In My Life Chorale TTBB TTBB A Cappella Hal Leonard
By The Beatles. By John Lennon and Paul McCartney. Arranged by Steve Zegree. For...(+)
By The Beatles. By John
Lennon and Paul
McCartney. Arranged by
Steve Zegree. For Choral
(TTBB A Cappella). Pop
Choral Series. 8 pages.
Published by Hal Leonard
By David Whipple Jr.. For TTBB choir and piano (with optional 2 trumpets, 2 trom...(+)
By David Whipple Jr.. For
TTBB choir and piano
(with optional 2
trumpets, 2 trombones and
rhythm). Sacred Anthem:
General, Holy Week.
Octavo. Published by
Monarch Music
Composed by
Craig Courtney. Sacred
octavos. Octavo.
Beckenhorst Press
#BP2168. Published by
Beckenhorst Press
(BP.BP2168).
Printed
product.
A
beautiful, compelling
piano accompaniment
begins this tender
setting of the Robert
Browning text. Quiet,
conditional statements
become a profession of
faith as they open into
the power of the promise
that the everlasting arms
my life surround. Perfect
for the time of
confession and assurance
of pardon. Now available
arranged for SSAA and
TTBB.
SSATTBB chorus and piano - Medium SKU: JK.01062 Composed by Jon G. Hollom...(+)
SSATTBB chorus and piano
- Medium
SKU:
JK.01062
Composed by
Jon G. Holloman. Arranged
by Brent Jorgensen.
Choral SATB, Difficulty
Medium, Piano Choir,
Example, Grace, Jesus
Christ - Example, Jesus
Christ - Savior, Mercy,
Premortal Life,
Sacrament. Christian,
Inspirational. Duration
3:20. Jackman Music
Corporation #01062.
Published by Jackman
Music Corporation
(JK.01062).
Moses
4:1-2, Alma
42:14-15.
Hymn
arrangement combining
original melody by Jon
Holloman with the beloved
lyrics of Eliza R.
Snow--arranged for mixed
chorus (SSATTBB) and
piano accompaniment.
Highest soprano note:
F.
Composer: Jon
G. Holloman Lyricist:
Eliza R. Snow
Difficulty: Medium
Performance time:
3:20 Reference: Moses
4:1-2, Alma 42:14-15.
By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Rep...(+)
By Elizabeth Alexander.
For Men's Chorus (TTBB
choir a cappella).
Collegiate Repertoire,
Community Chorus, Concert
Music. Courage, Hardship,
Sacred (Worship and
Praise), Choral.
Moderately Advanced.
Octavo. Text language:
English. Duration 6
minutes. Published by
Seafarer Press
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Composed by Marten
Jansson. Stapled. Choral
score. 6 pages.
Baerenreiter Verlag
#BA07416_00. Published by
Baerenreiter Verlag
(BA.BA07416).
ISBN
9790006559206. 27 x 19 cm
inches. Text Language:
Latin.
Based on the
well-known bible text
“Sing unto the Lord
a new song†(Psalm
96:1-3), this upbeat
composition with strong
dynamics and flowing
block chords alternating
with fast-paced polyphony
brings across this joyful
message and enthuses
singers.
“My
music is my own and I
have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings‘ but also as
‘the happiest
classical music that we
have ever
heard’. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.â€
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of Uppsala.
SAATTBar vocal soli, SSAATTBB choir SKU: CA.738610 Composed by Michael Wa...(+)
SAATTBar vocal soli,
SSAATTBB choir
SKU:
CA.738610
Composed by
Michael Waldenby.
Contemporary Choir Music.
Sacred vocal music,
Motets. Full score. Op.
49, No. 1. 12 pages.
Duration 8 minutes. Carus
Verlag #CV 07.386/10.
Published by Carus Verlag
(CA.738610).
ISBN
9790007166281. Text
language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).
SAATTBB choir SKU: CA.738620 Composed by Michael Waldenby. Contemporary C...(+)
SAATTBB choir
SKU:
CA.738620
Composed by
Michael Waldenby.
Contemporary Choir Music.
Sacred vocal music,
Motets. Full score. Op.
49, No. 2. 4 pages.
Duration 3 minutes. Carus
Verlag #CV 07.386/20.
Published by Carus Verlag
(CA.738620).
ISBN
9790007166298. Text
language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).
SSAATTBB choir SKU: CA.738640 Composed by Michael Waldenby. Contemporary ...(+)
SSAATTBB choir
SKU:
CA.738640
Composed by
Michael Waldenby.
Contemporary Choir Music.
Sacred vocal music,
Motets. Full score. Op.
49, No. 4. 4 pages.
Duration 3 minutes. Carus
Verlag #CV 07.386/40.
Published by Carus Verlag
(CA.738640).
ISBN
9790007166304. Text
language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).
Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820).
UPC:
680160050376. 8.5 x 11
inches.
Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi.
Choral TTBB choir SKU: CF.CM9571 Eternal Life. Composed by Joseph ...(+)
Choral TTBB choir
SKU:
CF.CM9571
Eternal
Life. Composed by
Joseph P. Webster. Edited
by John Ratledge.
Arranged by Aaron Humble.
Sanford F. Bennett
(1836-1898). Jbc.
Performance Score. With
Standard notation. 12
pages. Duration 3
minutes, 47 seconds. Carl
Fischer Music #CM9571.
Published by Carl Fischer
Music (CF.CM9571).
ISBN 9781491153659.
UPC: 680160911158. 6.75 x
10.5 inches. Key: Gb
major. English. Sanford
F. Bennett
(1836-1898).
Aaron
Humble's arrangement of
this beloved old favorite
from American hymnody is
appropriate for both
school and church. With
soaring obligato lines
and shimmering harmony,
when sung with a warm and
gentle tone,?The Sweet By
and By?is certain to
paint a picture of a
better time for us all to
look forward. Also
available for SATB Voices
(CM9572). I have great
memories of my family
gathering around the
piano to sing hymns. As
my sister and I learned
more about music through
lessons, band and choir,
we started adding harmony
and really making music.
The old American hymnody
really holds a special
place in my heart.
Webster set Bennett's
text in a time when
American theology had
taken a turn away from
earlier ideas where God
was a god of vengeance
and anger. With this in
mind, this arrangement
should be sung with a
warm and gentle tone
allowing the dissonances
to shimmer, the sweetness
of the harmonies to
bloom, and the obbligato
lines to soar.
Some Nights Chorale TTBB TTBB A Cappella [Octavo] Alfred Publishing
By Nate Ruess, Andrew Dost, Jack Antonoff, and Jeffrey Bhasker [fun.]. Arranged ...(+)
By Nate Ruess, Andrew
Dost, Jack Antonoff, and
Jeffrey Bhasker [fun.].
Arranged by Andy Beck.
Choir Secular. Men's
Choir. Choral Octavo. Pop
Choral. 16 pages.
Published by Alfred Music
Publishing