By G.F. Handel, altered by Lowell Mason. Arranged by Leroy J. Robertson. For SSATTBB Choir. Sacred, Christmas. Medium Difficullt. Duration 2:00

Choral TTBB choir, piano accompaniment

SKU: HP.C6227

Composed by Joanna Carlson and Michael W. Smith. Arranged by Lloyd Larson. Piano Accompaniment with Optional Children's Choir. Contemporary, Christmas, Birth of Jesus Christ. Octavo. 12 pages. Hope Publishing Company #C6227. Published by Hope Publishing Company (HP.C6227).

UPC: 763628162276. Michael W. Smith; Joanna Carlson.

Christmas anthem by Michael W. Smith & Joanna Carlson Based on the original Michael W. Smith Christmas song, this celebratory anthem is teeming with energy and joy. Arranger, Lloyd Larson, blends in Angels We Have Heard on High and offers and optional Children's or Unison Choir part providing the opportunity for this to be an intergenerational offering for Christmas worship or concert settings. A best-seller in SATB now available in SAB. The orchestration by Mark Kellner consists of a Conductor's Score and parts for: Flute, Oboe, Clarinet in B-flat, Horn in F, Trumpets I & II in B-flat, Trombones I & II, Percussion, Timpani, Violins I & II, Viola, Cello, and Bass.

Men's choir (TTBB) (Male choir (TTBB)) - Level 4

SKU: BA.BA07416

Composed by Marten Jansson. Stapled. Choral score. 6 pages. Baerenreiter Verlag #BA07416_00. Published by Baerenreiter Verlag (BA.BA07416).

ISBN 9790006559206. 27 x 19 cm inches. Text Language: Latin.

Based on the well-known bible text “Sing unto the Lord a new song” (Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.

“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.
My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.”

Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmen”, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.