(aus: Vom Rhein. Sechs vierstimmige Mannerchore). By Josef Gabriel Rheinberger. ...(+)
(aus: Vom Rhein. Sechs
vierstimmige
Mannerchore). By Josef
Gabriel Rheinberger.
Edited by Wanger, Harald.
For TTBB Choir. Secular
Choral Music. Level 2.
Score. Language: German.
Composed 1875. 90 no. 1.
4 pages. Duration 4 min
By Craig Courtney. For TTBB choir and organ (with optional trumpet (brass quinte...(+)
By Craig Courtney. For
TTBB choir and organ
(with optional trumpet
(brass quintet, string
ensemble)). Christmas,
Discipleship, Eastertide,
General, Reformation,
Sacred. Sacred Anthem
Composed by Mark Hayes. For TTBB choir div, piano (with optional chamber orchest...(+)
Composed by Mark Hayes.
For TTBB choir div, piano
(with optional chamber
orchestra, wind ensemble,
full orchestra). Prima
Cantate. Concert. Octavo.
Published by Heritage
Music Press
Composed by
Damijan Mocnik.
Contemporary Choir Music.
Sacred vocal music. Full
Score. Carus Verlag #CV
07.511/60. Published by
Carus Verlag (CA.751160).
ISBN M-007-25343-1.
Latin.
Written in
1996 for SSAA and often
sung by the Andrej Vavken
Women's Choir from my
home parish, this work is
a palindrome, having
musical motives from the
first part unfold in
reverse in the second
part. In 2015, I wrote a
mixed choir version for
Gary Graden. In places, I
also added a harmonic
mirror when extending the
sound to include male
voices, resulting in
colorful harmonies.
(Damijan Mocnik). Score
available separately -
see item CA.751100.
TTBB choir SKU: BP.CU1051 Composed by Elaine Hagenberg. Arranged by Timot...(+)
TTBB choir
SKU:
BP.CU1051
Composed by
Elaine Hagenberg.
Arranged by Timothy Shaw.
Sacred octavos. Sacred.
Octavo. Beckenhorst Press
#CU1051. Published by
Beckenhorst Press
(BP.CU1051).
Printed
product.
A
beautiful arrangement of
a traditional Shaker hymn
for SATB, SSA or TTBB
choir and piano
accompaniment,
particularly suitable in
these times of
uncertainty. Perfect as a
warm, affirmative call or
response to prayer.
Cornerstone Chorale TTBB TTBB, Piano Santa Barbara Music Publishing
Composed by Shawn L. Kirchner. Choral. Concert, General. Octavo. Santa Barbara ...(+)
Composed by Shawn L.
Kirchner. Choral.
Concert, General.
Octavo. Santa Barbara
Music Publishing
#SBMP1385. Published by
Santa Barbara Music
Publishing
(SB.SBMP-1385).
By J. Paul Williams. For Men's Chorus. Bass/Percussion, Tracks, General Use, All...(+)
By J. Paul Williams. For
Men's Chorus.
Bass/Percussion, Tracks,
General Use, All Saints
Day, Homecomings,
Missions, Youth Choirs
and Sacred. Sheet Music.
Published by Shawnee
Press.
SSAATTBB Choir SKU: CA.967400 Composed by Jacek Sykulski. Edited by Stefa...(+)
SSAATTBB Choir
SKU:
CA.967400
Composed by
Jacek Sykulski. Edited by
Stefan Schuck. CARUS
CONTEMPORARY. Sacred
vocal music. Full score.
16 pages. Duration 8
minutes. Carus Verlag #CV
09.674/00. Published by
Carus Verlag (CA.967400).
ISBN 9790007187484.
Language:
Latin.
With the
publication of his
hypnotic Pater noster,
Carus proudly presents
Jacek Sykulski as a new
composer in the Carus
Contemporary series.
Whilst Sykulski has
achieved worldwide
success as Director of
the Academic Choir at the
University of Poznan and
the Poznan Boys' Choir,
as a composer he has
remained a well-guarded
secret until now. In his
sacred compositions he
combines in music the
deeply Catholic-imbued
tradition of his country
with his own
compositional technique,
characterized by a
tremendous vocal
sensuousness of sound and
a conscious use of
tonality enriched by
dissonance. His Pater
noster was composed in
2009 and revised in 2015
for a performance by the
RIAS Kammerchor in
Berlin. The first section
of this three-part work
for eight-part choir
(tenors and sopranos also
split into three) begins
with the invocation Pater
noster homophonically in
A minor. This then
introduces the Gregorian
liturgical melody of the
Our Father canonically
and aleatorically, like a
contemplative
congregational hymn. The
middle section calls out
Dein Reich komme in
increasingly insistent
rhythmic declamation,
more demanding, with
hypnotic repetitions and
intensifications. In the
last section, Sykulski
returns to the opening
harmonies, but now a
semitone lower on A flat,
followed by an
intensification at the
words sed libera nos a
malo - and delivery us
from evil once more; this
ends unresolved in a
diatonic cluster on A
flat as the paradigm of
our imperfect earthly
existence. The
eight-minute
unaccompanied composition
is extremely singable,
impressive, and not
difficult to master. The
piece is suitable for use
in the liturgy, as well
as in concerts and
competitions.