(No. 3 from Love Was My Lord and King ). Composed by David Conte (1955-). For T...(+)
(No. 3 from Love Was My
Lord and King ). Composed
by David Conte (1955-).
For TTBB choir, a
cappella. 21st Century.
Octavo. Published by E.C.
Schirmer Publishing
(No. 3 from Love Was My Lord and King ). By Gwyneth W. Walker (1947-). For TTBB...(+)
(No. 3 from Love Was My
Lord and King ). By
Gwyneth W. Walker
(1947-). For TTBB choir,
chamber Orchestra or
Piano. Choral, general.
Octavo. 12 pages.
Published by E.C.
Schirmer Publishing
By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Rep...(+)
By Elizabeth Alexander.
For Men's Chorus (TTBB
choir a cappella).
Collegiate Repertoire,
Community Chorus, Concert
Music. Courage, Hardship,
Sacred (Worship and
Praise), Choral.
Moderately Advanced.
Octavo. Text language:
English. Duration 6
minutes. Published by
Seafarer Press
Choral (TTBB Choir) SKU: HL.50600722 Andrea Ramsey Choral Series. ...(+)
Choral (TTBB Choir)
SKU: HL.50600722
Andrea Ramsey Choral
Series. Composed by
Derrick Fox. Andrea
Ramsey Choral Series.
Concert, Festival.
Octavo. 8 pages.
Published by G. Schirmer
(HL.50600722).
ISBN
9781495075469. UPC:
888680646110. 6.75x10.5
inches.
Introducing
?Four Shape Note? singing
to your young singers,
this arrangement from the
Sacred Harp is full of
energy. Young singers
will relate to the
positive message and they
will be surprised that
19th century music can be
so much fun to sing.
By Jay Althouse. For men's voices. Choral music. General, Assurance, Children, C...(+)
By Jay Althouse. For
men's voices. Choral
music. General,
Assurance, Children,
Christ's Presence,
Comfort, Devotion,
Guidance, Promise,
Funeral, Sacred. Choral
octavo. 8 pages.
Published by Hope
Publishing Company
One Song Chorale TTBB TTBB, Piano Alfred Publishing
Composed by Alan and Marilyn Bergman, music by Marvin Hamlisch. Arranged by Mark...(+)
Composed by Alan and
Marilyn Bergman, music by
Marvin Hamlisch. Arranged
by Mark Hayes. Choral
Octavo. Alfred Pop
Series. Secular. 12
pages. Published by
Alfred Music (AP.45491).
By Traditional. Arranged by Mark Williams. For TTBB choir a cappella. Kikapust C...(+)
By Traditional. Arranged
by Mark Williams. For
TTBB choir a cappella.
Kikapust Choral Series.
Choral. Grade 3. Sheet
Music. Duration 3
minutes. Published by
Edition Peters
My Romance Chorale TTBB TTBB A Cappella Barbershop Harmony Society
Arranged by Burt Szabo. Barbershop Harmony Society. A Cappella, Barbershop, S...(+)
Arranged by Burt Szabo.
Barbershop Harmony
Society. A
Cappella, Barbershop,
Standards. Octavo. 8
pages.
Contemporary A Cappella
Publishing #210613.
Published
by Contemporary A
Cappella
Publishing
Composed by Sammy Cahn, music by Jule Styne. Arranged by Mark Hayes. Choir Secul...(+)
Composed by Sammy Cahn,
music by Jule Styne.
Arranged by Mark Hayes.
Choir Secular. Men's
Choir. Choral Octavo. Pop
Choral. Christmas;
Holiday Pops; Secular;
Winter. 12 pages.
Published by Alfred Music
Choral (TTBB Choir) SKU: HL.346279 Composed by Kevin A. Memley. Pavane Ch...(+)
Choral (TTBB Choir)
SKU: HL.346279
Composed by Kevin A.
Memley. Pavane Choral.
Christmas, Concert,
General Worship, Sacred,
Traditional. Octavo. 16
pages. Pavane Publishing
#P1680. Published by
Pavane Publishing
(HL.346279).
UPC:
840126923438.
6.75x10.5x0.036
inches.
Taken from
his very popular
Magnificat, is this first
movement setting for TB
voices. Performable with
piano alone, it is best
experienced with piano,
brass and percussion. A
great Christmas selection
of medium difficulty.
Composed by Nancy Telfer.
Collection. Successful
Sight Singing Performance
Selections. Secular,
Choral. Octavo. Neil A.
Kjos Music Company #5566.
Published by Neil A. Kjos
Music Company (KJ.5566).
Free Use Of
Rubato & Varied Dynamics
Give Your Singers A
Chance To Express The
Profound Lyrics In This
Meditative, Lush Choral
Setting. A Winner for
Your Male Chorus! TTBB,
Opt. Accompaniment Grade
3, Milestone 4.
My Master Lives Chorale SSATTBB [Octavo] - Intermédiaire Jackman Music Corporation
By Wanda West Palmer. Text: Wanda West Palmer. For SSATTBB Choir. Level: Medium ...(+)
By Wanda West Palmer.
Text: Wanda West Palmer.
For SSATTBB Choir. Level:
Medium Difficult /
Difficult
(accompaniment).
Published by Jackman
Music Corporation.
Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886).
Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept.
Composed by Marten
Jansson. Stapled. Choral
score. 6 pages.
Baerenreiter Verlag
#BA07416_00. Published by
Baerenreiter Verlag
(BA.BA07416).
ISBN
9790006559206. 27 x 19 cm
inches. Text Language:
Latin.
Based on the
well-known bible text
“Sing unto the Lord
a new song†(Psalm
96:1-3), this upbeat
composition with strong
dynamics and flowing
block chords alternating
with fast-paced polyphony
brings across this joyful
message and enthuses
singers.
“My
music is my own and I
have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings‘ but also as
‘the happiest
classical music that we
have ever
heard’. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.â€
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of Uppsala.
Characteristic
Intermezzo. Composed
by Albert Ketèlbey.
Great Classics.
Transcription. Set (Score
& Parts). Composed 2008.
Music Sales #1515-08-050
MS. Published by Music
Sales
(BT.1515-08-050-MS).
9x12 inches.
English-German-French-Dut
ch.
De Engelse
componist, dirigent en
pianist Albert W.
Ketèlbey (1875-1959)
werd vooral bekend met
zijn kleurrijke
instrumentaties die waren
gebaseerd op oosterse
muziek. In a Monastery
Garden,
waarschijnlijk het
bekendste werkvan
Ketèlbey, gecomponeerd
in 1915, is een kort
symfonisch gedicht. In
dit arrangement voor
harmonieorkest van Tohru
Takahashi komt de sfeer
van het oorspronkelijke
werk uitstekend tot zijn
recht.
Der
englische Komponist,
Dirigent und Pianist
Albert W. Ketèlbey
(1875-1959) machte sich
besonders durch seine
farbigen
Instrumentierungen, die
auf orientalischer Musik
basierten, einen Namen.
In a Monastery
Garden, Ketèlbeys
wohl bekanntestes Werk,
gehört zu einer Reihe
kurzer Tongedichte aus
dem Jahre 1915. Diese
Transkription von Tohru
Takahashi wird der
Atmosphäre des
Originals voll und ganz
gerecht.
Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820).
UPC:
680160050376. 8.5 x 11
inches.
Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi.
Choral TTBB choir SKU: CF.CM9571 Eternal Life. Composed by Joseph ...(+)
Choral TTBB choir
SKU:
CF.CM9571
Eternal
Life. Composed by
Joseph P. Webster. Edited
by John Ratledge.
Arranged by Aaron Humble.
Sanford F. Bennett
(1836-1898). Jbc.
Performance Score. With
Standard notation. 12
pages. Duration 3
minutes, 47 seconds. Carl
Fischer Music #CM9571.
Published by Carl Fischer
Music (CF.CM9571).
ISBN 9781491153659.
UPC: 680160911158. 6.75 x
10.5 inches. Key: Gb
major. English. Sanford
F. Bennett
(1836-1898).
Aaron
Humble's arrangement of
this beloved old favorite
from American hymnody is
appropriate for both
school and church. With
soaring obligato lines
and shimmering harmony,
when sung with a warm and
gentle tone,?The Sweet By
and By?is certain to
paint a picture of a
better time for us all to
look forward. Also
available for SATB Voices
(CM9572). I have great
memories of my family
gathering around the
piano to sing hymns. As
my sister and I learned
more about music through
lessons, band and choir,
we started adding harmony
and really making music.
The old American hymnody
really holds a special
place in my heart.
Webster set Bennett's
text in a time when
American theology had
taken a turn away from
earlier ideas where God
was a god of vengeance
and anger. With this in
mind, this arrangement
should be sung with a
warm and gentle tone
allowing the dissonances
to shimmer, the sweetness
of the harmonies to
bloom, and the obbligato
lines to soar.
Composed by Various. Barbershop Harmony Society. Barbershop. 20 pages. Barbersho...(+)
Composed by Various.
Barbershop Harmony
Society. Barbershop. 20
pages. Barbershop Harmony
Society #209064.
Published by Barbershop
Harmony Society
(HL.151533).
SAATTBar vocal soli, SSAATTBB choir SKU: CA.738610 Composed by Michael Wa...(+)
SAATTBar vocal soli,
SSAATTBB choir
SKU:
CA.738610
Composed by
Michael Waldenby.
Contemporary Choir Music.
Sacred vocal music,
Motets. Full score. Op.
49, No. 1. 12 pages.
Duration 8 minutes. Carus
Verlag #CV 07.386/10.
Published by Carus Verlag
(CA.738610).
ISBN
9790007166281. Text
language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).
SAATTBB choir SKU: CA.738620 Composed by Michael Waldenby. Contemporary C...(+)
SAATTBB choir
SKU:
CA.738620
Composed by
Michael Waldenby.
Contemporary Choir Music.
Sacred vocal music,
Motets. Full score. Op.
49, No. 2. 4 pages.
Duration 3 minutes. Carus
Verlag #CV 07.386/20.
Published by Carus Verlag
(CA.738620).
ISBN
9790007166298. Text
language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).
SSAATTBB choir SKU: CA.738640 Composed by Michael Waldenby. Contemporary ...(+)
SSAATTBB choir
SKU:
CA.738640
Composed by
Michael Waldenby.
Contemporary Choir Music.
Sacred vocal music,
Motets. Full score. Op.
49, No. 4. 4 pages.
Duration 3 minutes. Carus
Verlag #CV 07.386/40.
Published by Carus Verlag
(CA.738640).
ISBN
9790007166304. Text
language:
Latin.
The
composition of Verba
Ecclesiastes begun in
2002 as a result of a
comission from my friend
Gary Graden. For many
years I've found those
words from the Old
Testament very
fascinating - as everyone
knows, I'm not alone.
Vanity of vanities! All
is vanity! Writers,
painters and filmmakers
have for centuries been
dealing with the subject
and I found it high time
to set the famous words
to music. The suite, for
soloists, choir and
violoncello, consists of
six movements, each one
enlighting a different
view of life and
afterlife, and also, as
Matthew Arnold puts it of
human misery. Yet the
suite is full of hope and
humanity, specially
recognizable in the two
central parts, Dulce
lumen and Omnia tempus
habent. The music was
completed in 2009.
(Michael Waldenby).