Composed by Samuel K. Sweet. Funeral, 21st Century. Duration 4 minutes, 10 seconds. Galaxy Music Corporation #1.3537. Published by Galaxy Music Corporation

(TTBB Chorus and Soloists (English, Hebrew, and Latin languages)). Composed by James Adler. Choir Sacred. For Orchestra (Men's Choir). Choral Worship Cantata; Larger Works; Masterworks; Score. 20th Century; Masterwork; Sacred. 152 pages. Published by Alfred Music

By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Repertoire, Community Chorus, Concert Music. Courage, Hardship, Sacred (Worship and Praise), Choral. Moderately Advanced. Octavo. Text language: English. Duration 6 minutes. Published by Seafarer Press

(Jubilate Agno). Composed by Z. Randall Stroope. For TTBB choir, piano, optional string quartet accompaniment. Octavo. 16 pages. Duration 3 minutes, 5 seconds. Published by Carl Fischer

Arranged by Stephen Caracciolo. For TTBB choir, a cappella. Cantus series. Choral. Grade 1. Octavo. 7 pages. Duration 3 minutes 15 seconds. Published by Neil A. Kjos Music Company

Composed by Lowell Mason (1792-1872). Arranged by T. Chemain Evans. For TTBB choir and piano. Difficulty: medium-easy. Octavo. 12 pages. Duration 4 minutes, 15 seconds. Published by Nolan and Hanks

Composed by John Rutter (1945- ). For TTBB choir and piano or organ or small orchestra. Octavo. Duration 4 minutes. Published by Oxford University Press

Composed by Early American Folk Hymn. Arranged by Dan Forrest. For TTBB choir, piano or orchestra. Sacred, concert. Difficulty: medium (adult). Octavo. 16 pages. Duration 4 minutes, 12 seconds. Published by Hinshaw Music Inc.

(Be We Merry). Composed by John Camden Hotten. Arranged by Steven Sametz. For tenor/bass vocal soli, TTBB choir a cappella. Christmas. Octavo. Composed 2007. 4 pages. Duration 2 minutes. Published by E.C. Schirmer Publishing

By Edward Partidge. Arranged by James C. Kasen. For TTBB choir and organ. Medium/easy. Octavo. 7 pages. Duration 2 minutes, 20 seconds. Published by Jackman Music Corporation

By Randall Johnson. For TTBB choir, piano (with optional timpani). Randy and Rachel Stenson Choral Series. Concert. Octavo. 19 pages. Duration 3 minutes 30 seconds. Published by Santa Barbara Music Publishing

For TTBB. Composed by Melissa Dunphy (1980-). Single Titles. VOCES8 Singles. Secular; Winter. Choral Octavo. Edition Peters #98-EP68825. Published by Edition Peters

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Duration 17 minutes, 30 seconds. E.C. Schirmer Publishing #8516. Published by E.C. Schirmer Publishing (EC.8516).

By W. S. Gilbert, music by Arthur Sullivan. Arranged by Michael Rosewall. Choir Secular. Men's Choir. Choral Octavo. Choral Designs. 20 pages. Published by Alfred Music

Composed by Karen Marrolli. 21st Century. Instrumental part. Duration 2 minutes, 30 seconds. Galaxy Music Corporation #1.3517. Published by Galaxy Music Corporation

Composed by Reginal Wright. For TTBB choir, piano. Octavo. 12 pages. Duration 2 minutes, 44 seconds. Published by Carl Fischer

Composed by Judith Shatin (1949-). 21st Century. Octavo. Duration c. 4 minutes, 55 seconds. Published by E.C. Schirmer Publishing (EC.6977).

Choral TTBB choir

SKU: CF.CM9571

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 3 minutes, 47 seconds. Carl Fischer Music #CM9571. Published by Carl Fischer Music (CF.CM9571).

ISBN 9781491153659. UPC: 680160911158. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By?is certain to paint a picture of a better time for us all to look forward. Also available for SATB Voices (CM9572).
I have great memories of my family gathering around the piano to sing hymns. As my sister and I learned more about music through lessons, band and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.

(For TTBB Voices with Keyboard). Composed by Capt. Francis Saltus Van Boskerck Charles A. Zimmerman. Arranged by Greg Gilpin Larry Clark. Male chorus. For Tenor I, Tenor II, Bass I, Bass II, Keyboard. Choral. Piano reduction/vocal score. Standard notation. 24 pages. Published by Carl Fischer

Composed by Mark Patterson. For TTBB choir. Octavo. 8 pages. Duration 3 minutes, 35 seconds. Published by Carl Fischer

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

SSAATTBB Choir

SKU: CA.967400

Composed by Jacek Sykulski. Edited by Stefan Schuck. CARUS CONTEMPORARY. Sacred vocal music. Full score. 16 pages. Duration 8 minutes. Carus Verlag #CV 09.674/00. Published by Carus Verlag (CA.967400).

ISBN 9790007187484. Language: Latin.

With the publication of his hypnotic Pater noster, Carus proudly presents Jacek Sykulski as a new composer in the Carus Contemporary series. Whilst Sykulski has achieved worldwide success as Director of the Academic Choir at the University of Poznan and the Poznan Boys' Choir, as a composer he has remained a well-guarded secret until now. In his sacred compositions he combines in music the deeply Catholic-imbued tradition of his country with his own compositional technique, characterized by a tremendous vocal sensuousness of sound and a conscious use of tonality enriched by dissonance. His Pater noster was composed in 2009 and revised in 2015 for a performance by the RIAS Kammerchor in Berlin. The first section of this three-part work for eight-part choir (tenors and sopranos also split into three) begins with the invocation Pater noster homophonically in A minor. This then introduces the Gregorian liturgical melody of the Our Father canonically and aleatorically, like a contemplative congregational hymn. The middle section calls out Dein Reich komme in increasingly insistent rhythmic declamation, more demanding, with hypnotic repetitions and intensifications. In the last section, Sykulski returns to the opening harmonies, but now a semitone lower on A flat, followed by an intensification at the words sed libera nos a malo - and delivery us from evil once more; this ends unresolved in a diatonic cluster on A flat as the paradigm of our imperfect earthly existence. The eight-minute unaccompanied composition is extremely singable, impressive, and not difficult to master. The piece is suitable for use in the liturgy, as well as in concerts and competitions.

Choral TTBB choir

SKU: CF.CM9488

Scottish Reel. Composed by Scottish Folk Song. Arranged by Drew Collins. Fold. Performance Score. With Standard notation. 12 pages. Duration 1 minute, 47 seconds. Carl Fischer Music #CM9488. Published by Carl Fischer Music (CF.CM9488).

ISBN 9781491145920. UPC: 680160903429. 6.875 x 10.5 inches. Key: G major. English translation by Sir Hugh S. Robertson (1874-1952).

This delightful reel, traditionally sung and played at Scottish weddings, is toe-tappin' fun! From the opening unison statement until the final chord, men's ensembles can explore drama and healthy singing.

TTBB choir - Level 2

SKU: CA.4081110

Composed by Friedrich Silcher. Edited by Hermann Josef Dahmen. German title: Vater unser. Sacred vocal music, Hymn settings, Our Father. Full score. Composed 1846. Op. 24, No. 2. 2 pages. Duration 1 minute. Carus Verlag #CV 40.811/10. Published by Carus Verlag (CA.4081110).

ISBN 9790007078140. Key: A major. Language: German.

TTBB choir - Level 4

SKU: CA.4084008

Composed by Christian August Pohlenz. German title: Jagers Morgenlied. Secular choral music. Full score. Op. 7, No. 5. 2 pages. Duration 1 minute. Carus Verlag #CV 40.840/08. Published by Carus Verlag (CA.4084008).

ISBN 9790007162436. Key: D major. Language: German. Text: Richter, Werner. Text: Werner Richter.

Score available separately - see item CA.4084000.

TTBB choir

SKU: CA.4084028

Composed by Conradin Kreutzer. German title: Morgenlust. Full score. KWV. 2 pages. Duration 1 minute. Carus Verlag #CV 40.840/28. Published by Carus Verlag (CA.4084028).

ISBN 9790007162542. Key: F major. Language: German. Text: Peppert, J.C. Text: J.C. Peppert.

Score available separately - see item CA.4084000.

TTBB choir - Level 2

SKU: CA.4084022

Composed by Friedrich Theodor Frohlich. German title: Trinklied Ii Heut Ist Der Wein. Secular choral music. Full score. Composed 1830. 2 pages. Duration 1 minute. Carus Verlag #CV 40.840/22. Published by Carus Verlag (CA.4084022).

ISBN 9790007162504. Key: G major. Language: German. Text: Wackernagel, Wilhelm. Text: Wilhelm Wackernagel.

Score available separately - see item CA.4084000.