Performed by The Beach Boys. By Gary Usher, Brian Wilson. Arranged by Roger Emerson. (TTBB). Pop Choral Series. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

(from Wicked). By Stephen Schwartz. Arranged by Gary Eckert. (TTBB). Broadway Choral. 12 pages. Published by Hal Leonard.

TTBB Choir

SKU: CA.751160

Composed by Damijan Mocnik. Contemporary Choir Music. Sacred vocal music. Full Score. Carus Verlag #CV 07.511/60. Published by Carus Verlag (CA.751160).

ISBN M-007-25343-1. Latin.

Written in 1996 for SSAA and often sung by the Andrej Vavken Women's Choir from my home parish, this work is a palindrome, having musical motives from the first part unfold in reverse in the second part. In 2015, I wrote a mixed choir version for Gary Graden. In places, I also added a harmonic mirror when extending the sound to include male voices, resulting in colorful harmonies. (Damijan Mocnik). Score available separately - see item CA.751100.

((Iculo Lokuthula)). Arranged by Gary Fry. Choir Secular. Men's Choir. Choral Octavo; Masterworks. Choral Designs. 20th Century; Masterwork Arrangement; Multicultural; Romantic; Secular. 12 pages. Published by Alfred Music

SAATTBar vocal soli, SSAATTBB choir

SKU: CA.738610

Composed by Michael Waldenby. Contemporary Choir Music. Sacred vocal music, Motets. Full score. Op. 49, No. 1. 12 pages. Duration 8 minutes. Carus Verlag #CV 07.386/10. Published by Carus Verlag (CA.738610).

ISBN 9790007166281. Text language: Latin.

The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).

SAATTBB choir

SKU: CA.738620

Composed by Michael Waldenby. Contemporary Choir Music. Sacred vocal music, Motets. Full score. Op. 49, No. 2. 4 pages. Duration 3 minutes. Carus Verlag #CV 07.386/20. Published by Carus Verlag (CA.738620).

ISBN 9790007166298. Text language: Latin.

The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).

SSAATTBB choir

SKU: CA.738640

Composed by Michael Waldenby. Contemporary Choir Music. Sacred vocal music, Motets. Full score. Op. 49, No. 4. 4 pages. Duration 3 minutes. Carus Verlag #CV 07.386/40. Published by Carus Verlag (CA.738640).

ISBN 9790007166304. Text language: Latin.

The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).