By David Dickau. TTBB. Walton Choral. 16 pages. Walton Music #WJMS1121. Published by Walton Music

(Male Chorus version). Composed by Dan Forrest. For TTBB choir (divisi), a cappella. Sacred. Published by Hinshaw Music Inc.

Arranged by Ron Smail. For TTBB choir, a cappella. Octavo. Published by Cypress Choral Music

(Love Theme from A Star Is Born). Composed by Paul Williams, music by Barbra Streisand. Arranged by Mark Hayes. Choral Octavo. Alfred Pop Series. Movie; Secular. 12 pages. Published by Alfred Music (AP.45486).

Composed by Kim Andre Arnesen. Octavo. Walton Music #WW1717. Published by Walton Music

By Terre Johnson. For TTBB choir and piano. General. Moderately Easy. Published by MorningStar Music Publishers

By Sr. Kedroff. (TTBB). Russian Title: (Otche nash). Published by Musica Russica. (Ke 001mc)

By Vadim Prokhorov. For chorus. (TTBB). Russian Title: Kalinka. Published by Musica Russica. (FS 009mc)

By Ronald Staheli. For TTBB choir, Organ. Octavo. Duration 1:40. Published by Jackman Music Corporation

By Rene Clausen, Robert Scholz. For TTBB Choir. Sheet Music. Published by Mark Foster Music.

By David Schwoebel. Arranged by David Schwoebel. Text: Philippians 1:3-6, 9-11. For TTBB Choir. (Accompaniment: Keyboard). David Schwoebel. Sacred. Level: Medium Adult. 12 pages. Duration 3 min, 24 sec. Published by Hinshaw Music Inc.

By Eric William Barnum, Robert Burns. (TTBB A Cappella). This edition: WW1399. Walton Choral. 12 pages. Published by Walton Music.

By Paul Loesel. For keyboard (TTBB). General. Medium-Easy. Octavo. Published by MorningStar Music Publishers

Composed by Nick Johnson. National/Emerson Fred Bock. Sacred. Octavo. 8 pages. National Music Publishers #NM1050. Published by National Music Publishers

Composed by Mark Shepperd. 21st Century, Prayer. Octavo. Published by MorningStar Music Publishers (MN.50-3427).

TTBB choir, piano reduction - Early intermediate

SKU: GI.WW1876

Edited by Alan Stevens. Arranged by John Wykoff. Amanda Quist Choral Series. Classical. Octavo. 8 pages. Walton Music #WW1876. Published by Walton Music (GI.WW1876).

UPC: 785147030560. English. Text Source: American Folk Song.

A sorrowful American song that explores the themes of lonliness and loss. Simple and extremely effective composing that allows singers to express the text with tremendous drama. Available here for TTBB voices.

TTBB choir, piano reduction, djembe, small drum - Early intermediate

SKU: GI.WW1836

Composed by Mark Burrows. School, Concert. Walton Choral. Classical. Octavo. 16 pages. Walton Music #WW1836. Published by Walton Music (GI.WW1836).

UPC: 785147027362. Latin. Text Source: Carmina Burana.

An interesting take on a section of text from the Carmina Burana. This setting uses modal harmonies, a haunting melodic line, and transfixing percussion to express the mysterious nature of the text. MP3 is SATB version.

TTBB choir - Grade 3

SKU: KJ.5566

Composed by Nancy Telfer. Collection. Successful Sight Singing Performance Selections. Secular, Choral. Octavo. Neil A. Kjos Music Company #5566. Published by Neil A. Kjos Music Company (KJ.5566).

Free Use Of Rubato & Varied Dynamics Give Your Singers A Chance To Express The Profound Lyrics In This Meditative, Lush Choral Setting. A Winner for Your Male Chorus! TTBB, Opt. Accompaniment Grade 3, Milestone 4.

Choral TTBB choir

SKU: PR.312416820

Men's Chorus (10 Copies). Composed by Chen Yi. Choral part(s). With Standard notation. 480 pages. Duration 17 minutes. Theodore Presser Company #312-41682. Published by Theodore Presser Company (PR.312416820).

UPC: 680160050376. 8.5 x 11 inches.

Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.
Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year.  I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners.  They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences.  This correlation between speech and music distinguishes folk songs of one region from another.  I learned all songs by heart and sang them back in the exams every week.  They melted in my blood and became my natural music language.  The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire.  The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi).  I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.   From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music.  The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come.  In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes.  They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.

TTBB choir, piano reduction, fiddle, cello, guitar - Early intermediate

SKU: GI.WW1752

Composed by Stephen Foster. Arranged by Nicholas Johnson. Concert, School. Walton Choral. Classical. Octavo. 16 pages. Walton Music #WW1752. Published by Walton Music (GI.WW1752).

UPC: 785147014362. English. Text by Stephen C. Foster.

A simple expression of empathy for those less fortunate, Hard Times, offers a universal message that we can perservere through difficult times. This setting for men's chorus with guitar and strings is a dynamic and modern interpretation. The arrangement can be used with a soloist or with a section of tenors. Guitar lead sheet available for free download. Recording: University of Kentucky Men's Chorus, Jefferson Johnson, conductor, Eric Poore, soloist.

Choir Secular (Men's Choir)

SKU: AP.48975

Composed by Heather Sorenson. MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Peace/Brotherhood; Secular. Choral Octavo. 12 pages. Alfred Music #00-48975. Published by Alfred Music (AP.48975).

UPC: 038081562995. English.

Commission ed by Texas AandM University in remembrance of a lost friend and fellow Cadet, this thought-provoking piece is designed to be a conversation starter about mental illness, depression, grief, and suicide. Harmonically rich, musically expressive, and emotionally stirring, singers will be changed and encouraged. What if I could tell you no one has to walk alone? This title is available in MakeMusic Cloud.

Choral TTBB choir, piano

SKU: CF.CM9635

Composed by Victor Johnson. Fold. Performance Score. 12 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9635. Published by Carl Fischer Music (CF.CM9635).

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

(No. 3 from Love Was My Lord and King ). Composed by David Conte (1955-). For TTBB choir, a cappella. 21st Century. Octavo. Published by E.C. Schirmer Publishing

Men's choir (TTBB) (Male choir (TTBB)) - Level 4

SKU: BA.BA07416

Composed by Marten Jansson. Stapled. Choral score. 6 pages. Baerenreiter Verlag #BA07416_00. Published by Baerenreiter Verlag (BA.BA07416).

ISBN 9790006559206. 27 x 19 cm inches. Text Language: Latin.

Based on the well-known bible text “Sing unto the Lord a new song” (Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.

“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.
My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.”

Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmen”, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.

(No. 3 from Love Was My Lord and King ). By Gwyneth W. Walker (1947-). For TTBB choir, chamber Orchestra or Piano. Choral, general. Octavo. 12 pages. Published by E.C. Schirmer Publishing

Arranged by James Erb. American Folk Song. For Choir. (TTBBB a cappella). Choral Octavo. Choral Octavo. 12 pages. Published by Alfred Publishing.

(30 Songs - Men's Edition). By Andrew Lloyd Webber. Vocal Collection. Softcover. 162 pages

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Duration 17 minutes, 30 seconds. E.C. Schirmer Publishing #8516. Published by E.C. Schirmer Publishing (EC.8516).