(A Celtic Celebration). By Roger Emerson. (TTBB). Choral. Festival. 11 pages. Published by Hal Leonard.

Composed by Craig Courtney. For TTBB choir, piano, optional string quartet and percussion. Capital University Choral Series. Sacred. Octavo. 16 pages. Published by Beckenhorst Press

TTBB chorus a cappella - intermediate

SKU: BP.BP2297

Arranged by Dan Forrest. Comfort / Healing / Hope; Dedication/Celebration; General; With Hymn Tune. Original Voicing: BP2210 With Accomp. Track. Octavo. Beckenhorst Press #BP2297. Published by Beckenhorst Press (BP.BP2297).

6.875 x 10.5 inches.

This marvelous new arrangement of the classic hymn for TTBB voices begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build until the congregation joins with the choir and instruments to a dramatic final statement of truth. Optional organ, brass sextet and percussion or orchestral accompaniment are available.
Church
S cripture reference: Lamentations.

Composed by Craig Courtney. For TTBB choir, a cappella. Capital University Choral Series. Sacred. Octavo. Published by Beckenhorst Press

Composed by isiZulu Traditional Sesotho. Arranged by Michael Barrett. School, Concert. Cameron LaBarr. Octavo. 12 pages. Walton Music #WW1702. Published by Walton Music

Composed by Larry Shackley. For TTBB choir, piano 4-hand (with optional piano). Sacred Anthem. Octavo. Lorenz Publishing Company #10/4723L. Published by Lorenz Publishing Company

(Sing in the Barbershop Quartet, Volume 1). TTBB A Cappella. Sing in the Barbershop Quartet. Softcover with CD. 32 pages. Published by Hal Leonard

Choral (TTBB choir a cappella)

SKU: HL.125143

Composed by John Stafford Smith. Arranged by Tim Sharp. Gentry Publications. A Cappella, American, Concert, Festival, Male Voices, Patriotic, Sacred. Octavo. 4 pages. Gentry Publications #JG2453. Published by Gentry Publications (HL.125143).

UPC: 884088988432. 6.75x10.5 inches.

2014 marks the 200th anniversary of the writing of Francis Scott Key's piece that became our National Anthem. Tim Sharp, Executive Director of ACDA saw an opportunity for choirs all across America to stand together in harmony and celebration. His arrangement is based on the improvisation performed by Rachmaninoff, an American citizen, and can be sung a cappella or accompanied (see NMK1001/HL00125145) from National Music Publishers.

Choral (TTBB Choir)

SKU: HL.1106056

Composed by David Chase and Judith Clurman. Choral. Chanukah, Holiday, Winter. Octavo. Duration 195 seconds. Published by Hal Leonard (HL.1106056).

UPC: 196288102427. 6.75x10.5x0.036 inches.

Now available for Men's choir! Chanukah is a celebration of freedom. Legend has it that when the eternal light was rekindled, there was only enough oil for one day. It miraculously lasted for eight. Here we celebrate the festival and the miracle.

By Joyce Eilers. For Choir. (TTBB). Choral Octavo. Sharing Horizons Series. Spiritual. Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Joel Raney. For TTBB choir. General Worship, Celebration, Hope, Joy, Hymntune. Octavo. 12 pages. Published by Hope Publishing Company

By Keith and Kristyn Getty, Stuart Townend. Arranged by Richard A. Nichols. For TTBB choir and piano. Octavo. Published by SoundForth

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Barbershop Quartet Choral (Barbershop Quartet)

SKU: HL.126578

Composed by John Stafford Smith. Arranged by Tim Sharp. Gentry Publications. A Cappella, American, Concert, Festival, General Worship, Patriotic, Sacred. Octavo. Gentry Publications #JG2466. Published by Gentry Publications (HL.126578).

UPC: 884088988296. 6.75x10.5x0.011 inches.

2014 marks the 200th anniversary of the writing of Francis Scott Key's piece that became our National Anthem. Tim Sharp, Executive Director of ACDA saw an opportunity for choirs all across America to stand together in harmony and celebration. His arrangement is based on the improvisation performed by Rachmaninoff, an American citizen, and can be sung a cappella or accompanied (see NMK1001/HL00125145) from National Music Publishers.

Composed by Craig Courtney. For TTBB choir, piano accompaniment, with optinoal violin (flute) and cello (bassoon). Octavo. 12 pages. Published by Beckenhorst Press

TTBB choir, a cappella

SKU: OU.9780193572607

Composed by Marques L. A. Garrett. Vocal score. Duration 3'. Oxford University Press #9780193572607. Published by Oxford University Press (OU.9780193572607).

ISBN 9780193572607. 10 x 7 inches.

For TTBB unaccompanied This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by syncopations added as the song progresses. Versions for mixed voices and SSAA voices are also available.

(I'll Have a New Life). By Lari Goss. Arranged by Lari Goss. For Choir and Piano (TTBB quartet feature with SATB choir). Octavo. Duration 2'20 . Published by Word Music

Composed by Jorge Cozati. For Choral (TTBB A Cappella). Pavane Secular. 12 pages. Pavane Publishing #P1504. Published by Pavane Publishing

By Greg Gilpin. For TTBB choir, Descant, piano. Concert, Graduation. Octavo. Published by Heritage Music Press. (15/2457H)

TTBB choir, piano reduction, shaker, drum, body percussion - Intermediate

SKU: GI.WW1920

Composed by Paul John Rudoi. Classical. Octavo. 12 pages. Walton Music #WW1920. Published by Walton Music (GI.WW1920).

UPC: 785147037163. English. Text by Rabindranath Tagore.

Paul John Rudoi's Last Kind Words is an anthem for celebrating life's most meaningful moments. A musical fanfare for closing a chapter with hearts full and excited for the future.

Arranged by Jack Schrader. For Choir. (Men's Voices). Sacred. Print Music Collection (Male Voices). Published by Hope Publishing Company.

Men's Songs. Composed by Veljo Tormis (1930-). Music of Estonia. Music Education. Softcover. 36 pages. Walton Music #WW1602. Published by Walton Music (GI.WW1602).

TTBB Choir (TTBB Choir) - Grade 2

SKU: HL.44002693

Choral Parts. Composed by Franz Xaver Gruber. De Haske Choral Parts. Sacred, Christmas. Softcover. Composed 1997. De Haske Publications #970962. Published by De Haske Publications (HL.44002693).

UPC: 073999026931. English.

Jacob de Haan wrote this arrangement for concert band, fanfare band and brass band and optional male voice choir. The original carol was written by the Austrian composer and organist Franz Gruber (1787-1863). He was asked to write Silent Night on the 24th of December 1818 by the priest of the Church of St. Nicolas in Oberndorf, who had himself written the text. It is a romantic carol, with nuances of contemporary Austrian folk and Italian pastorale music.

Jacob de Haan maakte dit arrangement voor blaasorkest met eventueel een mannenkoor. Het originele kerstlied werd geschreven door de Oostenrijkse componist en organist Franz Gruber (1787-1863). Stille Nacht componeerde hij op 24 december 1818 in opdracht van de priester van de Sint Nikolaaskerk van Oberndorf, die de tekst voor dit lied zelf had geschreven.Stille Nacht is romantisch van karakter, heeft trekken van de Oostenrijkse volksmuziek van die tijd, evenals enkele kenmerken van de Italiaanse pastorale muziek.

Stille Nacht wurde vom osterreichischen Komponisten und Organisten Franz Gruber am 24. Dezember 1818 im Auftrag des Priesters der St. Nikolaus-Kirche in Oberndorf geschrieben. Wer hatte damals geahnt, dass dieses Lied mit seinem romantischen Charakter einmal in 150 Sprachen ubersetzt auf der ganzen Welt gesungen werden wurde? Jacob de Haan schrieb dieses gelungene Arrangement fur Blasorchester mit Mannerchor ad. lib.

Le 24 decembre 1818, Franz Gruber (1787-1863), compositeur et organiste autrichien, mettait en musique un texte redige par le pretre de sa paroisse. Il ne se doutait pas que sa composition deviendrait l'un des noels les plus celebres. Stille Nacht (Douce Nuit) est un chant romantique et lyrique alliant les caracteristiques de la musique traditionnelle autrichienne d'alors, a celles des pastorales italiennes.

By J. Paul Williams. For Men's Chorus. Bass/Percussion, Tracks, General Use, All Saints Day, Homecomings, Missions, Youth Choirs and Sacred. Sheet Music. Published by Shawnee Press.

By Monty Norman. Arranged by Jay Althouse. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Movie. 16 pages. Published by Alfred Music Publishing