Arranged by Henry G. Mishkin. For TTBB Choir (Men's Voices). Marian Festival. Choral. 12 pages. Published by E.C. Schirmer Publishing

By Tomas Luis de Victoria (0-1611). For TTBB Choir (Men's Voices). Marian Festival, Advent. Choral. 4 pages. Published by E.C. Schirmer Publishing

TTBB, Oboe and Piano. Arranged by Jon Washburn. Mark Foster. Festival, Concert, Sacred. Octavo. 16 pages. Published by Mark Foster Music (HL.35030262).

Composed by Jacques (Jacob) Arcadelt. Edited by John Leavitt. Arranged by John Leavitt. For Choral (TTBB A Cappella). Treasury Choral. 4 pages. Published by Hal Leonard

From West Side Story. By Leonard Bernstein, Stephen Sondheim. Arranged by Ed Lojeski. (TTBB A Cappella). Broadway Choral. Size 6.75x10.5 inches. 7 pages. Published by Hal Leonard.

Composed by Johann Sebastian Bach (1685-1750). Arranged by John Leavitt. Treasury Choral. Octavo. 8 pages. Published by Hal Leonard

Composed by Mariah Carey; Walter Afanasieff. Arranged by Larry Triplett. Barbershop Harmony Society. Christmas Secular, A Cappella, Barbershop, Christmas. Octavo. 12 pages. Barbershop Harmony Society #211566. Published by Barbershop Harmony Society

Edited by Peter Altmann / Franz Gerstacker. For TTBB choir. Choral music. (Chorwerke von Leonard v. Call, Franz Xaver Eisenhofer, Michael Haydn, Adolf Muller sen., Hans Georg Nageli, Benedikt Randhartinger, Franz Schubert, Carl Maria von Weber und Carl Friedrich Zelter). Sacred, secular. Collection. Published by Doblinger Music Publishers

TTBB Choir

SKU: CA.967820

Composed by Ko Matsushita. Edited by Stefan Schuck. CARUS CONTEMPORARY. Sacred vocal music. Full score. 4 pages. Duration 2 minutes. Carus Verlag #CV 09.678/20. Published by Carus Verlag (CA.967820).

ISBN 9790007241377. Language: Latin.

Matsushita's Ave Maria is a very intimate short unaccompanied piece of true inward devotion. An experienced composer, Matsushita has chosen a tonal musical language for this homophonic piece. His enchanting modulations, well-placed and precisely-judged, are particularly effective without overloading the simple character of the work. All the parts are written in comfortable registers throughout and without divisi, so that the piece can easily be performed by all choirs. In short: a jewel! Score available separately - see item CA.967800.

TTBB choir, piano reduction, woodblock - Advanced

SKU: GI.G-8285

Composed by Marian L. Harrison. Christmastide, Holy Family A. African American Church Music Series. Sacred. Octavo. 20 pages. GIA Publications #8285. Published by GIA Publications (GI.G-8285).

UPC: 785147828501. English. Text Source: Based on Matthew 2:13&ndash,23. Text by Marian L. Harrison.

TTBB Choir

SKU: BT.HU-0891-250

Composed by Friedrich von Flotow. Arranged by Wim Kloek. Harmonia-Men's Choir. Opera or Operetta. Choral Score. Harmonia #HU 0891-250. Published by Harmonia (BT.HU-0891-250).

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TTBB Choir

SKU: BT.HU-1352-250

Composed by Wolfgang Amadeus Mozart. Harmonia-Men's Choir. Opera or Operetta. Choral Score. Harmonia #HU 1352-250. Published by Harmonia (BT.HU-1352-250).

German.

TTBB Choir

SKU: BT.HU-1352-700

Composed by Wolfgang Amadeus Mozart. Harmonia-Men's Choir. Opera or Operetta. Choral Score. Harmonia #HU 1352-700. Published by Harmonia (BT.HU-1352-700).

German.

Score Choral; Orchestra (0 * 0 * 2 * 1 - 3 * 0 * 2 * 0 - S. (Trgl. * Beck. * Tamt. * kl. Tr.) - Str.) - advanced to difficult

SKU: HL.49006432

Vocal Score. Composed by Heinrich Poos. Sheet music. Edition Schott. Classical. Score. 132 pages. Duration 40'. Schott Music #ED 6548. Published by Schott Music (HL.49006432).

ISBN 9790001069823. German.

For Men's Choir (TTBB), Solo (B), Speaker and Orchestra.

By Johann Sebastian Bach. For TTBB choir and Piano. (Men's Voices). Advent, Marian Festival, Canticle. Luke 1:55. Choral. Published by E.C. Schirmer Publishing.

By Vicente Errasti Goicoechea. For TTBB Choir, Organ. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Score. Language: Latin. 4 pages. Duration 5 min. Published by Carus Verlag (German import).

TTBB, a cappella

SKU: SU.YR6002V1

For TTBB, a cappella. Composed by Alan Stringer. Vocal/Choral, Secular Choral. A cappella, Men’s Chorus, TTBB. Choral Octavo. Subito Music Corporation #YR6002v1. Published by Subito Music Corporation (SU.YR6002V1).

Words based on the writings of Emma Goldman and Mariana Romo CarmonaTTBB, a cappella Composed: 2002 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

By Franz Biebl. Arranged by Franz Biebl. Text: Ancient Liturgical Text. For A Cappella. (Trio (TTB), TTBB, Bass and Tenor Solo). Chanticleer. Sacred, Concert. Level: Advanced Adult. 8 pages. Duration 4 min, 50 sec. Published by Hinshaw Music Inc.

Sacred Music for Lower Voices. By Barry Rose. Edited by Barry Rose. The Novello Choral Programme. Sacred. Book [Softcover]. 152 pages. Novello and Co Ltd. #MUSNOV381000. Published by Novello and Co Ltd.

By Josquin des Prez (1440-1521). Arranged by Randall Thompson. For TTBB Choir (Men's Voices). Marian Festival. Choral. 8 pages. Published by E.C. Schirmer Publishing

TTBB Choir

SKU: BT.BHI5401402

Composed by Leonard Bernstein. Choral Score. Boosey & Hawkes #BHI5401402. Published by Boosey & Hawkes (BT.BHI5401402).

TTBB (divisi) a cappella Choral; Chorus (TTBB Div A Cappella)

SKU: HL.48014089

The Virgin's Slumber Song. Composed by Max Reger. Boosey & Hawkes Sacred Choral. Classical, Contemporary. Bote & Bock #M202506097. Published by Bote & Bock (HL.48014089).

UPC: 073999172515. 6.8x10.5x0.014 inches.

Orchestra version: TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, contrabass; organ version: TTBB choir, organ

SKU: CA.5017211

Composed by Josef Gabriel Rheinberger. Sacred vocal music, Mass, latin. German title: Missa In B (Orchesterfassung). Sacred vocal music, Masses, Latin. Single Part, Double Bass. Composed 1892. Op. 172. 4 pages. Duration 23 minutes. Carus Verlag #CV 50.172/11. Published by Carus Verlag (CA.5017211).

ISBN 9790007080549. Key: B flat major. Language: Latin.

The Mass in B flat, op. 172, dates from 1892 and was published in two authentic versions. The instrumental accompaniment can be played either by an ensemble of wind instruments or by organ. Between Gloria and Credo Rheinberger placed a powerfully expressive a cappella Ave Maria, probably due to the fact that the Mass was first performed on a major feast day of the Virgin Mary: on the feast of Purification (Candlemas) in Breslau Cathedral. Score and part available separately - see item CA.5017200.

(TTBB). By Various. Arranged by Nicholas Hare. For Choral (TTBB). Music Sales America. Softcover. 48 pages. Novello and Co Ltd. #NOV072457. Published by Novello and Co Ltd.

Tropari: Blagosloven yesi, Ghospodi. By Pavel Grigorievich Chesnokov. For TTBB Choir, Tenor Solo. Language: Church Slavonic. Op. 39a, No. 3. Published by Musica Russica. (Cn 214mc)

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?