TTBB choir, piano
accompaniment, bass,
rhythm section -
Intermediate
SKU:
GI.WW1884
Composed by
Michael Engelhardt.
Walton Choral. Classical.
Octavo. 16 pages. Walton
Music #WW1884. Published
by Walton Music
(GI.WW1884).
UPC:
785147031567. English.
Text by Michael
Engelhardt.
What
will I do with the
portion given to me? I
will sing. This fantastic
work by Michael
Engelhardt will be a
great addition to honor
choirs, festivals, and
more. Gospel style, but
with an ecumenical text
that challenges each of
us to make the most of
the lives we've been
given.
By The Skyliners. By Beaumont, Janet Vogel, John Taylor, Joseph Rock, Joseph Ver...(+)
By The Skyliners. By
Beaumont, Janet Vogel,
John Taylor, Joseph Rock,
Joseph Verscharen, Lennie
Martin, and Walter
Lester. Arranged by Mac
Huff. TTBB. Pop Choral
Series. 12 pages
Emblems Chorale TTBB TTBB, Piano [Partie séparée] Theodore Presser Co.
For Chorus of Men's Voices and Piano. By Elliott Carter. Edited by Hugh Ross. Te...(+)
For Chorus of Men's
Voices and Piano. By
Elliott Carter. Edited by
Hugh Ross. Text: A.F.
Tate. Men's choir. For
TTBB Chorus, Piano.
Contemporary Choral
Series. Choral. Choral
Part(s). 34 pages.
Published by Theodore
Presser Company.
If I Loved You Chorale TTBB TTBB A Cappella Barbershop Harmony Society
Composed by Richard Rodgers and Oscar Hammerstein. Arranged by Don Gray. Barb...(+)
Composed by Richard
Rodgers
and Oscar Hammerstein.
Arranged by Don Gray.
Barbershop Harmony
Society.
Barbershop, Broadway,
Standard. Octavo. 8
pages.
Barbershop Harmony
Society
#209098. Published by
Barbershop Harmony
Society
4 male voices (CtenTTBar) (TTBB Choir) SKU: HL.49003214 For four male ...(+)
4 male voices (CtenTTBar)
(TTBB Choir)
SKU:
HL.49003214
For
four male voices.
Composed by Gavin Bryars.
Sheet music. Edition
Schott. Classical. Score.
Composed 1988. 16 pages.
Duration 15'. Schott
Music #ED12461. Published
by Schott Music
(HL.49003214).
ISBN
9790220117282. UPC:
888680784249.
8.25x11.75x0.052 inches.
Latin.
Glorious
Hill may be performed by
a male choir.Text by Pico
della Mirandola
(1463-1497) from De
Hominis
Dignitate.Glorious Hill
was commissioned by the
Hilliard Ensemble and
first performed by them
at its summer Festival of
Voices in Lewes, Sussex,
in August 1988. It was
the first piece I wrote
for the ensemble and I
focused on the singers'
unique ability to move
with ease from early
music to tonal music of
the present day. There
were techniques which I
asked for which I hardly
needed to notate - the
staggered breathing of
the two tenors to supply
a continuous unbroken
held note for example -
and the piece moves
between passages for solo
voices and sections of
highly chromatic
homophony, almost as if
the music were switching
between the 12th century
of Perotin and the 16th
century of Gesualdo. Each
of the four voices is
given its own solo
passage, sometimes
accompanied, sometimes
quietly supported by the
other voices.The title,
Glorious Hill comes from
the name of the
small-town Mississippi
setting of Tennessee
Williams' Summer and
Smoke. I wrote the music
for the 1987 production
of this play at the
Leicester Haymarket
Theatre, the first time I
had written any
incidental music for the
stage. Williams makes
very specific demands in
terms of music and there
is one particularly
powerful scene, the
penultimate one,
throughout which music
and atmospheric sound
effects are continuous.
The principle character
Alma argues passionately
about the vital
importance of human
choice with the man to
whom she has, too late,
admitted her love. I
watched this section
every night throughout
the 4 week run of the
play watching the
different ways in which
the actress, Frances
Barber, played the scene.
There is a powerful
emotional and
philosophical connection
between the imagery of
this scene and a passage
from the Renaissance
philosopher Pico della
Mirandola's Oration on
the Dignity of Man which
forms the text of
Glorious Hill. This
passage has been
described as one of the
few passages in
Renaissance philosophy to
treat human freedom in a
modern way. The text,
which is sung in Latin,
is addressed by God to
Adam before the fall from
grace.Gavin Bryars.
Trinklied (I) Chorale TTBB [Conducteur] - Facile Carus Verlag
TTBB choir - Level 2 SKU: CA.4084020 Composed by Friedrich Theodor Frohli...(+)
TTBB choir - Level 2
SKU: CA.4084020
Composed by Friedrich
Theodor Frohlich. German
title: Trinklied I Der
Wein Zieht. Secular
choral music. Full score.
Composed 1827. 2 pages.
Duration 2 minutes. Carus
Verlag #CV 40.840/20.
Published by Carus Verlag
(CA.4084020).
ISBN
9790007162498. Key: E
flat major. Language:
German. Text: von
Fallersleben, Hoffmann.
Text: Hoffmann von
Fallersleben.
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689875229 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689875229
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Listening
CD. Word Music
#080689875229. Published
by Word Music
(WD.080689875229).
UPC:
080689875229.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689504679 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689504679
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength!
Orchestration. Word Music
#080689504679. Published
by Word Music
(WD.080689504679).
UPC:
080689504679.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689800726 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689800726
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Eastertide.
Bulk CD (10-pak). Word
Music #080689800726.
Published by Word Music
(WD.080689800726).
UPC:
080689800726.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689704024 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689704024
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Christmas.
Practice trax. Word Music
#080689704024. Published
by Word Music
(WD.080689704024).
UPC:
080689704024.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Rep...(+)
By Elizabeth Alexander.
For Men's Chorus (TTBB
choir a cappella).
Collegiate Repertoire,
Community Chorus, Concert
Music. Courage, Hardship,
Sacred (Worship and
Praise), Choral.
Moderately Advanced.
Octavo. Text language:
English. Duration 6
minutes. Published by
Seafarer Press
By Wanda West Palmer. Text: Walter L. Dommer. For TTBB Choir. Duration 4:00. Pub...(+)
By Wanda West Palmer.
Text: Walter L. Dommer.
For TTBB Choir. Duration
4:00. Published by
Jackman Music
Corporation. Level:
Medium Difficult /
Difficult
(accompaniment).
Arranged by Jay Giallombardo. For Choral (TTBB A Cappella). Close Harmony for Me...(+)
Arranged by Jay
Giallombardo. For Choral
(TTBB A Cappella). Close
Harmony for Men. 12
pages. Barbershop Harmony
Society #201314.
Published by Barbershop
Harmony Society
Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820).
UPC:
680160050376. 8.5 x 11
inches.
Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi.
Composed by Albert E. Bramley and Albert E. Bramley. Arranged by Craig Courtney ...(+)
Composed by Albert E.
Bramley and Albert E.
Bramley. Arranged by
Craig Courtney and Craig
Courtney. Sacred. Octavo.
15 pages. Published by
Beckenhorst Press
(BP.2111).
Mother what'll I do
know. Composed by F
Cliffe. Arranged by
Karl-Fredrik Jehrlander.
Octavo. With Language:
Swedish. Published by
Gehrmans Musikforlag
(GH.WC1600102).
ISBN
9790070035101. Text: Hans
Alfredson / Tage
Danielsson.
TTBB chorus and piano w/opt. Cello (included) SKU: HP.C6283 Composed by K...(+)
TTBB chorus and piano
w/opt. Cello (included)
SKU: HP.C6283
Composed by Keith Getty
and Stuart Townend.
Arranged by Lloyd Larson.
Piano with Optional Cello
(Included). Pentecost
Sunday. Octavo. 12 pages.
Hope Publishing Company
#C6283. Published by Hope
Publishing Company
(HP.C6283).
UPC:
763628162832.
Famil
iar praise song by
Keith Getty &
Stuart Townend
This Keith Getty and
Stuart Townend song is
useful anytime of the
year and especially for
Pentecost Sunday. Lloyd
Larson's masterful
setting features an
elegant piano
accompaniment and
optional cello part. Set
in three verses, the
first is a prayer for
personal renewal, the
second is a prayer for
the gifts of the Spirit
to show Christ in all I
do, and the third is for
the universal church to
hunger for your ways.
