' melodies echothe spirit of folk songs, and the composer used simple but colourful harmonies and chose a strophic form.

By Linda Spevacek. For TTBB (TBB) choir and piano. Patriotic. Octavo. Published by Heritage Music Press. (15/1973H)