TTBB choir, piano

SKU: LO.15-4075H

Composed by Mark Patterson. Choral. Concert, General. Octavo. Heritage Music Press #15/4075H. Published by Heritage Music Press (LO.15-4075H).

ISBN 9780787789374.

Comm issioned by the Texas Choral Directors Association for their 50th Anniversary Convention, this powerful work is accessible for both middle school and high school voices. Mark's original text explores the concepts of courage and bravery and how those character traits are lived out. Courage lives, deep within the heart of every manâ?¦witnessed in the work of our own hands, shining forth in all we say and do. The powerful piano accompaniment swells with the voices to create an inspiring musical finish. A marvelous combined choir or inter-generational festival piece! The TTBB edition, updated in 2024 features trumpet. Note that the TTB/TBB edition and TTBB edition are in different keys. The accompaniment download includes accompaniment tracks for both editions.

Choral (TTBB Choir)

SKU: HL.35013138

Composed by Greg Gilpin. Shawnee Press. Concert, Graduation, Inspirational, Secular. Octavo. 16 pages. Shawnee Press #C0348. Published by Shawnee Press (HL.35013138).

UPC: 747510186120. 6.75x10.5 inches.

This major choral work by Greg Gilpin is a moving tribute to our dreams and pursuits. With lyrics based on the words of “Rumi,” “Lao-Tzu” and “Thoreau,” Greg's original music and choral arrangement is full of emotional strength that paints the text with musical significance. A perfect graduation or end of year selection! “Live Your Dream” has been beautifully orchestrated by Steven Couch. Available separately: SATB, TTBB, StudioTrax CD, Orchestration.

By D.L. Brunner. (TTBB). Boosey and Hawkes Secular Choral. Size 6.75x10.5 inches. 12 pages. Published by Boosey & Hawkes.

(from Company). By Stephen Sondheim (1930-). Arranged by Mac Huff. For Choral (TTBB). Broadway Choral. 12 pages. Published by Hal Leonard

TTBB choir

SKU: WD.080689648175

Composed by Dale Mathews. Book. Word Music #080689648175. Published by Word Music (WD.080689648175).

UPC: 080689648175.

Encou raging and enabling men everywhere to join us in offering up our praises in this rich, timehonored tradition of singing together, comes this new, standout collection for TTBB men’s choir, Men of God Sing!, from Word Music & Church Resources. Men of God Sing!, featuring 10 must-have arrangements of worship, praise, commitment, and testimony songs. Arranged especially for Men’s Choir by Daniel Semsen, Cliff Duren, Marty Hamby, David Wise, Steve W. Mauldin, and Luke Gambill, this collection will be a high value resource for your music ministry needs, giving the men of your choir and congregation the opportunity to come together as one, men of God, singing praises to the King of kings. Featuring a wide selection of songs ranging from chart-topping, CCM songs such as Red Letters, Song of Deliverance, and I Got Saved, to hymns and gospel songs such as I Saw the Light, Sinner Saved by Grace, The King Is Coming, and Child of the King, Men of God Sing! is the perfect choice for your Men’s Choir, ensemble, or quartet.

Arranged by Greg Volk. For Choral (TTBB A Cappella). Close Harmony for Men. 6 pages. Published by Barbershop Harmony Society

Arranged by Andy Beck. For Choir. (TTBB). Choral Octavo. Christmas. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

By Steve Fry. Arranged by Mary Mcdonald. For TTBB choir and piano (with optional percussion, digital strings). Sacred Anthem: Easter, General. Octavo. Published by Lorenz Publishing Company

Choir Sacred. Men's Choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 16 pages. Published by Alfred Music

Arranged by Lloyd Larson. Collection. Singing Men Series. General Worship, Sacred. Performance/accompaniment CD. Published by Hope Publishing Company (HP.8695C).

Choral TTBB choir

SKU: PR.312416820

Men's Chorus (10 Copies). Composed by Chen Yi. Choral part(s). With Standard notation. 480 pages. Duration 17 minutes. Theodore Presser Company #312-41682. Published by Theodore Presser Company (PR.312416820).

UPC: 680160050376. 8.5 x 11 inches.

Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.
Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year.  I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners.  They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences.  This correlation between speech and music distinguishes folk songs of one region from another.  I learned all songs by heart and sang them back in the exams every week.  They melted in my blood and became my natural music language.  The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire.  The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi).  I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.   From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music.  The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come.  In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes.  They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.

Choral (TTBB Choir)

SKU: HL.48024179

CME In Low Voice. Composed by Andrea Clearfield. Choral Music Experience In Low Voice. Concert, Festival, Inspirational. Octavo. 68 pages. Boosey & Hawkes #M051484713. Published by Boosey & Hawkes (HL.48024179).

UPC: 888680703769. 6.75x10.5x0.147 inches.

Created from the texts of live interviews, here is music that explores the notion of family by a community coming to terms with the creation of a family in a society that has not, until now, legally accepted non traditional relationships. It takes as its thesis the idea that love is the only thing that can establish a family and that love is what binds us all.

By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Repertoire, Community Chorus, Concert Music. Courage, Hardship, Sacred (Worship and Praise), Choral. Moderately Advanced. Octavo. Text language: English. Duration 6 minutes. Published by Seafarer Press

By Hoelty-Nickel. For TTBB choir. Sacred. Published by Concordia Publishing House.

(from Oliver). Composed by Lionel Bart (1930-). Arranged by Tom Gentry. For Choral (TTBB A Cappella). Close Harmony for Men. 8 pages. Published by Barbershop Harmony Society

Men's choir (TTBB) and piano, guitar and bass ad libitum (CHP) - advanced

SKU: HL.49032003

Negro Spirituals. Composed by Petersen. This edition: Saddle stitching. Sheet music. Edition Schott. Choral Score. 8 pages. Schott Music #ED 5928-01. Published by Schott Music (HL.49032003).

ISBN 9790001063982. 7.5x11.0x0.033 inches. English - German.

Men's choir (TTBB) and piano, guitar and bass ad libitum (Bass) - advanced

SKU: HL.49032005

Negro Spirituals. Composed by Petersen. Sheet music. Edition Schott. Individual part. 2 pages. Schott Music #ED 5928-12. Published by Schott Music (HL.49032005).

ISBN 9790001064002. English - German.

Arranged by Ralf Petersen. (TTBB). Schott. Size 7.5x11 inches. 16 pages. Published by Schott.

Composed by Mark Hayes. For TTBB choir div, piano (with optional chamber orchestra, wind ensemble, full orchestra). Prima Cantate. Concert. Octavo. Published by Heritage Music Press

Arranged by Fenno Heath, Marhall Bartholomew. Songbook for TTBB choir and piano. With piano reduction. Choral. Series: Yale Glee Club Series . 124 pages. Published by G. Schirmer, Inc.

Arranged by Alice Parker. Choir Sacred. Men's Choir. Choral Octavo. Lawson-Gould. Sacred. 12 pages. Published by Alfred Music Publishing

Arranged by Dan Forrest. For TTBB choir with piano, 4-hands. Octavo. Published by Beckenhorst Press

By Howard Helvey. For TTBB choir. Sacred. Choral octavo. Published by Beckenhorst Press