TTBB choir, piano

SKU: GH.SK-715

Composed by Douglas D Johnson. Piano reduction. With Language: English. 8 pages. Gehrmans Musikforlag #SK 715. Published by Gehrmans Musikforlag (GH.SK-715).

ISBN 9790070017886. A4 inches.

By Greg Gilpin and John Parker. For TTBB choir and keyboard (TTBB A Cappella). Shawnee Press. 16 pages

By John Lennon, Paul McCartney. Arranged by Deke Sharon And Anne Raugh. (TTBB A Cappella). Choral Collection. 32 pages. Published by Hal Leonard.

By The Beatles. By John Lennon and Paul McCartney. Arranged by Steve Zegree. For Choral (TTBB A Cappella). Pop Choral Series. 8 pages. Published by Hal Leonard

(from American Song). By Walt Whitman, John Leavitt. (TTBB). Choral. Festival. 12 pages. Published by Hal Leonard.

Composed by Leslie Bricusse and John Williams. Arranged by Mark Hayes. Shawnee Press. Christmas, Pop. Octavo. 8 pages. Published by Shawnee Press

By Hoelty-Nickel. For TTBB choir. Sacred. Published by Concordia Publishing House.

By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Repertoire, Community Chorus, Concert Music. Courage, Hardship, Sacred (Worship and Praise), Choral. Moderately Advanced. Octavo. Text language: English. Duration 6 minutes. Published by Seafarer Press

Composed by James Pierpont (1822-1893). Arranged by Kay Thompson and Johnny Mandel, choral arr. Mark Hayes. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Christmas; Secular; Winter. 16 pages. Published by Alfred Music

TTBB choir, a cappella

SKU: OU.9780193560802

Composed by Marques L. A. Garrett. In the deep. Octavo. 12 pages. Duration 4'. Oxford University Press #9780193560802. Published by Oxford University Press (OU.9780193560802).

ISBN 9780193560802. 10 x 7 inches.

TTBB unaccompanied. Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring. My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programming. Also available in a version for SATB unaccompanied.

Arranged by Greg Gilpin. Choir Secular. Men's Choir. Choral Octavo. Choral Designs. Folk; Secular. 16 pages. Published by Alfred Music

By Lane E. Johnson. For TTBB Choir. Duration 4:00. Published by Jackman Music Corporation.
Level: Easy.

By Jean Sibelius. Arranged by Ronald Staheli. Text: John S. Tanner - poetic paraphrase of 2 Nephi 4. For TTBB Choir, a cappella. Duration 4:00. Published by Jackman Music Corporation.
Level: Medium.

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Duration 17 minutes, 30 seconds. E.C. Schirmer Publishing #8516. Published by E.C. Schirmer Publishing (EC.8516).

Arranged by John Leavitt. (TTBB A Cappella). Secular Christmas Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

Composed by Johann Sebastian Bach (1685-1750). For TTBB choir, a cappella. Communion, Baroque. Octavo. 8 pages. Published by E.C. Schirmer Publishing

Composed by John Rutter. In the deep. Vocal score. 4 pages. Duration 1.5'. Oxford University Press #9780193561540. Published by Oxford University Press

SSAATTBB choir

SKU: CA.991200

Composed by Knut Nystedt. Carus Novus; Contemporary choral music. German title: Psalm 86 Herr, Neige Deine Ohren. Sacred vocal music, Psalms, German, End of the church year, Lent and Passiontide, Prayer, Mourning, death. Full score. Op. 173. Duration 7 minutes. Carus Verlag #CV 09.912/00. Published by Carus Verlag (CA.991200).

ISBN 9790007034733. Language: German/English.

Composed by Michael John Trotta. 21st Century. Choral score. Duration 4 minutes, 35 seconds. Galaxy Music Corporation #1.3526. Published by Galaxy Music Corporation

Collection for Male Voices. Composed by John Dowland (1563-1626). Edited by Philip Lawson. De Haske Choral Music. 32 pages. Published by De Haske Publications (HL.125432).

Choral TTBB choir, piano

SKU: CF.CM9635

Composed by Victor Johnson. Fold. Performance Score. 12 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9635. Published by Carl Fischer Music (CF.CM9635).

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

Arranged by Jack Schrader Singley, H.E. Iii. (Men's Voices). Sacred. Print Music Collection (Book). 76 pages. Published by Hope Publishing Company.

Sacred Music for Lower Voices. By Barry Rose. Edited by Barry Rose. The Novello Choral Programme. Sacred. Book [Softcover]. 152 pages. Novello and Co Ltd. #MUSNOV381000. Published by Novello and Co Ltd.

Choral (TTBB Choir)

SKU: HL.198551

Voices Rising Series. Composed by John Bucchino. Edited by Judith Clurman. Voices Rising. Concert, Inspirational, Pop. Octavo. 20 pages. Published by Hal Leonard (HL.198551).

UPC: 888680648183. 6.75x10.5 inches.

From the musical “Urban Myths” here is an inspirational work for concert choir. Lush harmonies and a piano accompaniment that leads to an thrilling climax make this a perfect selection for graduation, Thanksgiving or concert closer.